Aditya
Mehta
(Prashant
Narayanan)
is
an
artist
who
is
more
shown
painting
his
wife"s
toenails
than
the
colours
of
the
canvas.
His
wife
Sakhi
Mehta
(Lucy
Hassan)
is
shown
to
be
having
an
extramarital
affair
with
Karan
Singh
(Naved
Aslam).
Now,
Karan"s
wife
Neera
Singh
(Aruna
Shields)
discovers
that
her
husband
is
cheating
on
her
and
she
ends
up
seeking
solace
in
Aditya"s
company.
They
get
drawn
together
by
shame
and
anger
as
they
find
more
comfort
in
each
other"s
friendship.
But
despite
bonding
well,
they
try
not
to
have
a
relationship
with
each
other.
One
fails
to
understand
that
though
the
adultery
is
shown
openly
obvious
since
the
start,
why
do
Aditya
and
Neera
never
try
to
confront
their
respective
partners
over
it?
Trying
to
make
the
film
more
provocative
widespread
nudity
has
been
incorporated
on
the
pretext
that
overcome
his
block
by
painting
nude
female
form
ala
Leonardo
DiCaprio
in
Titanic.
Now
funnily,
Neera
is
shown
to
be
shying
away
from
posing
nude
for
the
painting
that
Aditya
wants
to
do,
despite
the
fact
that
she
has
been
shown
moving
around
naked
in
Aditya"s
warehouse
for
big
part
of
the
film.
What
irritates
more
are
the
continually
censored
blurs
that
attempt
to
cover
up
her
nude
body.
The
climax
is
supposedly
symbolic
but
it
is
too
rushed
that
you
end
up
feeling
there
some
more
of
the
film
left!
There
is
nothing
wrong
in
making
a
complete
art
house
project
but
at
least
let
the
film
connect
on
some
level
or
derive
some
emotion
out
of
the
viewer
apart
from
frustration!
Debutante
director
Pravesh
Bhardwaj
takes
his
own
sweet
time
to
establish
the
growing
proximity
between
Aditya
and
Neera
but
leaves
it
hurriedly
towards
the
climax.
The
film"s
shot
in
London
but
you
don"t
see
much
of
it
apart
from
some
unflattering
lanes
of
London.
A
wonderful
ghazal
based
track
by
Shujaat
Hussain
Khan
goes
waste
in
a
film
like
this.
Prashant
Narayanan
is
just
about
okay
but
he
has
done
better
work
before.
Aruna
Shields
is
made
to
expose
her
body
more
than
her
acting
skills.
Lucky
Hassan
is
passable.
Naved
Aslam
is
fair.
The
film
is
a
plain
bore
with
nothing
good
to
talk
about.
Please
avoid!