Devyani Saltzman writes a book on <i>Water</i>
By:
Subhash
K.
Jha,
IndiaFM
Wednesday,
September
13,
2006
Shooting
Water
is
a
daughter's
tribute
to
a
remarkable
mother.
Is
that
a
correct
assessment?
No.
It's
a
tribute
to
the
relationship
between
a
mother
and
a
daughter.
I
think
my
mom's
work
is
wonderful
and
incredibly
strong.
I
respect
her
for
the
issues
she
chooses
to
focus
on,
but
when
I
wrote
Shooting
Water,
it
was
because
I
wanted
to
look
at
our
journey
of
coming
together
after
my
parent's
divorce.
And
that's
an
experience
a
lot
of
people
can
relate
to,
albeit
a
painful
one.
What
prompted
you
to
write
it?
Were
you
always
interested
in
writing?
I
always
wanted
to
be
a
writer,
and
have
been
especially
attracted
to
literary
non-fiction.
The
book
that
first
got
me
interested
in
the
medium
was
Philip
Gourevitch's
We
Wish
to
Inform
you
that
Tomorrow
we
will
be
Killed
with
our
Families:
Stories
from
Rwanda.
He
was
a
New
Yorker
writer
at
the
time.
I
was
17
when
I
read
it,
and
his
humanist/journalistic
look
at
the
genocide
forced
me
to
think
beyond
my
own
safe
world.
And
with
Shooting
Water,
I
wanted
to
examine
what
happened
to
our
film
in
Benares
in
1999.
There
were
sound
bytes
in
the
media
at
the
time:
BBC,
CBC,
Hindustan
Times...but
there
was
no
full
account
of
the
five-year
odyssey
to
make
Water.
I
was
convinced
that
the
story
should
be
out
there
for
people
to
understand,
especially
in
India.
That
need,
and
the
desire
to
look
at
the
emotional
side
of
my
relationship
with
mom,
prompted
me
to
write
the
book.
The
book
synthesizes
the
personal
and
professional.
How
did
you
sift
through
the
material
in
your
mom's
life?
Instinct.
Shooting
Water
shifts
between
very
raw
emotions
and
detailed
description
of
the
filmmaking
process
and
the
politics
we
faced
both
in
India
and
Sri
Lanka.
I
moved
between
them
instinctively.
When
I
sat
down
to
write
the
book
I
scribbled
three
things
in
my
notebook:
'personal,
political,
cinematic.'
It
was
about
balancing
those
three
threads.
Was
it
hard
to
re-live
her
personal
and
professional
trauma?
Did
you
have
to
modulate
censor
and
transcreate
the
real
story?
It
was
harder
to
re-live
the
personal
experience.
But
I
didn't
censor
myself.
I
focused
in
to
the
degree
that
was
appropriate
without
taking
away
from
the
equally
important
story
of
the
film.
But
my
mom
read
every
chapter
as
I
wrote
it
-
not
because
I
was
seeking
approval
on
what
I
was
revealing
-
but
because
I
trusted
her
judgment
as
an
artist.
In
terms
of
capturing
Benares
in
1999,
I
worked
from
a
pile
of
articles
from
that
time,
both
in
the
Indian
and
international
press.
I
also
kept
diaries
throughout
both
shoots
and
referred
to
them.
What
do
you
hope
to
achieve
with
this
book?
In
a
way,
it's
about
achieving
peace.
Now
that
Water
is
complete
and
has
opened
successfully,
I
can
see
my
mom
wake
up
in
the
morning
without
carrying
the
pain
of
that
experience.
And
expressing
our
story,
as
mother
and
daughter,
has
also
brought
peace.
It's
about
putting
things
to
rest
and
moving
forward.
Describe
your
mother
as
a
person
and
a
filmmaker.
She's
an
intense
and
passionate
woman,
and
that
translates
into
her
filmmaking.
What
do
you
think
of
the
film
Water?
Do
you
think
all
the
trauma
was
worth
it
for
your
mother?
I
don't
think
anyone
wants
to
deal
with
trauma.
On
some
level
we
wished
that
the
protests
in
1999
never
happened
and
we
could
just
quietly
make
the
film.
But
Water
is
a
beautiful
film.
The
first
time
I
read
the
script,
when
I
was
18,
I
was
blown
away
by
the
depth
of
the
story,
and
the
lives
of
the
widows.
It
was
worth
getting
it
done
because
of
the
strength
of
the
story.
People
like
to
ignore
the
more
difficult
aspects
of
their
lives.
I
think
societies
are
similar.
I'm
glad
a
film
exists
which
at
least
touches
upon
widowhood,
and
more
importantly,
women's
experiences
even
when
they're
not
pretty
ones.
Do
you
hope
to
become
a
filmmaker
like
your
mom?
No,
I
never
wanted
to
be
a
filmmaker.
It
was
always
books.
I
continue
to
work
as
a
freelance
writer,
and
I'm
currently
working
on
my
first
novel.
Describe
your
very
special
relationship
with
your
mom...and
with
David.
My
relationship
with
my
mom
is
great.
We
love
to
see
movies
together
and
we've
supported
each
other
through
the
release
of
both
the
book
and
the
film
in
Canada.
I
love
the
fact
we
can
talk
about
everything
from
the
mundane
chore
of
doing
laundry
to
new
Korean
cinema.
David
is
the
rock
in
our
lives.
He's
a
very
strong
and
supportive
stepfather,
and
producer.
I
think
he
grounds
us
all.
Tell
us
about
yourself...your
life
as
a
daughter
and
a
woman
in
your
own
right.
I
studied
anthropology
and
sociology
in
Oxford,
and
one
of
the
early
texts
I
read
was
entitled
Other
People's
Worlds.
I
guess
I've
always
been
attracted
to
how
the
arts,
specifically
film
and
books,
can
transport
us
and
inform
us.
I
chose
to
study
those
subjects
with
the
intention
of
transferring
them
to
an
artistic
medium.
When
I
see
a
good
film
or
read
a
good
book
I
feel
really
alive.
And
that's
the
work
I've
always
wanted
to
do.
Do
you
think
a
film
based
on
your
book
is
practical?
Oh,
I
don't
know....it
would
be
really
funny
to
have
to
see
an
actor
cast
as
yourself
or
a
member
of
your
family.
Maybe
a
movie
of
the
week....one
day.
Recent
Stories
Shilpa
Shetty
walks
it
to
Tirupati
Now
Aankhen
2