Akshay Kumar's Airlift Movie A BIG FAT LIE Says Kuwait-Iraq War Survivor

No-Man’s Land

We were packed into buses that snaked through desert roads and stayed in refugee camps in a ‘No-Man's Land' - a stretch of desert between Iraq and Jordan. In Airlift, I hoped to relate to such scenes and say ‘Yes, I remember this incident' or ‘This is what we went through'. But, now, after surviving the movie, I understand the importance of the disclaimer: ‘All characters appearing in this work are fictitious. Any resemblance to real persons, living or dead, is purely coincidental'.

Evacuation

Kumar plays Katyal, who, after Iraq's invasion of Kuwait purportedly helps the safe passage about 1.70 lakh Indians (plus a Kuwaiti and her daughter) from Kuwait to Mumbai (then Bombay) via Iraq and Jordan. Kumar's character, the filmmakers acknowledge, is inspired by the lives of two Indian businessmen (Sunny Mathews and HS Vedi) who played an instrumental role in the evacuation.

1.20 lakh not 1.70 lakh

Director Raja Krishna Menon's depiction of Katyal being this Moses-like figure leading all Indians through the desert in 10 buses and 15 cars is just one of the many liberties he has taken with facts. There is no way 1.70 lakh Indians could have been pulled out of Kuwait at one go. The evacuation took place over weeks and I remember friends leaving before and after I left Kuwait. Going by some estimates the figure of 1.70 lakh Indians is also exaggerated - reports peg the number at around 1.20 lakh.

August 2, 1990

Iraq invaded Kuwait on August 2, 1990. It was a Thursday and a school holiday - we didn't know it then, but that was effectively the end of the school year. We could no longer cycle through the empty parking lots and souks, nor play football in the ground adjacent to our apartment. We also stopped going to the beach - news had spread that Saddam's boys had mined the beaches. But life for the elders in the family was as usual: They drove cars and went to work. Thanks to good India-Iraq ties, cars driven by Indians were not stopped - unless it was a top-end one with serious bling on it that caught the fancy of an Iraqi child soldier. There was a shortage of food, but here again, Indians were allowed to travel and buy food from wherever they could find it.

On September 19 or 20

On September 19 or 20 we left Kuwait on a bus to Basrah in Iraq, where we halted for a few hours at night. From there we went to Baghdad where we changed buses. Our next halt was for a night in a camp in the middle of the desert. A sandstorm hit the camp that night, covering everything in its path, including tents and buses, under layers of sand. The following morning we went to the ‘No-Man's Land' and for the next 10 days, tent number A-87 was home. The United Nations provided us sheets and blankets (nights in the desert can get very cold). The UN also distributed food from trucks and the Red Cross/Red Crescent set up medical tents. From there we left for Amman and it was after spending a day in the queue that we got tickets for Mumbai.

The trouble with Airlift

The trouble I have with Airlift is not so much that the evacuation story it has told is different from mine, but that in its bending of facts, it is recreating an incident to its convenience. In other words, the filmmakers are ‘creating history'. In its dramatisation of events to suit the grammar of a screenplay certain incidents have been magnified and New Delhi has been unjustly vilified.

Airlift

Airlift cunningly taps into the general resentment towards Indian politicians and bureaucrats. It is dismissive of New Delhi's efforts to ensure the safe passage of Indians from Kuwait. But the fact remains that the then foreign minister IK Gujral met Saddam himself to negotiate the rescue, even if he was broadly panned for his pains - a photograph showing the two in an embrace quickly became infamous.

historic event

A film like Airlift is an example of what happens when governments fail to communicate their achievements and leave filmmakers to be the sole shapers of public opinion around a dramatic historic event.

@vijucherian

However, in a nation where it is increasingly becoming necessary to wear your patriotism on your sleeve, Airlift has the right dose of desbhakti-inducing scenes and flag waving to excite you. It's a pity about the details.

(The views expressed are personal. The writer tweets as @vijucherian. )