A
movie
called
Frozen
would
evoke
ideas
of
a
snowy
landscape
and
icy
winters.
Though
the
first
movie
takes
place
in
summertime,
Elsa,
unable
to
control
her
powers,
plunges
Arendelle
into
an
eternal
winter.
So,
the
'Frozen'
title
was
befitting
due
to
Elsa's
icy
powers,
and
it
stuck.
The
sequel
is
rooted
in
change
and
renewal,
and
hence,
the
backdrop
of
autumn
suited
the
film.
Production
designer
Michael
Giaimo
embraced
the
idea
of
autumn
for
this
movie.
"Anna
and
Elsa
go
on
very
specific
journeys
in
Frozen
2
and
they
both
grow
and
mature
in
the
process," says
Giaimo.
"Little
by
little
they
each
peel
back
layers,
revealing
more
and
more
depth
and
dimension
in
these
characters.
For
me,
that
meant
removing
the
layers
of
snow
and
getting
down
into
the
earth."
The
undercurrent
of
change
flows
through
the
entire
movie
and
is
introduced
very
early
with
Queen
Iduna,
Elsa
and
Anna's
mother,
singing
a
haunting
lullaby
'All
is
Found' that
tells
them
of
a
river
that
has
all
the
answers.
To
find
something
you
may
have
to
lose
something,
and
in
this
case,
the
two
sisters
must
lose
the
security
of
their
togetherness
and
the
comfort
of
their
home
to
seek
the
answers
to
the
questions
that
have
always
troubled
Elsa.
Anna,
who
is
devoted
to
her
sister,
is
determined
to
follow
Elsa,
even
though
it
means
losing
everything
she
had
ever
wanted.
At
the
end
of
the
first
movie,
we
see
that
Anna's
world
is
complete.
She
has
her
dear
sister,
a
motley
family,
her
kingdom
and
all
is
well.
She
wouldn't
change
a
thing
about
it
and
we
see
that
reflected
in
a
song
she
sings
to
comfort
Olaf,
the
snowman.
The
song
'Some
Things
Never
Change'
introduces
the
idea
of
change
to
the
movie,
and
despite
its
title,
it
promises
that
change
is
on
the
horizon.