We
Were
Shooting
This
Scene
I
am
rehearsing
a
shot,
where
people
have
to
say
that
‘the
enemy
is
in
the
fort',
and
we
come
down,
and
we
see
the
soldiers
running
to
fight.
‘The
enemy
is
in
the
fort'
-
how
prophetic
is
that?
So
we
are
rehearsing,
and
I
was
in
a
very
good
mood.
We
are
sitting,
and
we
started
hearing
these
sounds.
So
I
said
the
crowd
here
is
very
conscientious!
They
Injured
Two
Girl
Assistants...
They
are
rehearsing
the
roars.
I
was
like,
‘Damn
cool,
this
never
happens
in
Bombay!' And
suddenly,
one
of
the
union
members
came
running
in
and
said,
‘People
are
coming!'
And
before
I
could
say,
‘what
people?'
there
was
an
attack.
They
started
throwing
things,
breaking
things.
They
beat
two
girl
assistants
up,
one
whack
came
on
me,
my
specs
flew
off.
They
Raised
Their
Hands
I
never
expected
this.
Even
if
you
have
a
doubt
and
you
wanted
to
protest,
would
you
raise
your
hand?
They
could
say,
please
talk
to
us,
please
stop
shooting,
or
please
leave
the
place.
But
a
protest
also
has
to
have
a
certain
dignity
about
what
you
are
protesting,
and
I
could
say
yes,
you
have
a
point.
I
Said,
Enough
Is
Enough
This
is
extremely
angering,
it
is
extremely
humiliating.
And
you
sit
back
and
wonder,
could
this
have
really
happened?
I
have
not
seen
any
filmmaker
in
any
part
of
the
world
go
through
this.
Where
is
this
coming
from?
So
then
you
go
to
Kolhapur,
because
you
realise
it
is
not
possible
to
shoot
there
(in
Rajasthan).
And
then
the
set
is
burnt.
I
went
back
to
Kolhapur
and
said,
enough
is
enough,
I
am
shooting
exactly
where
I
want
to.
I
am
not
going
back.
Enough.
My
Face
Has
Changed
Because
Of
The
Protests
All
that
I
have
gone
through
-
how
much
has
it
changed
my
face?
If
I
were
to
make
my
portrait,
I
have
changed
so
much
in
the
last
one
year.
Which
filmmaker
has
been
attacked
physically?
Assaulted,
with
a
whack
given
on
the
neck
and
the
face?
Nowhere
in
the
world.
Which
filmmaker
has
been
told
that
we
are
burning
your
set
right
in
front
of
you?
On
Ghoomar
Controversy
Ghoomar
Rajasthan
ki
glory
hai.
Folk
music
ki.
Every
wedding,
every
part
of
the
world,
'Ghoomar'
is
being
played
everywhere.
I
have
revived
ghoomar
in
so
many
ways.
Why
are
we
wanting
to
justify
it?
It's
a
folk
form.
Even
if
they
had
taken
'Ghoomar'
away
from
my
film,
ghoomar
cannot
die.
But
today,
ghoomar
is
revived,
everybody's
discovered
it,
they
understand
that
this
taal
and
this
laya
means
ghoomar,
this
is
the
rhythm
pattern,
and
this
is
how
we
dance
to
it.
Woh
Rani
Toh
Dance
Nahi
Karti
A
Punjabi
or
a
Gujarati
is
also
dancing
to
'Ghoomar'.
But
for
that,
I
was
told,
‘Woh,
rani
toh
dance
nahi
karti
ghoomar
ka,
yeh
toh
ho
hi
nahi
sakta,
woh
toh
karna
nahi
chahiye,
midriff
nahi
dikhna
chahiye'...
history
in
so
many
ways
is
not
one
file
you
can
take
out
from
a
shelf...
it's
interpreted
over
the
years,
it's
told,
it's
re-told.
It's
changed
according
to
convenience
over
the
centuries.
But
how
do
you
justify
that?
How
do
you
say,
historically,
a
rani
didn't
dance?
They
would
have
danced
in
the
zenana,
they
would
have
danced
in
the
women's
chambers...
Deepika
Padukone
Was
Not
Prepared
For
Ghoomar
'Ghoomar's'
set
had
to
wait
for
one-and-a-half
months,
because
Deepika
thought
she
was
not
ready
to
shoot
that
song,
she
needed
to
train
more.
Mehboob
Studios
waited,
said,
no
issues.
And
I
shot
the
song,
and
today
people
say
it's
the
best
song
I've
shot.