I
genuinely
feel
that
Vaastav
is
Mahesh
Manjrekar's
most
accomplished
work
to
date
[I
am
counting
Hindi
movies,
not
the
Marathi
films
he
made].
He
made
scores
of
movies
subsequently.
I
liked
some
[Astitva,
Virrudh].
I
detested
some.
In
my
individualistic
opinion,
Manjrekar's
creative
skills
were
on
a
decline
post
Vaastav,
though
there
was
a
ray
of
hope
once
in
a
while.
His
new
film,
City
Of
Gold,
is
not
Vaastav,
but
it
almost
reaches
there.
City
Of
Gold
is
as
stark
and
real
as
a
gash
or
an
open
wound.
Of
course,
I
am
no
one
to
comment
on
whether
CIty
Of
Gold
is
a
true
and
complete
representation
of
the
mill
workers'
plight,
but
as
a
moviegoer,
this
film
worked
for
me
at
several
levels.
City
Of
Gold
talks
of
a
family
in
particular
and
has
several
layers,
numerous
characters
and
various
stories
to
tell.
I
was
reminded
of
Vaastav
in
a
couple
of
sequences
[Karan
Patel's
track
specifically],
but
I
am
not
complaining.
In
fact,
I
liked
it!
City
Of
Gold
has
several
watchable
moments
and
also
the
grip,
so
essential
for
a
film
tht's
about
to
tell
you
a
story
that
you
aren't
aware
of.
But
there's
a
flip
side
too.
The
story
seems
stretched.
Ideally,
the
film
should've
ended
the
moment
Karan
Patel
is
shot
dead
and
the
subsequent
portions
could've
been
narrated
in
a
matter
of
seconds,
without
delving
into
details.
Yet,
when
you
weigh
the
pros
and
cons,
I'd
say,
the
positives
overweigh
the
minuses
in
this
case.
This
Gold
may
not
be
24
karat,
but
is
22
karat
nonetheless.
Today,
there
is
hardly
anyone
who
hasn't
visited
the
swanky
shopping
malls,
nightclubs,
lounge
bars,
clubs
and
other
such
lifestyle
destinations
that
have
sprung
up
across
Mumbai.
However,
very
few
know
that
buried
deep
below
lies
the
dark,
dirty
and
painful
reality
of
thousands
of
mill
workers,
who
once
worked
the
cotton
mills
in
this
very
same
area.
Rising
and
toiling
to
the
wail
of
the
mill
sirens
each
and
every
day,
seven
days
a
week,
these
workers
embodied
the
true
unbridled
zeal
and
unflagging
spirit
of
the
city
and
played
a
pivotal
role
in
the
evolution
of
Mumbai
as
the
modern-day
business
capital
of
India.
And
then
it
suddenly
was
as
if
they
never
existed.
Following
the
mill
workers'
strike
in
the
mid-80s,
these
mills
began
closing
down
rapidly
and
the
mill
workers
mysteriously
disappeared.
Let
me
forewarn
you
that
City
Of
Gold
is
not
for
the
faint-hearted.
The
relationships,
the
violence,
the
language
depicted
in
the
film
may
shake
you
intermittently
from
your
comfort
zone.
And
it
is
these
sequences,
honestly,
that
are
the
mainstay
of
the
enterprise.
There's
no
denying
that
Manjrekar
leaves
an
indelible
impression
in
several
sequences.
The
film
is
embellished
with
a
superior
cast
and
each
actor,
irrespective
of
the
length
of
the
role,
appears
straight
out
of
life.
Seema
Biswas,
Siddharth
Jadhav
[as
Speed
Breaker],
Veena
Jamkar
[as
Manju],
Shashank
Shende
[as
Anna],
Sachin
Khedekar,
Vinay
Apte,
Ganesh
Yadav,
Satish
Kaushik,
Kashmira
Shah,
Sameer
Dharmadhikari
and
Vineet
Singh
[as
Mohan]
put
their
best
foot
forward.
Each
one
is
memorable
in
his/her
role.
But
the
show
stopper
is
Karan
Patel
undoubtedly.
It's
a
sensational
performance,
which
will
make
people
sit
up
and
notice
this
supremely
talented
actor.
On
the
whole,
City
Of
Gold
is
a
heart-wrenching
and
violent
journey
that
has
the
stamp
of
a
gifted
storyteller,
Mahesh
Manjrekar.
Recommended!
Directed
by
-
Mahesh
Manjrekar
Starring
-
Vineet
Kumar,
Sameer
Dharmadhikari,
Kashmira
Shah,
Satish
Kaushik,
Ganesh
Yadav,
Sachin
Khedekar,
Seema
Biswas
...