Everyone
has
been
raving
about
your
character
Malik
Kafur.
Did
you
expect
this
kind
of
response?
I
enjoyed
working
on
the
film,
and
I
know
we
had
tried
to
make
the
scenes
interesting
and
dynamic
and
true.
However,
I
could
not
have
expected
this
kind
of
response.
I
hoped
it
would
resonate,
as
we
always
do.
Sanjay
Leela
Bhansali
is
considered
as
one
of
the
finest
film-makers
of
Bollywood.
How
was
your
experience
of
working
with
him?
I
truly
enjoyed
it.
He
has
taught
me
all
the
basic
things
that
a
film
actor
should
know
-
how
to
manipulate
things,
eye-line,
the
magnification
of
the
frame,
the
power
of
imagination,
the
awareness
of
the
camera,
etc.
Specifically,
however,
it
has
helped
me
to
understand
precision,
that
there
is
a
beat
to
the
scene
and
the
line
has
to
come
at
that
beat,
and
you
have
to
find
the
way
to
make
it
come
at
that
beat,
you
must
find
the
motivation,
you
must
find
the
way
so
that
it
appears
natural.
And
once
you
know
the
beat
of
the
scene
then
you
can
play
around
with
slightly
early,
or
slightly
late,
to
surprising
effect.
But
first
you
must
find
the
beat.
He
has
helped
me
think
of
the
economy
of
a
gesture
-
extra
is
only
necessary
if
it
is
absolutely
necessary,
otherwise
see
how
simply
you
can
convey
your
point.
He
always
pushes
you
to
find
hidden
layers
in
a
scene;
he
is
extremely
improvisational
by
nature.
And
if
he
appreciates
what
you
bring
to
the
scene,
he
is
ready
to
restructure
the
scene
accordingly,
from
the
lines,
to
the
camera
set
up.
Therefore,
if
you
can
find
a
new
way
to
approach
something,
he
often
incorporates
it
into
the
scene,
in
addition
of
course
to
throwing
new
things
at
you
that
you
might
not
have
considered;
often
this
new
addition
becomes
the
fulcrum
of
the
scene,
and
through
it,
you
can
find
different
ways
to
express
an
otherwise
fairly
straightforward
scene.
How
did
you
approach
the
role?
What
was
your
first
thought
on
the
character
of
Malik
Kafur?
Shruti
Mahajan
contacted
me.
I
auditioned.
I
got
the
part.
I
read
the
script.
I
thought
of
him
as
a
lithe,
fierce
black
panther,
who
slinks
around
with
his
big,
grizzled
tiger,
master
Alauddin
Khilji.
He
is
a
slave.
As
a
slave,
he
has
hit
the
jackpot.
He
doesn't
take
people
very
seriously.
He
finds
them
amusing,
them
and
their
very
obvious,
silly
motivations.
He's
like
the
fool,
cavorting
around
with
kings
and
queens,
irreverent
and
if
so
commanded,
deadly.
In
a
recent
interview,
Ranveer
Singh
said
that
Jim
made
him
look
good
as
Alauddin.
How
was
your
experience
working
with
him?
I
felt
my
character
could
easily
understand
his
principles,
because
I
was
a
version
of
him,
just
born
in
very
different
circumstances.
Kafur
was
also
extremely
ambitious,
dangerous,
and
was
not
bound
by
the
same
morals
and
scruples
as
the
people
around
them.
A
good
pair
of
sociopaths.
Ranveer
is
a
wonderful
co-actor,
the
kind
of
actor
where
we
are
always
hoping
to
strike
magic.
Sometimes
we
did,
sometimes
we
didn't,
but
the
attempt
was
always
there.
He
is
always
bringing
new
ideas
and
fresh
energy
to
the
set,
and
he
was
always
kind
and
supportive
of
me.
I
would
be
messing
up
takes,
over
and
over
again,
somehow
not
cracking
the
moment,
and
he
would
not
bat
an
eyelid:
if
he
was
frustrated,
he
didn't
let
me
feel
it,
he
shielded
me
from
it,
and
instead
was
supportive
and
showed
he
believed
in
me.
What
more
can
you
ask
for?
He
is
also,
of
course,
a
wonderful
human
being.
So
what
was
the
most
challenging
part
about
playing
Malik?
The
schedule.
A
year
and
three
days.
Trying
to
keep
the
character
true,
consistent
and
fresh.
Neerja,
Death
in
the
Gunj,
Raabta
and
now
Padmaavat,
on
what
basis
do
you
choose
films?
Is
it
about
your
characters
or
the
production?
All
of
these
films,
I
wanted
to
do
because
they
were
the
only
ones
offered
to
me.
Hahahaha.
Your
thoughts
on
the
whole
Padmaavat
controversy,
as
it
also
hampered
movie's
business
a
bit.
Less
said
the
better.
Whole
conversation
ends
at,
"But
have
you
seen
the
film?"
There
are
rumours
that
you
are
playing
Salman
Khan
in
Rajkumar
Hirani's
Dutt
biopic?
Is
it
true?
"Rumor
is
a
pipe
Blown
by
surmises,
jealousies,
conjectures,
And
of
so
easy
and
so
plain
a
stop
That
the
blunt
monster
with
uncounted
heads,
The
still-discordant
wav'ring
multitude,
Can
play
upon
it."
Henry
IV,
Part
2,
William
Shakespeare.
Your
upcoming
projects?
When
can
your
fans
see
you
next?
I
have
a
day
left
on
‘Made
in
Heaven'
a
web
series
helmed
by
Zoya
Akhtar
and
Nitya
Mehra,
which
I
have
enjoyed
working
on
for
the
last
few
months.
I
am
also
in
a
web
series
called
‘Smoke,'
and
am
wondering
when
that
will
see
the
light
of
day.
I
have
also
acted
in
a
film
called
‘Teen
Aur
Aadha,'
directed
by
Dar
Gai,
with
Zoya
Hussain.
I
am
hoping
that
receives
a
theatrical
release,
because
it
is
a
very
sensitive
and
beautiful
script.
Three
stories
occurring
in
the
same
house,
the
same
room,
are
told
with
three
long
takes,
each
about
30-40
minutes
long.
Jonaki,
for
which
I
am
currently
in
Rotterdam,
just
had
its
world
premiere
at
IFFR.
In
this
film,
I
play
the
lover
of
the
lead
protagonist,
a
lady
in
a
coma,
going
back
through
the
experiences
in
her
life
in
dream
sequences.