Plot
The
film
begins
with
a
man
sprinting
across
the
snow-clad
landscape
and
then
lo,
there
rolls
in
the name
of
the
film
in
the
next
shot-
Vodka
Diaries!
Damn,
they
just
told
you
what
would
come
in
handy
to
survive
this
117
minutes
of
tedious
watch!
After
a
vacation
with
his
poetess-wife
Shikha
(Mandira
Bedi),
ACP
Ashwini
Dixit
(played
by
Kay
Kay
Menon)
finds
himself
investigating
a
series
of
murders
where
dead
bodies
start
piling
up,
each
with
a
link
to
a
local
hotel
named
Vodka
Diaries.
As
he
goes
deeper
into
his
investigation,
a
mysterious
call
from
a nameless
lady
(Raima
Sen)
topples
his
life
upside
down
when
he
discovers
that
his
wife
Shikha
is
missing
and
the
only
way
to
reach
her
is
to
connect
the
clues
left
by
the
unknown
caller.
Will
Ashwini
manage
to
crack
this
case?
Direction
Vodka
Diaries
is
highly
misleading!
What
starts
off
as
a
murder
mystery
ends
up
as
a
psychological
thriller
which
in
turn
is
a
shoddy
'Indianised' version
of
Martin
Scorsese's
Shutter
Island.
Kushal
Srivastava's
amateurish
execution
in
Vodka
Diaries
leaves
you scratching
your
head in
despair.
The
suspense-laden
moments
are
sparsely
scattered
throughout
the
film
leaving
you
bored
for
most
of
the
run-time.
The
sluggish
pace
of
the
narrative
adds
more
to
the
woes.
The cat-and-mouse
chase fails
to
keep
you
at
the
edge
of
your
seats
and
the
lackluster
dialogues
ain't
good
news
here.
Performances
Kay
Kay
Menon
is
the
only
reason
why
Vodka
Diaries
manages
to
hold
your
attention.
Sadly
even
that
bundle
of
talent
couldn't
save
this
ship
from
sinking
deep.
On
the
flip-side,
the
actor
looks
a
tad
uncomfortable
when it
comes
to
romance
as
you
see
him
go
a
little
OTT
in
a
few
scenes.
Mandira
Bedi
tries
to
make
most
of
her
role
and
succeeds
to
some
extent.
Raima
Sen
fleets
in
and
out
of
the frame
as
if
she
shot
the
film
in
bouts
when
on
a
holiday.
Sharib
Hashmi
as
Menon's
side-kick
tries
to
bring
in
some
humour
element
but
they
simply
fall
flat.
Technical
Aspects
Apart
from
Kay
Kay
Menon,
Maneesh
Chandra
Bhatt's
surreal
cinematography
of
the
scenic
Manali
is
another
reason
to
cheer.
Aalaap
Majgavkar's
editing
should
have
been
tighter
to
keep
the
grip
on
the
premise.
Music
Lesser
said
about
the
background
music
the
better!
It
definitely
ends
up
killing
your
interest
in
the
suspense.
Rekha
Bharadwaj's
soothing
voice
in
Saakhi
Re
during
the
end
credits
bring
you
much
relief.
The
rest
of
the
tracks
are
avoidable.
Verdict
Some
shots
of
vodka
are
best
left
untouched.
This
Kay
Kay
Menon
starrer
turns
out
to
be
one
of
them.