Plot
'Shehar
chhote
hote
hai,
sapney
nahin'-
that's
the
life
motto
of
Kishan
Mohan
Girhotra
(Farhan
Akhtar),
an
aspiring
singer
in
Moradabad,
who
dreams
of
recording
his
own
label.
Unfortunately, tragedy
strikes
in
when
he
is
falsely
implicated for
the
murder
of
an
IAS
officer
and
sentenced
to
life
imprisonment.
However,
he
finds
a flicker
of
hope
when
he
learns
about
the
formation
of
a
music
band
in
Lucknow
Central
jail
(where
he
is
soon
to
be
transferred) to
perform
at
a
competition
featuring
bands
representing
the
various
prisons
in
the
state.
With
the
help
of
a
NGO
worker
Gayatri
Kashyap (Diana
Penty),
Kishen
forms
his
own
band
which
comprises
of
Victor
(Deepak
Dobriyal),
Panditji
(Rajesh
Sharma),
Dikkat
(Inaamulhaq)
and
Parminder
(Gippy
Grewal).
But,
there's
a
catch
here!
'Kishen
Ka
Plan
Kuch
Aur
Hai'!
Direction
Debutante
Ranjit
Tiwari
doesn't
waste
his
time
and
straight-away
dives
into
the
main
plot
in
the
first
15-20
minutes
of
the
film
itself.
Lucknow
Central
is
inspired
by
a
real-life music
band
called
'Healing
Hearts' formed
by
prisoners
of
Adarsh
Karagar
jail.
Further,
one
cannot
ignore
the
striking
resemblance
in
a
few
scenes
with
Yash
Raj
Film's
Qaidi
Band
which
hit
the
theatrical
screens
a
few
days
back.
Having
said
that,
Lucknow
Central
has
its
moments
of
shine
where
you
really
want
to
know
what's
going
to
happen
next.
Lucknow
Central
has
some
really
interesting
moments
and
a
gripping
plot
to
hold
your
attention.
There
is
enough
thrill
to
keep
you
invested
barring
a
few
scenes
which
simply
stretches
the
story
like
a
bubblegum
in
certain
places.
On
the
flipside,
there
are
some
logic
defying
scenes
that
simply
seem
out
of
the
place.
Performances
Farhan
Akhtar
manages
to
evoke
empathy
for
his
character
and
gets
the
mannerism
of
a
small
town
guy
spot
on.
But,
his
flawed
English
pronounciation
does
come
across
a
tad
weird
in
few
areas.
Ronit
Roy
and
Ravi
Kishen
are
in
top
form
and
insfuses
a
distinct
flavour
of
humour
in
the
plot.
The
rest
of
the
cast-
Deepak
Dobriyal,
Gippy
Grewal,
Rajesh
Sharma
and
Inaamulhaq
put
up
a
good
show.
Sadly,
Diana
Penty
crushes
under
the
weight
of
a
poorly
written
role
and
fails
to
create
an
impression.
Technical
Aspects
Tushar
Kanti
Ray
flirts
with
a
dark
palette
to
depict
the
gloominess
of
a
prisoner's
life.
Charu
Shree
Roy's
editing
could
have
been
a
little
more
sharper
to
make
the
film
more
crisp.
Music
While
the
film
revolves
around
the
theme
of
music,
it
lacks
a
magical
touch
in
this
department. Except
for Kaavaan
Kaavaan,
none
of
the
tracks
stay
back
with
you
post
the
rolling
of
the
end
credits.
Verdict
Lucknow
Central
is
worth
a
watch
for
some
intriguing
moments
in
this
bumpy
flight
to
freedom.