Rating:
2.5/5
Star
Cast:
Aishwarya
Rai
Bachchan,
Anil
Kapoor,
Rajkummar
Rao,
Divya
Dutta,
Karan
Singh
Chhabra
Director:
Atul
Manjrekar
Fanney
Khan
PUBLIC
REVIEW:
Aishwarya
Rai
Bachchan
|
Anil
Kapoor
|
Rajkumar
Rao
|
FilmiBeat
"Main
Mohammed
Rafi
toh
nahi
ban
saka,
lekin
tereko
Lata
Mangeshkar
zaroor
banaunga,"
as
Prashant
Sharma
(Anil
Kapoor)
urrf
Fanney
Khan
utters
these
words
to
his
newborn
daughter,
you
get
to
see
a
ray
of
hope
flickering
in
his
eyes.
Prior
this
event,
Fanney
is
seen
channeling
his
inner
Shammi
Kapoor,
as
he
croons
and
gets
groovy
on
'Badan
Pe
Sitare' at
the
orchestra
in
his
neighbourhood.
Atul
Manjrekar's
directorial
debut
Fanney
Khan
is
all
about
dreaming
big.
Years
pass
by
and
Prashant
is
seen
working
tirelessly
at
a
factory.
But
the
man
still
lives,
breathes
and
worships
music.
With
unrealized
musical
ambitions
of
his
own,
his
only
dream
now
is
to
turn
his
teenage
daughter
Lata
(Pihu
Sand)
into
a
singing
sensation.
Meanwhile,
Lata
is
a
huge
fan
of
pop
star
Baby
Singh
(Aishwarya
Rai
Bachchan)
and
idolizes
her.
After
going
through
body-shaming
for
her
plus
size
at
countless
number
of
auditions,
Lata
gets
dejected.
Meanwhile,
Prashant
soon
goes
out
of
work.
Unable
to
watch
his
dreams
of
making
Lata
a
renowned
singer
shattering
into
pieces,
he
becomes
a
cab
driver.
One
day,
a
golden
opportunity
knocks
at
his
doors
when
Baby
ends
up
as
his
cab
passenger.
To
fulfill
Lata's
dreams,
he
kidnaps
her
with
the
help
of
his
best
friend
Adhir
(Rajkummar
Rao),
who
has
a
shrewd
girlfriend
to
deal
with.
Will
Prashant
succeed
in
fulfilling
Lata's
musical
ambitions?
The
rest
of
the
plot
holds
the
answer
to
that.
First-time
director
Atul
Manjrekar
tries
to
tackle
with
topics
like
body-shaming,
prejudice
and
misconceptions
about
celebrity
life
in
Fanney
Khan,
but
touches
only
the
surface
of
it.
Some
of
the
situations
in
the
film
are
a
tad
illogical.
Had
the
writing
been
crisper
and
had
some
depth,
Fanney
Khan
would
have
risen
up
by
notches.
Atul
opts
for
a
climax
involving
a
reality
show
and
that's
where
the
film
falters
because
it
comes
across
as
too
easy,
as
logic
goes
out
of
the
window.
Thankfully,
the
scene
which
comes
the
next
saves
the
show.
Anil
Kapoor
is
the
show-stealer
in
Fanney
Khan.
As
an
optimistic
father,
he
takes
you
on
a
rollercoaster
ride
of
emotions,
as
you
find
yourself
rooting
for
him
over
the
time.
Having
said
that,
his
Hyderabadi
accent
at
times
looks
out
of
place.
His
camaraderie
with
Rajkummar
Rao
is
heartwarming
and
one
wished
it
was
more
explored!
On
the
other
hand,
despite
being
ladden
with
a
flimsily-sketched
character,
Rao
makes
the
most
of
it
and
gives
you
an
endearing
performance.
Aishwarya
Rao
Bachchan
looks
her
glamorous
best,
but
gets
limited
opportunity
to
showcase
her
acting
chops.
Nevertheless,
her
chemistry
with
Rajkummar
Rao
is
quite
cute.
Debutante
Pihu
Sand
leaves
a
lasting
impression
barring
a
scene
or
two.
Divya
Dutta
and
Girish
Kulkarni
stand
tall
in
the
film
and
lend
a
good
support.
Tirru's
cinematography
is
top-notch.
However,
the
film
could
have
been
trimmer
by
few
minutes
to
make
it
more
tauter.
Speaking
about
the
music,
we
absolutely
loved
Fu
Bai
Fu
for
its
funky
lyrics.
Halka
Halka
grows
on
you
with
time.
Tere
Jaisa
Tu
Hai
too
leaves
a
mark.
The
rest
of
the
track
blends
well
with
the
narrative.
Fanney
Khan
has
its
heart
in
the
right
place,
but
it's
Atul
Manjrekar's
inconsistent
direction
that
spoils
the
show.
One
of
the
songs
in
the
film
has
lyrics
which
says,
"Sach
mein
kabhi
has
na
sake,
khilke
roh
bhi
paate
nahin,
kya
rok
hai
hum
kyun
bhala,
joh
hai
woh
ho
jaate
nahin."
Despite
all
its
flaws,
Fanney
Khan
still
manages
to
make
some
place
in
your
heart
for
sometime
purely
for
this
strong
point.