One
often
cribs
about
Yash
Raj
repeatedly
casting
SRK
in
similar
roles,
in
film
after
film.
However,
this
allegation
is
far
from
true.
Right
from
Darr
to
Chak
De
India,
the
combination
has
collaborated
on
varied
subjects.
With
Rab
Ne
Bana
Di
Jodi,
they
take
this
association
to
another
level
altogether.
To
start
with,
Rab
Ne
Bana
Di
Jodi
brings
back
the
golden
team
of
Dilwale
Dulhaniya
Le
Jayenge
and
Mohabbatein
after
a
hiatus
and
the
only
parallel
you
can
draw
with
the
earlier
achievements
is
the
fact
that
each
of
them
is
a
love
story.
Otherwise,
Rab
Ne
Bana
Di
Jodi
is
truly
different.
It's
not
set
in
London
or
Switzerland,
there's
no
sarso
ke
khet,
it's
not
about
a
good
looking
couple
sporting
designer
outfits
and
accessories,
there's
no
parental
opposition
either.
Set
your
eyes
anywhere
and
you
see
countless
unknown
faces.
In
markets,
malls,
streets,
airports,
stations,
just
about
everywhere.
And
everyone
who
walks
this
planet
has
a
story
to
tell.
With
Rab
Ne
Bana
Di
Jodi,
Aditya
Chopra
talks
of
one
such
ordinary
person.
Living
in
one
of
those
crowded
bylanes
of
Amritsar,
his
life
undergoes
a
360
degree
change
the
moment
he
sets
his
eyes
on
a
beautiful
girl.
Like
SRK
does
a
360
degree
turn
in
the
movie,
Aditya
Chopra
too
does
a
complete
turn
as
far
as
the
story
is
concerned.
Seeped
in
Indian
emotions
and
traditional
values
and
very
desi
at
heart,
Rab
Ne
Bana
Di
Jodi
is
a
complete
departure
from
the
good-looking,
picture
perfect
YRF
movies
that
sport
glam
bodies
parading
designer
outfits.
For
the
present-day
generation,
a
story
like
Rab
Ne
Bana
Di
Jodi
may
come
across
as
an
original
piece
of
work,
but
if
you've
been
a
keen
observer
of
films
of
yore,
you
can't
help
overlook
the
similarities
with
Dr.
V.
Shantaram's
Navrang
and
more
precisely,
Raj
Kapoor's
Satyam
Shivam
Sundaram.
In
fact,
Rab
Ne
Bana
Di
Jodi
also
brings
back
memories
of
the
low-cost
Main
Meri
Patni
Aur
Woh
[Rajpal
Yadav,
Rituparna
Sengupta],
not
in
terms
of
story,
but
in
terms
of
characters.
The
problem
is,
Rab
Ne
Bana
Di
Jodi
works
in
patches.
The
first
30
minutes
and
the
penultimate
30
minutes
are
the
highpoint
of
the
enterprise,
but
the
screenplay
in
between
doesn't
hold
your
attention.
That's
the
truth!
In
a
nutshell,
Rab
Ne
Bana
Di
Jodi
is
no
Dilwale
Dulhaniya
Le
Jayenge.
It's
not
Mohabbatein
either.
At
best,
it's
an
average
fare
that
may
generate
some
curiosity
initially,
that's
it.
You
expect
much,
much
more,
but...
alas!
Surinder
[
Shahrukh
Khan],
a
simple,
clean
hearted,
honest
man
working
for
Punjab
Power,
leads
a
humdrum
life,
but
the
moment
he
sets
his
eyes
on
Taani
[Anushka
Sharma],
his
life
undergoes
a
change.
She's
flamboyant,
fun-loving,
vivacious,
unlike
Surinder.
But
unforeseen
circumstances
bring
them
together.
Director
Aditya
Chopra
chooses
a
desi
plot
and
weaves
a
story
around
an
ordinary,
middle
class
couple.
The
story
begins
with
gusto
and
the
initial
scenes
between
Shahrukh
and
Anushka
are
thoroughly
interesting.
But
the
screenplay
falters
the
moment
Shahrukh's
character
Surinder
transforms
into
Raj
and
his
personality
undergoes
a
sea-change.
The
first
question
that
strikes
you
is,
why
didn't
Anushka
realize
it's
him,
her
husband,
not
someone
else?
Sure,
he
has
undergone
a
complete
makeover,
but
how
can
you
not
recognise
your
husband's
voice
or
appearance?
That's
a
glaring
flaw,
it's
like
taking
the
viewer
for
granted!
The
sequences
thereafter
are
equally
uneven.
A
few
sequences
are
well
executed,
but
the
problem
is
that
Shahrukh
keeps
playing
the
game
till
the
very
end.
If
he
had
to
win
her
heart,
he
could've
done
so
by
making
her
realize
that
it's
a
mirage,
making
her
realize
that
the
person
she
loves
and
the
person
she's
married
are
the
same.
There's
a
twist
in
the
tale
only
towards
the
pre-climax,
when
Anushka
is
ready
to
elope
with
Raj,
her
dance
partner.
The
climax,
the
drama
that
ensues
during.