In
a
country
where
disability
is
still
not
accepted
with
an
open
mind
and
where
the
infrastructure
of
the
cities
make
it
difficult
for
the
differently-abled
people
to
live,
comes
a
refreshing
movie
that
throws
light
on
how
their
life
is
no
different
to
the
life
of
an
abled
one.
Director:
Shonali
Bose
Cast:
Kalki
Koechlin,
Revathi,
Sayani
Gupta,
Hussain
Dalal,
Tenzin
Dalha
Margarita
With
A
Straw
is
a
story
about
a
young
teenager,
Laila
(Kalki
Koechlin)
who
is
bound
to
a
wheelchair
as
she
suffers
from
cerebral
palsy.
Studying
at
Delhi
university
she
aspires
to
be
a
writer
and
creates
electronic
sounds
for
an
indie
band.
She
falls
for
a
guy
who
goes
onto
reveal
that
he
has
no
such
feelings
for
her.
At
a
time
when
she
in
pain
owing
to
her
heart
break,
she
receives
an
admission
letter
to
the
New
York
University.
This
is
where
she
comes
a
young
activist
Khanum
(Sayani
Gupta)
with
whom
she
falls
in
love
and
embarks
on
a
journey
of
sexual
discovery.
Laila's
mother
(Revathi)
too
comes
across
a
critical
point
in
life,
where
she
has
to
choose
between
taking
care
of
Laila
like
a
child
or
to
let
her
grow
into
her
own.
While
both
Revathi
and
Kalki
have
performed
their
respective
roles
to
utmost
perfection,
there
are
certain
flaws
in
the
movie.
Here
are
a
couple
of
critics
review...
Tanul
Thakur
of
Firstpost:
The
most
notable
triumph
of
Margarita,
With
a
Straw
is
that
it
keeps
asking
disconcerting
questions
of
its
characters
and
us,
without
spelling
out
the
answers.
A
good
film
respects
its
audience.
A
better
film
respects
its
audience
as
well
as
its
characters.
Margarita,
With
A
Straw,
for
most
part,
is
a
better
film.
Saibal
Chatterjee
of
NDTV:
Kalki
is
absolutely
brilliant
as
Laila
-
so
powerful
and
convincing
that
she
completely
sucks
the
audience
into
her
complex
world.
The
seasoned
Revathy
and
the
one-film-old
Sayani
Gupta,
the
two
women
who
bear
witness
to
Laila's
struggles
to
find
her
footing
in
life,
provide
perfect
foils
to
the
central
performance.
Do
not
pass
up
a
sip
of
Margarita,
With
A
Straw.
It
could
be
life-altering.
If
nothing
else,
it
will
soak
you
with
its
warmth.
Srijana
Mitra
Das
of
The
Times
of
India
:
MWAS
is
deeply
moving,
a
philosophical
film
which
makes
you
wonder
if
the
body
is
a
palace
or
prison
-
and
evokes
mothers
to
lovers
who've
cherished
your
soul.
Surabhi
Redkar
of
Koimoi:
I
will
definitely
recommend
the
film
in
spite
of
its
loopholes.
Including
the
glitches,
it
is
still
a
better
film
than
most
Bollywood
dramas
you
will
watch.
It
is
a
slice
of
life
film
and
Kalki
Koechlin's
best.