Music composer Ravi remembers Naushad
By
Faridoon
Shahryar,
Courtesy:
IndiaFM
Monday,
May
08,
2006
The
era
of
pristine
melody
is
over.
For
the
master
creator,
like
the
white
dove
of
peace,
shall
no
more
flutter
its
wings
near
the
piano
key.
Veteran
music
composer
Naushad
Ali
may
have
passed
away,
but
the
priceless
jewels
beaded
together
by
his
perfect
craftsmanship
shall
always
reverberate
in
the
corridors
of
collective
memory.
The
magic
of
Mughal-e-Azam,
Mother
India,
Ganga
Jamuna,
Anmol
Ghadi,
Rattan,
Mere
Mehboob,
Baiju
Baawra,
Udan
Khatola
and
Ram
Aur
Shyam
shall
never
be
recreated.
For
there
can
never
be
another
Naushad.
Akbar
Khan's
Taj
Mahal
was
his
swan
song
and
like
a
soldier,
he
died
with
his
boots
on.
We
spoke
to
veteran
music
composer
Ravi,
the
creator
of
such
melodies
as
Chaudhvi
Ka
Chaand
about
his
idol
and
inspiration
Naushad
Sahab.
And
when
he
spoke,
the
stream
of
consciousness
flowed
back
several
decades:
'Nasushad sahab bahut shareef insaan the.' He was a very good composer who gave us many sweet and melodious songs. He didn't like the hotch potch music of today. For someone who introduced Classical Music in a popular idiom like film music, it was difficult to digest the keyboard and rhythm box music. Button dabao music chaloo.
He was a big name even before I came to Mumbai in 1950. His films like 'Rattan', 'Sharda' and 'Anmol Ghadi' were big musical hits. I loved his songs and he was my inspiration in every way. I sang 'Ankhiyan Mila Ke Jiya Bharma Ke' from 'Rattan' with music effects to him during a casual encounter and told him that I used to sing it all the time when I was young. He liked the fact that I sang the song along with the musical piece.
He was very happy with my success and always encouraged me. Once during lyricist Hasrat Jaipuri's daughter's wedding, he came to me and praised my song 'Babul Ki Duaen Lete Ja.' It was evident that he had actually liked the song very much and was not saying just to strike a conversation. We always shared the same views on the subject of music thereafter. I always called him up for Eid while he never forgot Diwali. In fact he used to day 'Aap kabhi phone karna bhulte nahin'.
Naushad sahab was the chairman of two important music organizations, CMDA (Cine Music Directors Association) and IPRS (Indian Performing Rights Society). We met at its various functions. His views were always valuable. And he shared good relations with everyone. I remember once the musicians were on a strike as they wanted better remuneration. But the producers had refused to bow. My producer Goel sahab wanted to record a song urgently. I agreed to record with a tabla and a harmonium. Naushad sahab, producers like GP Sippy and Atmaram were there. 'Izzat ka sawal tha.' The tabla player ran away after seeing the angry musicians outside the studio. Finally I had to play the tabla, harmonium and sing the song as well. Naushad sahab sat through the entire episode and later said that 'aapne bahut achcha gaya aur bajaya. Isi ko film mein daala ja sakta hai.' I felt deeply honoured. Later Lata ji dubbed that song.
All the songs of Naushad sahab are special. My personal favourites are 'Moe Bhool gae Sawariya', 'E Duniya Ke Rakhwale', 'Tu Ganga Ki Mauj Main Jamuna Ki Dhara...' I once told Suraiya that Naushad sahab gave you his best songs. Noorjahan, Lata, Shamshad Begum, Uma Devi (Tuntun who sang Afsana Likh Rahi Hoon that became a cult song) and then Surendra owe their success in a big way to Naushad sahab. I don't think anybody can take his place. But at least the younger generation should learn to look up to the greatness of Naushad and try and do hard work rather than taking the easier way out. He would have liked that.
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