Rating:
2.0/5
Star
Cast:
Saif
Ali
Khan,
Manav
Vij,
Zoya
Hussain,
Deepak
Dobriyal,
Simone
Singh
Director:
Navdeep
Singh
On
a
rainy
day,
as
a
young
boy
is
mercilessly
being
hung
on
a
tree
which
already
has
many
dead
bodies
on
it,
a
voiceover
booms,
"Aadmi
ke
paida
hote
hi,
Kaal
apne
bhiase
pe
baith
ke
chal
padta
hai.
Usse
vapas
lewane,
Aadmi
ki
zindagi
utti,
jitna
samay
uss
bhaise
ko
laga
us
tak
pahuchne
mein."
Right
from
the
first
frame
itself,
Saif
Ali
Khan's
'Laal
Kaptaan'
warns
us
of
the
death
that's
lurking
around
in
the
film.
However,
when
it
finally
claims
its
victim
after
a
long
pursuit,
it
simply
doesn't
shake
you
up
anymore.
Why?
Because
of
its
painfully
slow
narrative,
which
goes
the
zig-zag
way.
Set
in
the
late
1700s,
a
Naga
Sadhu
who
is
addressed
as
Gossain
(Saif
Ali
Khan)
surfaces
after
the
Battle
of
Buxar.
He
is
in
hot
pursuit
of
Rehmat
Khan
(Manav
Vij),
a
Pathan
warlord
with
whom
he
has
some
old
scores
to
settle.
Meanwhile,
the
latter
has
betrayed
the
Marathas
and
fled
with
their
gold.
Accompanying
Khan
is
his
Begum
(Simone
Singh)
and
a
widowed
concubine
(Zoya
Hussain)
who
has
her
own
reasons
to
be
with
them.
As
Gossain
sets
out
on
a
chase
sometimes
on
the
horse;
sometimes
on
foot
through
the
land
of
Bundelkhand,
some
scenes
hold
your
attention;
some
scenes
don't.
The
wobbly
writing
is
to
be
majorly
blamed
here.
Navdeep
Singh
who
previously
helmed
Anushka
Sharma's
'NH10',
is
back
with
yet
another
revenge
saga.
Unfortunately,
the
wafer-thin
plot
spoils
the
game
for
us,
this
time.
The
western
influence
is
quite
evident
in
Singh's
story-telling
and
landscape.
He
throws
a
bunch
of
eccentric
characters
in
Gossain's
world
to
add
layers
to
his
revenge.
As
each
is
peeled
off
slowly,
the
journey
turns
out
to
be
laborious
for
the
audience
as
well.
Finally,
when
the
suspense
is
revealed
in
the
end,
it
simply
fails
to
create
a
jolting
impact.
With
his
ash-smeared
face,
kohled-eyes
and
long
locks,
Saif
Ali
Khan
aces
it
when
it
comes
to
his
body
language
as
a
Naga
Sadhu.
Sadly,
the
man
hardly
gets
any
moment
to
shine
because
of
the
half-baked
script.
Bringing
in
some
comic
relief
in
'Laal
Kaptaan'
is
Deepak
Dobriyal.
He
plays
a
man
who
can
sniff
and
track
people
with
the
help
of
his
two
dogs.
At
one
point,
you
might
wonder
if
he's
the
extension
of
the
audience
who
too
is
busy
trying
to
sniff
some
meat
in
the
plot.
Manav
Vij
impresses
in
parts
and
pieces.
The
ladies
in
the
film
-
Zoya
Hussain
and
Simone
Singh
are
feisty.
Unfortunately,
their
voice
is
simply
reduced
to
bare
whispers
in
the
male-dominated
world
of
'Laal
Kaptaan'.
One
of
the
reasons
why
'Laal
Kaptaan'
still
manages
to
grasp
your
attention
despite
the
flaws,
is
Shanker
Ramen's
effective
lens-magic,
which
beautifully
captures
the
landscape
of
the
story.
The
film
could
have
been
snipped
shorter
by
several
minutes
to
make
it
more
compact.
Benedict
Taylor's
background
music
goes
well
with
the
theme
of
the
film.
At
one
point
in
the
film,
Saif's
Gossain
tells
one
of
the
characters
in
the
film,
"Ek
bhale
aadami
ne
mujhse
kaha
tha,
ki
maut
ki
taiyari
paida
hote
hi
shuru
ho
jaati
hai."
One
wished
the
makers
had
paid
heed
to
these
words
to
avoid
a
similar
fate
for
the
film.
I
am
going
with
2
stars.