'I
Don't
Want
To
Do
Remakes'
Q.
Dulquer,
this
(Karwaan)
must
not
have
been
the
first
Bollywood
film
which
was
offered
to
you?
A.
Yes.
I
had
heard
some
stuff
in
the
past.
But
I
think
I
wasn't
looking
actively
as
a
debut
as
such.
I
just
wanted
to
do
something
I
really
connected
with
and
something
that
resonates
with
my
sensibilities
with
the
kind
of
films
which
I
have
done.
Q.
Were
you
planning
to
foray
into
Hindi
cinema
at
any
point?
A.
Well,
it's
not
something
that
I
actively
thought
about
or
pursued
or
planned.
Same
applies
for
Tamil
and
Telugu.
But,
I
think
every
film
which
you
do
opens
more
doors
for
you.
Some
of
my
Malayalam
films
caught
the
attention
of
Tamil
filmmakers.
I
am
sure
Mani
Sir's
film
(OK
Kanmani)
caught
the
attention
of
makers
here
because
everybody
watches
his
films.
Also,
I
have
been
a
part
of
some
really
amazing
Malayalam
films
which
have
been
watched
by
everybody
even
up
north.
I
feel
because
they
have
seen
these
movies,
I
have
had
inquiries
in
that
sense;
sometimes
to
remake
my
own
films.
But
then
remakes
is
something
which
I
don't
want
to
do.
But
yes,
it
was
completely
unplanned
for
here
where
I
debuted
both,
in
Telugu
and
Hindi
in
the
same
year.
I
shot
both
the
films
back
to
back.
Q.
Speaking
about
remakes,
there
are
people
here
who
must
have
missed
out
on
some
of
your
amazing
work
in
Malayalam
cinema..
A.
True.
But
I
don't
think
I
would
be
doing
anything
new
in
remakes.
I
would
only
be
speaking
in
a
different
language.
But
as
an
actor
for
me,
that's
not
something
which
I
will
be
excited
about
and
I
don't
want
to
do
films
mechanically.
Q.
Considering
Karwaan
is
your
debut
film,
you
are
quite
fluent
in
Hindi.
How
did
you
get
your
grip
on
the
language
because
that's
a
common
failing
point
for
most
South
actors?
A.
I
think
that's
possibly
got
to
do
with
my
schooling.
But
then
maybe
because
I
have
a
knack
for
languages.
I
have
always
been
exposed
to
Hindi.
It
was
my
second
language
in
school.
We
had
to
speak
it
in
the
class
where
we
had
a
lot
of
kids
belonging
to
North
Indian
families
in
my
school.
Also,
my
college
had
a
huge
Indian
student
body
which
comprised
kids
from
everywhere-
Punjab,
Gujarat,
Mumbai,
Delhi.
I
picked
up
a
ear
to
know
the
difference
between
the
languages.
Q.
You
have
worked
in
four
different
languages
which
means
you
have
been
introduced
four
times.
Any
plans
of
making
your
fifth
debut?
A.
(smiles)
I
will
have
to
learn
a
new
language.
It's
a
privilege
to
be
introduced
four
times.
I
don't
think
that
many
people
get
this
privilege.
So,
I
genuinely
feel
lucky
because
it's
not
just
me
being
like,
'Hey,
I
want
to
do
Hindi
cinema' and
then
that
will
happen.
It
also
has
to
happen
from
them.
I
have
to
get
a
film
offered
and
then
somebody
has
to
back
the
film
because
there's
money
involved.
'Right
From
A
Young
Age,
I
Have
Liked
Fairly
Relatable,
Realistic
Cinema'
Q.
You
said
you
were
offered
Hindi
films
before,
but
you
decided
to
pick
up
a
film
which
resonated
with
you.
What
made
you
take
up
Karwaan?
A.
There's
no
particular
checklist
or
signs
behind
how
I
select
my
films.
When
the
films
work,
it
means
my
selections
are
good.
But
then
if
they
stop
working,
then
there's
something
wrong.
As
every
other
actor,
I
go
with
my
gut
and
instincts.
Right
from
a
young
age,
I
have
liked
fairly
relatable,
realistic
cinema.
I
didn't
connect
to
sci-fi
or
Star
Wars
or
Star
Treks
so
much.
I
always
needed
a
sort
of
belief.
Like,
I
could
believe
Batman
and
Iron
Man
but
not
some
of
the
other
superheroes.
I
always
feel
like
I
need
to
have
some
sense
of
relatability
and
the
script
of
Karwaan
in
that
sense,
seems
very
real.
I
thought
the
premise
was
very
interesting.
I
loved
Irrfan
Khan's
character
Shaukat,
my
character
Avinash
and
Mithila's
character
Tanya.
All
three
of
them
are
poles
apart.
One
is
a
super
eccentric,
judgemental
and
inappropriate
workshop
owner,
which
is
Irrfan's
character.
I
am
this
happy,
number-cruncher
who
works
in
an
IT
firm
and
Mithila's
Tanya
is
a
high
school
girl.
The
film
revolves
around
all
these
three
people
in
a
van
with
a
dead
body.
The
premise
is
unique
and
the
whole
film
has
a
lot
of
heart.
'I
Have
To
Work
Hard
To
Make
The
Right
Choices'
Q.
You
have
always
maintained
that
you
are
yet
to
come
to
terms
with
stardom.
Instead,
you
consider
yourself
as
a
movie
buff
who
acts
and
enjoys
films.
What
keeps
you
so
grounded
despite
all
the
success
and
fan-following?
A.
Film
industry
is
a
very
fickle
place
where
you
are
only
as
good
as
your
last
Friday.
I
don't
want
to
start
believing
in
or
it's
doesn't
mean
that
I
have
some
kind
of
guarantee
that
if
I
churn
out
a
bad
film,
that
will
still
make
some
money.
That
kind
of
stardom
happens
very
rarely
and
that
too
over
a
period
of
time.
I
have
to
work
hard
to
make
the
right
choices.
When
you
make
a
film,
it's
a
combined
team
effort.
If
the
film
is
good
and
everybody
is
working
hard
towards
it,
then
even
my
performance
or
character
will
be
considered
good.
But
if
the
movie
is
bad
then
how
much
ever
I
perform
or
whatever
efforts
I
put
into
that,
it
will
go
unnoticed.
So,
I
genuinely
think
the
films
are
the
hero.
I
love
cinema
and
I
want
every
film
choice
of
mine
to
be
a
reflection
of
that.
'I
Don't
Dwell
On
Success
Or
Failure
In
My
Head
Beyond
A
Monday'
Q.
Then
how
do
you
deal
with
your
failures?
A.
I
don't
dwell
on
success
or
failure
in
my
head
beyond
a
Monday.
If
my
film
is
a
hit,
I
am
relieved
for
more
than
anything.
I
might
enjoy
the
success
in
my
head
on
Saturday
and
Sunday.
But
by
Monday,
I
need
to
come
back
to
earth
and
be
like,
'Hey,
if
this
Friday
went
okay,
you
are
relieved
but
now
next
Friday
is
yet
to
come,
it
better
go
well.' I
can't
afford
to
dwell
on
even
big
failures
beyond
a
Monday
because
I
have
to
get
back
to
shoot.
If
I
am
depressed
and
sad
but
have
to
enact
a
happy
scene,
you
can't
dwell
on
anything
too
much.
That
also
helps
in
keeping
me
grounded.
Q.
Was
Hindi
cinema
a
part
of
your
childhood
and
growing
years?
A.
For
sure.
I
have
always
loved
Hindi
cinema
and
have
been
a
Hindi
cinema
buff.
You
can
say
I
am
a
movie
buff.
I
watch
everything-
whether
it's
English,
Hindi.
Tamil
or
Malayalam.
If
I
can
understand
it
or
if
someone
recommends
it
to
me,
I
will
watch
it.
I
grew
up
with
my
mother
and
my
sister.
Definitely
if
my
sister
was
excited
to
watch
a
'Hum
Aapke
Hain
Koun',
I
used
to
be
there
with
her
in
the
theatre
and
I
would
watch
Hindi
songs
with
my
mother.
I
loved
a
lot
of
travel
films
or
a
film
like
Anjaam
with
a
negative
character.
Q.
There
were
reports
that
you
were
also
approached
for
Anurag
Kashyap's
Manmarziyan.
A.
There
is
a
lot
of
discussions
and
exchanges
involved
for
a
film
to
happen.
I
feel
every
film
has
its
own
destiny.
I
have
never
spoken
about
the
films
which
were
being
discussed.
I
prefer
to
talk
about
my
films
which
are
confirmed
and
on
the
floors
or
awaiting
release.
That
makes
more
sense.
There
are
too
many
variables
until
you
start
shooting.
Q.
Irrfan
recently
watched
Karwaan
in
London.
Does
that
kind
of
make
you
feel
better
now?
A.
Irrfan
Sir
earlier
watched
one
version
in
February
and
now
recently,
he
watched
the
final
cut.
It's
always
nice
to
have
his
take
and
opinion
on
it.
He
is
definitely
one
of
the
key
reasons
why
I
got
on
board
for
this
film.
You
know
someone
like
Irrfan
Sir
or
Ronnie
Sir
have
always
had
their
names
associated
with
good
movies.
For
me,
it
felt
like
if
they
have
already
done
their
homework,
it
makes
half
my
work
easier.
It
becomes
an
easy
pick
for
me.
A
major
percentage
of
the
audience
will
watch
the
film
because
Irrfan
Sir
is
in
it.
I
had
always
maintained
that
if
I
ever
was
to
do
a
Hindi
film,
I
would
prefer
to
do
one
where
I
play
an
interesting
role
and
everybody
watches
it
as
opposed
to
me
playing
a
lead
and
nobody
watching
it.
Q.
How
was
your
personal
bonding
with
him?
A.
Amazing.
He's
genuinely
such
a
warm
and
funny
person.
He's
curious
and
supremely
well-read
and
well-informed.
He
can
discuss
any
topic
with
you.
At
the
same
time,
he
wants
to
know
everything
as
well;
whether
its
Malayalam
cinema
or
politics.
Q.
You
have
a
lot
of
female
fan-following...
A.
I
find
it
very
sweet
and
don't
think
too
much
about
it.
Q.
Are
you
open
to
the
idea
of
doing
biopics?
A.
I
did
Mahanati.
Well,
I
am
open
to
it.
It's
not
like
I
would
say
I
wouldn't
do
a
biopic.
I
think
a
lot
of
times,
what's
crucial
in
a
biopic
is
having
dates
for
that
long
because
you
have
multiple
looks
and
schedules.
Also,
you
should
also
be
in
a
position
to
give
that
much
time.
I
think
a
couple
of
my
films
in
Malayalam
are
a
kind
of
biopics
(laughs).
What's
tricky
for
me
is
to
allot
dates
for
that
long.
Right
now,
I
am
juggling
between
multiple
opportunities
in
multiple
industries.
So,
I
try
to
see
if
I
can
limit
it
or
at
least
the
films
are
tighter
films.
That
way,
I
can
explore
more.
Q.
One
Bollywood
actor
which
you
would
love
to
play
on-screen?
A.
No,
no.
I
don't
like
to
play
anybody.
Not
an
actor
for
sure.
I
can't
ever
think
like
that.
I
can't
be
like
'I
want
to
do
this
so
let's
make
a
movie
on
that'.
Q.
Would
you
like
to
write
or
direct
a
film
someday?
A.
For
sure.
I
think
writing
requires
a
certain
kind
of
discipline.
I
tried
writing
during
my
college
days.
I
have
had
ideas
and
full-fleshed
out
scripts
in
my
head.
But
right
now,
there's
so
many
opportunities
in
terms
of
acting,
I
don't
know
if
I
can
afford
to
take
the
time
out.
'I
Am
Not
Entitled
To
Anything
Because
I
Am
Mammootty's
Son'
Q.
You
never
used
the
name
'Mammootty'
in
your
name.
One
reason
was
that
your
father
never
wanted
it..
A.
For
sure.
He
was
very
clear
about
it.
Even
in
school,
I
didn't
have
his
last
name.
I
think
I
am
not
entitled
to
anything
because
I
am
his
son.
Dulquer
and
Salmaan
are
derived
from
two
warriors.
My
dad
studied
Islamic
history.
So,
he
liked
these
two
names
and
he
combined
them.