By:
Taran
Adarsh,
IndiaFM
Friday,
August
10,
2007
Illegal
immigration/human
trafficking
is
a
global
issue.
We've
read
newspapers
and
watched
news-reports
on
news
channels
highlighting
the
plight
of
millions
of
people
who,
in
the
hope
for
a
better
future,
entry
a
country
illegally.
Some
get
arrested,
some
get
killed,
some
end
up
at
the
wrong
place,
some
go
missing,
some
eventually
make
it.
Kaafila,
directed
by
Amitoj
Maan,
bares
this
issue
on
celluloid,
besides
clubbing
a
real-life,
shocking
incident
[Malta
Boat
Tragedy]
with
the
main
plotline.
In
Kaafila,
the
story
begins
in
Delhi,
moves
to
Russia,
then
the
surrounding
nations,
then
Afghanistan
and
finally,
Pakistan,
before
returning
to
India
once
again.
Besides
presenting
the
stunning
landscapes,
Kaafila
also
looks
at
the
various
hardships
people
encounter
when
they
decide
to
enter
England
unlawfully.
Not
wanting
to
turn
it
into
a
dry,
grim
and
disturbing
movie,
Amitoj
Maan
packs
in
songs
and
glamour
to
strike
the
right
balance
between
enlightenment
and
entertainment.
And
that's
where
Kaafila
falters.
The
portions
depicting
reality
are
watchable
since
the
issue
hasn't
been
highlighted
in
detail
on
the
Hindi
screen.
But
the
romantic
track
[Sunny
-
Polina
and
Amitoj
-
Monalisa]
stands
out
like
a
sore
thumb.
Also,
the
narrative
tends
to
get
lengthy
in
the
second
hour
as
the
Kaafila
moves
aimlessly
from
one
country
to
another.
A
shorter
duration
would've
only
helped.
To
sum
up,
Kaafila
is
watchable
in
parts.
The
issue
it
highlights
is
its
USP,
but
the
writing
as
well
as
the
length
could've
been
controlled.
Kaafila
is
about
a
group
of
people,
not
remotely
associated/connected
with
each
other,
opting
to
leave
their
motherland
in
search
of
their
utopian
dreams
of
a
better
life
abroad
in
the
developed
countries.
These
people
put
their
careers,
families
and
even
lives
at
stake
to
reach
their
desired
destinations
even
when
they
can
be
better
off
in
their
own
countries
without
all
the
hardships
and
sufferings.
Kaafila
also
exposes
how
innocent
people
are
duped
by
a
worldwide
nexus
of
agents
showing
them
dreams
of
a
comfortable
life,
close
to
heaven,
in
foreign
lands
and
making
them
sell
their
lands,
homes
and
livelihoods
here
in
a
futile
pursuit
of
that
dream.
The
general
feeling
is,
Kaafila
is
about
the
Malta
Boat
Tragedy,
while
the
fact
is
that
the
boat
tragedy
forms
a
small,
but
significant
part
of
the
story.
In
fact,
the
tragedy
is
depicted
realistically
and
since
it
features
in
the
initial
reels,
you
expect
the
graph
of
the
film
only
to
go
higher
and
higher.
But
the
writing
could've
been
tighter.
As
pointed
out
at
the
outset,
the
romantic
track
of
Sunny
-
Polina
and
Amitoj
-
Monalisa
doesn't
work.
The
Russian
mafia
track
is
also
not
convincing.
Director
Amitoj
Maan
has
handled
a
few
scenes
well,
but
he
should
trim
the
film
judiciously
in
the
latter
half.
Sukhwinder's
music
is
easy
on
the
ear
drums.
'Jaana
Hain'
and
'Humraks'
are
already
popular.
Cinematography
[Nazir
Khan]
is
of
standard
and
the
stunning
landscapes
sweep
you
off
your
feet.
Action
scenes
[Hanif
Sheikh]
are
alright.
Varun
Gautam's
dialogues
are
nice.
Sunny
Deol
does
well.
Amitoj
Maan
dominates
in
a
few
scenes.
But
the
real
surprise
is
Pakistani
actress
Sana.
This
being
her
debut-making
Hindi
film
and
despite
the
fact
that
she's
pitted
against
experienced
names,
Sana
succeeds
in
making
her
presence
felt.
Sudesh
Berry
does
well.
The
film
has
a
host
of
characters,
but
those
who
stand
out
are
Paramveer
Singh,
Girish
Jain,
Chandan
Anand,
Sardar
Sohi
and
Ashish
Duggal.
On
the
whole,
Kaafila
is
made
with
noble
intentions,
but
is
partly
letdown
due
to
its
writing
and
length.
Fair.