Los
Angeles
(Reuters):
Hit
an
iceberg
and
sink.
Get
battered
by
a
perfect
storm
and
sink.
Get
sideswiped
by
a
white
whale
and
sink.
Sometimes
there's
nothing
like
a
big
ship
going
down
to
grab
an
audience's
attention
or
so
a
nervous
Hollywood
hopes.
Mindful
that
the
biggest-grossing
movie
of
all
time
is
'Titanic,''
many
are
looking
at
this
Friday's
opening
of
''Poseidon''
a
160
million
dollars
remake
of
a
beloved
disaster
film,
to
show
whether
the
great
box
office
slump
of
2005
is
over
or
going
to
continue
for
a
second
consecutive
year.
Last
weekend's
opening
of
Tom
Cruise's
''Mission:
Impossible
III''
fell
short
of
expectations,
setting
the
stage
for
fears
that
this
year's
summer
films
might
sink
rather
than
swim.
And
that
makes
the
burden
just
that
much
heavier
on
German-born
director
Wolfgang
Petersen
and
the
water-logged
cast
and
crew
of
''Poseidon,''
who
spent
five
months
filming
in
water
tanks
on
the
Warner
Brothers
lot
and
have
the
bruises
and
bouts
with
pneumonia
to
prove
it.
The
film
is
a
remake
of
the
fondly
remembered
but
now
outdated
1972
movie
''The
Poseidon
Adventure,''
which
many
claim
helped
make
the
disaster
movie-or
at
least
the
transportation
disaster
division-a
Hollywood
staple.
Certainly,
''Poseidon's''
plot
is
part
and
parcel
of
the
disaster
movie
trade:
Giant
rogue
wave
hits
luxury
liner
as
everyone
on
board
celebrates
New
Year's
Eve.
Whoops,
there
goes
the
party
and
soon
there
is
battle
for
survival
and
the
usual
disaster
movie
question:
Should
we
stay
in
the
main
air
pocket
and
wait
for
help
or
fight
to
survive?
In
the
new
film
the
ship
doesn't
just
capsize
but
turns
upside
down.
And
in
order
to
survive,
a
handful
of
gritty
passengers-with
personalities,
alas,
supplied
by
a
paint
by
numbers
kit-have
to
climb
to
the
bottom
of
the
ship,
which
is
now
the
top
in
order
to
get
to
the
surface
of
the
water
and
safety
and
they
have
to
do
it
before
the
ship
is
totally
submerged
in
water
and
all
the
air
pockets
are
destroyed
by
the
cruel,
relentless,
pounding
sea-they
have
to
do
it
in
98
minutes
with
a
lot
of
pulsating
nonstop
background
music.
Petersen,
one
of
Hollywood's
most
successful
''big''
picture
directors,
said
in
a
recent
in
interview
with
Reuters,
''The
idea,
to
me,
was
to
take
the
basic
idea
of
a
grand
ship
being
capsized
by
a
wave,
(and
create)
a
study
of
people
under
the
extreme
stress
of
a
disaster,
and
make
it
as
rough
and
as
tough
as
I
could.''
''We
have
a
non-superstar
cast,
people
like
you
and
me,
and
if
it
could
happen
to
you,
how
would
you
react...Here,
it's
a
core
group
of
people
who
take
things
into
their
own
hands
and
do
not
wait
passively
for
a
rescue.
The
real
story
is
their
journey.''
Petersen
is
a
veteran
of
the
at-sea
epic
--
his
previous
efforts
include
''Das
Boot''
and
''The
Perfect
Storm''
--
and
one
thing
he
has
learned
is
not
to
film
at
sea;
it's
too
messy.
Another
thing
he
has
learned
is
not
to
get
wet
himself
and
a
third
thing
is
serve
the
cast
and
crew
really
good
soup
at
about
11
a.m.
He
likes
to
call
his
set
a
party
but
the
cast-including
Kurt
Russell,
Emmy
Rossum,
Richard
Dreyfuss
and
Josh
Lucas-
say
it
was
pretty
much
a
party
of
one.
They
all
suffered
and
plotted
to
douse
him
with
a
bucket
of
water.
''I
was
wet
for
five
months.
I
was
soaking
wet
in
every
scene...You
have
to
swim
underwater
without
goggles
and
you
can't
see.
I
got
hit
in
the
head
with
a
flashlight
and
it
tore
open
my
eye.
...I
had
to
have
thumb
surgery
...Wolfgang
was
having
a
ball,
but
the
rest
of
us
were
in
hell,''
actor
Lucas
recently
told
reporters.
Lucas
said
the
physical
strain
of
the
job
kept
acting
to
a
minimum.
''You
were
too
busy
reacting
to
act,''
Lucas,
who
plays
a
lone
wolf
gambler
who
suddenly
becomes
leader
of
a
gaggle
of
survivors,
said
in
explaining
why
the
dialogue
in
the
film
was
so
sparse.
''You
can't
have
bogus
dialogue.
They
can't
get
to
know
each
other.
With
dead
people
all
around
you
can't
have
people
talking
about
where
they
come
from,''
he
said,
adding,
''This
was
as
close
to
going
to
work
on
an
oil
rig
as
you
can
get.''
Russell,
who
plays
a
former
New
York
mayor
and
fireman,
said
working
underwater
was
so
difficult
that
he
hit
Lucas
with
his
flashlight
and
''didn't
even
know
it.''
As
for
working
conditions.
''I
got
a
throat
infection
that
got
worse
and
then
I
really
got
sick.
I
got
pneumonia,''
he
said.
Then
there
were
the
scenes
where
he
had
to
look
as
if
he
was
underwater
and
running
out
of
air.
''If
I
pass
out
I
drown.
But
I
wanted
to
be
on
the
edge,''
he
said
and
like
a
survivor
of
a
big
sea
wreck,
he
lived
to
tell
the
tale.