Lagaan
and
Iqbal
are
landmark
films
on
cricket.
The
response
to
Lagaan
specifically
was
so
electrifying
[and
emotional]
that
theatres
turned
into
stadiums
during
the
penultimate
cricket
match
in
the
film.
Victory
traverses
a
different
route
altogether:
This
one
revolves
around
a
cricketer,
talks
of
the
highs
and
lows
in
his
life,
how
greed,
arrogance
and
lust
almost
ruin
his
career,
but
how
he
regains
his
lost
form
and
becomes
a
hero
all
over
again.
The
difference
also
lies
in
the
fact
that
the
sportsmen
in
the
film
aren't
actors,
pretending
to
be
cricketers,
but
real-life
cricketers.
And
that
makes
the
goings-on
identifiable.
Victory
may
not
be
a
true-life
account
of
any
one
person,
but
you
can't
help
but
draw
parallels
with
people
who
led
a
wild
life
off
the
field.
Also,
any
sports-based
film
works
if
it
arouses
the
right
emotions
and
Victory
does
so
towards
the
final
moments.
But
there's
a
hitch.
The
film
could've
done
with
a
shorter
running
time
[instead
of
approx.
2.35
hours]
and
a
tight
script.
More
on
that
later!
Final
words?
A
few
interesting
moments
don't
really
help.
This
one
tries
to
hit
a
boundary,
but
ends
up
taking
a
single.
Victory
tells
the
story
of
Vijay
Shekhawat
[Harman
Baweja],
who
hails
from
Jaisalmer.
Soon,
he
becomes
India's
latest
world-class
batting
sensation
and
is
catapulted
to
superstardom.
However,
the
glam
and
glitter
makes
the
young,
vulnerable
Vijay
stray
from
his
true
vocation
of
cricket.
Unfortunately,
this
leads
to
a
loss
of
focus
and
to
a
miserable
drop
in
his
performance.
But
by
the
time
Vijay
realizes
his
mistake,
he
finds
himself
thrown
out
of
the
Indian
cricket
team.
Suddenly,
the
hero
becomes
a
villain
in
everyone's
eyes.
His
father
[Anupam
Kher]
suffers
a
paralytic
stroke.
This
tragedy
awakens
Vijay's
conscience.
He
wants
to
redeem
himself
in
the
eyes
of
his
father
and
every
Indian.
Against
great
odds,
he
once
again
makes
it
back
to
the
Indian
team
and
gets
to
play
in
the
finals
of
the
Champion's
Trophy
against
Australia,
where
he
plays
a
stellar
role
in
enabling
India
to
win
the
Trophy.
Ajitpal
Mangat
chooses
a
difficult
subject
for
his
directorial
debut.
Placing
immense
trust
on
a
newcomer
[Hurman]
and
casting
real-life
characters
could
be
tough
and
demanding,
besides
being
expensive
[cricketers'
fees
and
paying
for
the
various
stadiums].
But
Ajitpal
achieves
the
required
results.
The
initial
moments
are
very
mediocre,
but
the
pace
picks
up
when
Harman
goes
astray,
when
he
can't
digest
success,
when
he
falls
into
wrong
hands
[Gulshan
Grover].
The
graph
is
erratic;
sometime
interesting,
at
times
boring.
However,
what
rescues
the
film
from
failing
are
the
penultimate
moments,
especially
the
one
when
Hurman
faces
the
final
ball.
On
the
flip
side,
the
writing
isn't
convincing
at
several
points.
The
first
30
minutes
of
the
enterprise
makes
you
break
into
a
yawn,
frankly.
Also,
the
film
is
stretched
in
the
second
hour
for
no
reason
and
could've
done
with
some
tight
editing.
The
songs
in
this
hour
are
a
big
deterrent.
Ajitpal
Mangat
makes
a
confident
debut
as
a
director,
but
Victory
would've
made
a
stronger
impact
if
the
writing
[screenplay:
Ajitpal
Mangat,
Kannan
Iyer]
would've
been
watertight.
Anu
Malik's
music
is
listless.
Barring
'Balla
Utha'
and
'Money
Money',
the
remaining
songs
are
of
the
fast-forward
type.
Cinematography
is
excellent.
Hurman
S.
Baweja
displays
the
required
confidence.
He
gets
the
body
language
right,
looks
dapper
when
required
and
conveys
the
required
emotions
well.
Only
thing,
he
needs
to
control
his
expressions
at
times.
Amrita
Rao
does
very
well,
although
this
isn't
her
film
actually.
Anupam
Kher
gets
it
right
yet
again,
especially
towards
the
second
hour
when
he
suffers
a
paralytic
stroke.
Gulshan
Grover
is
very
effective.
On
the
whole,
Victory
is
a
strictly
average
fare.
Barring
a
few
moments
in
the
second
hour,
there's
not
much
that
you
carry
home.