In
recent
times,
there
has
been
no
other
movie
more
dissected
and
talked
about
than
the
Shahid
Kapoor-Kiara
Advani
starrer
Kabir
Singh,
which
has
invited
polarised
reactions
from
film
critics
and
general
audiences
alike
for
its
alleged
glorification
of
toxic
masculinity
under
the
guise
of
portraying
love
that
is
supposedly
unconditional
and
passionate.
Director
Sandeep
Reddy
Vanga,
who
helmed
the
original
Arjun
Reddy
as
well,
finds
himself
in
the
eye
of
a
storm
after
his
attempt
to
justify
his
lead
character's
portrayal
in
a
video
interview
to
film
critic
Anupama
Chopra
of
Film
Companion.
The
interview
went
viral
and
led
to
protests
on
social
media
with
women
leading
the
way
in
coming
out
with
horrid
tales
of
being
at
the
receiving
end
of
domestic
violence.
Oddly
reminiscent
of
the
now
cliched
but
not
out
of
fashion
line,
'Better
to
remain
silent
and
be
thought
a
fool
than
to
speak
and
to
remove
all
doubt',
the
Kabir
Singh
director
makes
a
feeble
attempt
to
normalise
violent
behaviour,
which
is
not
only
problematic
but
all
the
more
significant
considering
the
post
'Me
Too'
era
we
find
ourselves
in.
The
director
begins
his
rebuttal
by
dismissing
the
criticism
received
by
Kabir
Singh
as
not
being
healthy
but
"pseudo".
Addressing
the
flak
especially
from
female
critics
who
said
they
felt
uncomfortable
with
the
male
audience
clapping
when
Shahid
Kapoor's
character
slaps
Kiara
Advani's
character
in
Kabir
Singh,
Vanga
says,
"When
you're
deeply
in
love,
deeply
connected
with
a
woman
and
vice
versa,
there's
a
lot
of
honesty
in
it.
And
if
you
don't
have
that
physical
demonstration
of...if
you
don't
have
the
liberty
of
slapping
each
other,
then
I
don't
see
anything
there."
Not
only
is
Vanga
unaware
of
what's
a
healthy
relationship
that
involves
respect
for
each
other
is
like,
with
gay
abandon,
but
also
gets
personal.
"I
feel
these
critics
have
never
been
in
love.
They
haven't
experienced
it
the
right
way," he
declares.
He
even
goes
as
far
as
calling
film
critic
Rajeev
Masand
'a
fat
guy
who
reviewed
my
film'.
"He
gave
2
stars.
Audience
gave
Rs
200
crore," he
says.
The
director
also
adds
for
good
measure
that
such
critics
are
more
threatening
to
the
film
industry
than
piracy,
all
the
while
insisting
that
'it's
not
personal'.
During
the
course
of
the
interview,
he
also
repeatedly
'forgets'
the
names
of
the
critics
despite
talking
so
much
about
them.
Clearly,
Vanga
doesn't
think
much
of
'consent'
either.
When
Anupama
Chopra
asks
him
if
it
is
problematic
to
see
men
kissing
women
they
have
hardly
met,
he
replies
with
an
emphatic
'no'!
We
further
only
get
whataboutery
when
he
explains
that
after
watching
films
like
Gang
Leader,
Parinda,
Ram
Lakhan
and
Tezaab
in
his
childhood,
his
brother
and
he
did
not
turn
out
to
be
gangsters.
Consent
being
free,
independent
and
unequivocal
is
clearly
lost
on
a
lot
of
our
filmmakers.
Even
the
legendary
Mani
Ratnam
is
no
exception.
Remember
the
scene
in
Dil
Se,
where
an
aggressive
Shahrukh
Khan
pulls
close
an
unwilling
Manisha
Koirala
into
a
fierce
liplock?
Never
mind
if
she
feels
utterly
disgusted
with
the
act
and
we
are
expected
to
buy
the
same
as
love
being
'passionate
and
obsessive'.
But
in
Dil
Se,
at
least
SRK's
character
understands
the
woman
who
has
gone
through
sexual
abuse
in
her
early
life.
In
the
interview,
Vanga
further
goes
on
to
say
that
he
has
met
many
women
who
apparently
told
him
they
wanted
a
boyfriend
like
Kabir
Singh
or
Arjun
Reddy
in
their
life.
However,
women
on
social
media
have
a
different
tale
to
tell
and
would
beg
to
differ.
Wait,
there
are
more
gems!
Soon
enough
into
the
interview,
Vanga
declares:
'Intimidation
has
its
own
charm'
(!).
No,
Sir.
It
doesn't.
Contrast
this
to
Fahadh
Faasil's
character
in
the
acclaimed
Malayalam
movie
Kumbalangi
Nights.
His
intimidation
hardly
comes
across
as
charming
and
he's
rightly
put
in
his
place
in
the
climax.
In
trying
and
deeply
frustrating
times
where
even
understanding
of
marital
rape
is
abysmal,
Vanga's
declaration
that,
"If
you
can't
slap,
if
you
can't
touch
your
woman
wherever
you
want,
and
if
you
can't
slap,
you
can't
kiss,
you
can't
use
cuss
words,
I
don't
see
emotion
there," trenches
deeply
into
patriarchy
that
has
probably
been
there
since
the
Methuselah
era.
There's
not
much
to
take
away
from
the
interview
but
with
Kabir
Singh
crossing
Rs
200
crore
at
the
box
office,
to
give
the
devil
its
due,
we
have
to
concur
with
the
director
that,
"A
filmmaker's
intellect
is
directly
proportional
to
the
crowd."
(Views
expressed
in
the
article
are
that
of
the
author's)