Rating:
3.0/5
Star
Cast:
Ana
de
Armas,
Adrien
Brody,
Bobby
Cannavale,
Xavier
Samuel,
Julianne
Nicholson
Director:
Andrew
Dominik
People
interested
in
watching
Blonde,
or
knowing
how
it
is,
mostly
fall
under
three
categories:
fans
of
Ana
de
Armas,
fans
of
Marilyn
Monroe,
or
fans
of
both
the
actors.
I
am
somewhere
between
categories
one
and
three.
I
have
read
about
Monroe's
life
in
brief,
and
know
of
her
history
of
psychological
disturbances,
and
her
unfortunate
demise.
However,
I
haven't
seen
her
work
as
on
actor.
I
went
in
mostly
for
Ana,
with
some
amount
of
curiosity
about
the
dark
life
of
the
vintage
diva.
There's
a
saying
that
goes,
"Art
should
comfort
the
disturbed,
and
disturb
the
comfortable."
Blonde
definitely
did
one
of
those
two
things
to
me
(I
won't
mention
which
one).
The
film
moves
from
segment
to
segment,
and
lacks
a
narrative
thread.
Although
there
is
a
flow
to
the
story,
it
feels
more
like
a
story
in
the
perspective
of
a
journalist,
and
less
like
that
of
a
novelist.
First
the
film
covers
the
impact
her
mom
had
on
her
life,
then
it
moves
on
to
her
bitter
audition
experiences
that
came
with
physical
abuse,
to
be
followed
up
by
her
relationships,
and
finally
her
death.
The
moments
pass
by
like
a
semi-montage,
and
it's
hard
to
stay
in
a
moment
and
absorb
it
properly.
It
becomes
difficult
to
naturally
travel
with
her
and
imbibe
her
emotions.
On
the
other
hand,
the
film
almost
transfers
the
nervous
angst
that
Monroe
constantly
goes
through,
to
the
audience,
that
it
gets
taxing
after
a
while.
Perhaps,
that's
what
the
film
intended
to
do.
To
carry
a
semblance
of
the
chemical
reactions
that
went
in
the
diva's
head
all
through
her
life,
for
a
couple
of
hours
to
the
viewers.
But
then
there
could
have
been
more
of
an
effort
to
get
us
invested
in
her
as
a
person.
The
way
it
was
made,
the
film
expected
you
to
already
be
rooting
for
her,
or
at
the
least
support
her
because
she
is
having
a
hard
life.
There
was
no
element
of
attraction
toward
the
character
in
the
narrative.
Ana
plays
the
character
so
well
that
one
might
think
she
is
struggling
to
get
into
the
character.
The
struggle,
however,
is
not
hers,
but
that
of
Norma's,
in
trying
to
fit
into
the
role
of
Marilyn
Monroe.
She
often
remarks
that
she
is
not
Marilyn,
and
she
is
afraid
that
people
would
find
that
out
at
some
point.
There
is
a
constant
sense
of
dissociation
associated
(sorry,
couldn't
resist)
with
her
character.
While
it
makes
sense
that
Norma
had
that
dissociation
from
Marilyn,
sometimes
it
felt
that
even
when
she
was
Norma,
she
was
not
completely
comfortable.
However,
when
you
think
about
it,
you
would
realize
that
Norma
never
really
knew
how
to
be
comfortable
and
relaxed.
Her
mother
always
kept
her
on
her
toes
growing
up.
Things
did
not
change
much
when
Norma
was
taken
away
from
her
mother.
She
had
always
lived
with
the
combined
burden
of
helplessness,
vulnerability,
and
hyper-anxiety.
I
wondered,
if
her
life
was
so
traumatic
that
there
was
never
a
genuine
moment
of
happiness,
but
then
I
concluded
that
maybe
the
way
she
perceived
happiness
was
not
the
same
as
how
others
did.
Or
maybe
the
makers
just
did
not
want
to
explore
the
lighter
side
of
her
life.
In
his
memoir
'The
Other
Side
Of
Me',
Sidney
Sheldon
mentions
Marilyn's
death,
and
mentions
how
it
made
him
think
about
his
own
mental
state.
He
also
mentions
that
she
was
diagnosed
with
Manic
Depression,
as
it
was
called
in
the
time.
The
current
term
would
be
Bipolar
Disorder.
However,
he
does
speak
of
her
as
a
real,
live
person,
whereas
the
film
somewhere
failed
to
show
us
why
people
liked
her
so
much.
That,
or
maybe
I
just
couldn't
get
myself
to
like
the
character
much.
She
certainly
evokes
sympathy,
but
it
beats
me
how
she
got
the
kind
of
fan
following
she
had.
As
far
as
I
have
seen
Marilyn,
on
pictures
and
film
trailers,
she
does
have
a
confident
charm
about
her,
which
was
missing
in
the
film.
Ana
was
mostly
either
upset
or
relieved
in
situations,
and
we
hardly
saw
her
ever
truly
appearing
like
she
had
a
say
in
her
life.
While
Marilyn
may
or
may
not
have
had
any
control
over
life,
her
appearance
never
gave
it
away.
Ana's
rendition
made
Marilyn
Monroe
appear
a
bit
more
timid
than
she
probably
was
in
reality.
While
the
film
may
not
have
been
a
rewarding
watch,
it
managed
to
give
a
sample
of
how
it
might
feel
like,
to
be
Marilyn
Monroe.
The
distressing
mental
state
she
was
in
was
skillfully
orchestrated
in
the
film.
It
is
definitely
an
experience
that
is
going
to
stay
with
me.