Ek
Do
Teen
(Tezaab)
Sharing
a
trivia
about
this
iconic
dance
number
from
Tezaab,
Madhuri
had
said
in
an
interview,
"I
remember
having
rehearsed
for
it
for
16
days
with
Sarojji
(Saroj
Khan,
the
choreographer).
The
shoot
went
on
for
almost
seven
days.
On
the
last
day,
we
shot
for
the
entire
day
and
night.
It
was
quite
draining.
And
guess
what...I
wasn't
even
in
India
to
experience
the
frenzy
when
the
song
actually
became
a
hit.
I
was
in
the
United
States
for
my
sister's
wedding.
My
manager
Rikkuji
(Rakesh
Nath)
told
me
how
the
song
had
become
a
rage.
When
I
came
back
from
the
States,
two
kids
came
up
to
me
at
the
airport
and
asked
me
whether
I
was
Mohini.
They
took
my
autograph.
It
was
a
very
special
moment
for
me.
The
Ek
Do
Teen
song
turned
the
tables
for
me."
Saroj
Khan's
graceful
dance
moves
coupled
with
Madhuri
Dixit's
charm
makes
this
song
a
rage
even
today.
Baazigar
O
Baazigar
(Baazigar)
Not
many
people
know
that
it
was
Saroj
Khan
who
gave
Shah
Rukh
his
iconic
arms
open
pose.
Speaking
about
it,
the
late
choreographer
had
mentioned
in
an
interview,
"We
were
shooting
Baazigar
in
Mauritius.
He
(SRK)
takes
name
of
land
and
sky,
there's
a
back
shot
and
he
opens
his
arms.
Then
he
turns
and
reveals
name
on
his
chest
by
opening
his
shirt.
I
gave
him
this
action
there."
Hawa
Hawai
(Mr
India)
In
Sridevi's
biography,
'Queen
Of
Hearts',
author
Lalita
Iyer
mentions,
"During
the
Mr
India
shoot,
there
was
no
rehearsal
hall,
and
in
the
manner
of
someone
who
always
does
her
homework,
Sridevi
said
to
Saroj
Khan,
"I
am
willing
to
dance
in
the
corridor."
And
that's
where
Hawa
Hawai
was
rehearsed."
Saroj
Khan
brought
the
goofy
side
of
Sridevi
like
no
one
else
in
this
song.
Dola
Re
Dola
(Devdas)
The
late
choreographer
had
revealed
this
dance
song
as
the
toughest
one
in
her
fillmography,
as
she
had
to
choreograph
two
big
heroines
in
the
same
song.
Madhuri
Dixit
and
Aishwarya
Rai
brought
Saroj
Khan's
mesmerizing
dance
steps
to
life
on
the
big
screen,
and
'Dola
Re
Dola' ended
up
as
one
of
the
highlights
of
Devdas.
Later,
Saroj
Khan
had
told
Sanjay
Leela
Bhansali
that
it
was
a
feather
on
her
cap.
Choli
Ke
Peeche
(Khal
Nayak)
While
the
song
had
its
fair
share
of
controversies
when
it
released,
it
is
still
considered
to
be
one
of
Madhuri
Dixit-Saroj
Khan's
best
songs.
Madhuri
recalled
in
an
interview,
"There
were
a
lot
of
dance
rehearsals
done
for
the
song.
It
was
a
mix
of
folk
and
semi-classical
dance
forms.
The
song
was
earlier
stuck
in
controversies
because
of
its
lyrics.
But,
when
the
film
released
and
people
saw
the
song,
they
loved
it
so
much,
that
they
still
dance
on
it
today."
Dhak
Dhak
(Beta)
Madhuri
Dixit
clad
in
an
orange
saree,
grooved
to
Saroj
Khan's
jhatkas
and
matkas,
and
went
on
to
become
the
'Dhak
Dhak'
girl.
Not
many
people
know
that
this
song
was
almost
out
of
the
film,
because
Madhuri
didn't
have
any
spare
dates
to
shoot
for
it.
However,
Saroj
Khan
along
with
choreographer
Baba
Azmi
managed
to
wrap
half
of
the
five-minute
track
in
three
days
and
the
remaining
two-and-a-half
minutes
through
one
night.
Tamma
Tamma
(Thanedaar)
Spilling
details
about
how
the
song
was
shot,
Saroj
Khan
had
revealed
in
an
interview,
"We
started
shooting
at
10
am
for
the
song
and
the
shot
got
ready
at
10
pm
The
song
had
a
piece
with
chair
as
a
prop,
where
Madhuri
(Dixit)
encouraged
Sanjay
Dutt
dance
to
his
capacity
because
the
piece
wouldn't
have
been
fun
had
they
not
danced
together.
The
first
shot
got
okayed
in
the
28th
take,
but
the
cap
rolled
down
from
her
foot,
where
it
was
supposed
to
stay.
By
then,
both
Madhuri
and
Sanjay's
knees
were
bruised
and
bleeding.
But
they
weren't
ready
to
listen.
They
said,
‘
no
masterji
we
will
do
it.'
We
decided
to
give
it
another
shot,
which
finally
got
okayed
in
the
48th
take,
after
the
cap
decided
to
stick
in
its
desired
place."
Ramta
Jogi
(Taal)
Saroj
Khan
gave
Aishwarya
Rai
Bachchan
some
sensuous
dance
steps,
and
the
audience
couldn't
take
their
eyes
off
the
former
beauty
queen,
who
swayed
like
a
dream
on
the
big
screen.
Nimbooda
(Hum
Dil
De
Chuke
Sanam)
In
a
throwback
interview,
Saroj
Khan
had
revealed
that
Aishwarya
Rai
Bachchan
had
bruised
her
feet
and
knees
while
filming
'Nimbooda'
song,
but
the
actress
never
complained.
Well,
we
must
say,
all
the
hard
work
and
dedication
had
paid
off,
as
the
song
is
a
favourite
with
the
audience
even
today.
Maar
Dala
(Devdas)
"The
Madhuri
Dixit
number
in
the
song
'Maar
Dala'
in
Sanjay
Leela
Bhansali's
Devdas
had
the
refrain
'maar
dala'
four
times
in
a
stanza.
I
convinced
and
taught
Madhuri
to
execute
each
refrain
differently
for
each
of
the
four
times.
This
spread
over
to
three
or
four
stanzas,
and
each
time,
she
expressed
this
refrained
differently,
" Saroj
Khan
was
quoted
as
saying
in
Shoma
A
Chatterji's
book
'Filming
Reality:
The
Independent
Documentary
Movement
in
India'.
The
choreography
for
this
Kathak-infused
dance
number
got
Saroj
Khan
a
National
Award.