In
recent
times,
other
than
Sanjay
Gadhvi
the
only
filmmaker
who
has
completed
his
three
film
stint
with
Yash
Raj
Films
and
ventured
into
a
different
production
house
is
Siddharth
Anand.
While
Sanjay
went
on
to
make
Kidnap
after
his
Dhoom
series
coupled
with
Mere
Yaar
Ki
Shaadi
Hai,
Siddharth
completed
a
hat
trick
of
success
in
Salaam
Namaste,
Ta
Ra
Rum
Pum
and
Bachna
Ae
Haseeno
before
stepping
into
Anjaana
Anjaani.
No
wonder,
after
a
decade
long
association
with
the
banner
(Siddharth
had
worked
as
an
Assistant
Director
at
Yash
Raj
Films
for
5
years
before
getting
his
big
break
with
Salaam
Namaste),
Siddharth
wanted
to
convince
himself
multiple
times
before
picking
on
a
banner.
"I
wanted
to
work
with
someone
who
didn't
carry
any
greed
and
wasn't
corrupt
when
it
came
to
money
matters",
says
Siddharth
who
is
one
of
the
youngest
successful
directors
around
today,
"If
I
had
to
venture
out
of
the
comfort
zone
of
Yash
Raj
Films,
I
had
to
look
for
that
umbrella
and
cushion
that
could
take
care
of
me.
I
wanted
someone
to
be
as
passionate
as
Adi
(Aditya
Chopra)
when
it
came
to
making
films
and
I
saw
that
in
Sajid
(Nadiadwala)."
Not
many
know
that
it
was
Siddharth
himself
who
approached
Sajid
to
produce
the
film
for
him.
"I
have
closely
watched
Sajid's
involvement
as
a
producer
and
what
he
brings
to
the
table",
says
Siddharth,
"He
doesn't
make
films
for
the
heck
of
it.
With
the
reputation
that
he
has
built
over
the
years,
he
could
have
been
making
multiple
films
every
year
but
he
never
did
that.
If
you
look
at
his
success
record,
it
is
phenomenal.
He
is
someone
who
makes
films
with
a
lot
of
conviction."
He
is
quick
to
add
though
that
it
is
a
mutually
beneficial
situation
for
both
Siddharth
as
well
as
Sajid
when
it
comes
to
making
a
film.
When
questioned
if
he
felt
'fortunate'
enough
to
get
a
backing
from
Sajid,
he
says
quickly
with
a
smile,
"If
I
would
have
come
with
two
flops
behind
me
then
perhaps
yes,
I
would
have
felt
a
lot
more
fortunate.
I
am
glad
though
that
Sajid
realised
I
was
good
and
hence
we
could
make
this
film
together."
Nevertheless,
coming
back
to
the
original
topic
of
venturing
out
to
a
new
production
house
for
his
first
film
outside
Yash
Raj
Films,
has
the
experience
been
any
different?
"I
felt
that
I
was
working
in
my
dad's
company",
laughs
Siddharth,
"Ab
isse
Hindi
mein
bolunga
to
thoda
kharaab
lagega
but
the
fact
is
that
I
had
so
much
of
freedom
during
making
of
Anjaana
Anjaani
that
I
truly
felt
like
being
in
my
home-ground.
Anjaana
Anjaana
is
my
little
baby
and
it
was
good
of
Sajid
to
assign
me
the
responsibility
of
making
such
a
big
film.
I
am
sure
he
wouldn't
have
done
that
if
he
didn't
have
faith
in
me."
He
adds
as
a
final
note,
"There
was
no
interference
from
Sajid
or
anyone
else
from
the
production
house.
Also,
the
kind
of
person
I
am,
if
there
was
any
interference
you
would
have
heard
about
it.
I
may
not
be
arrogant
as
a
person
but
I
am
very
arrogant
when
it
comes
to
my
film."