Cast:
Paddy
Considine,
Olivia
Cooke,
Emma
D'Arcy,
Matt
Smith,
Rhys
Ifans,
Steve
Toussaint,
Eve
Best,
Fabien
Frankel,
Graham
Mactavish,
Mathew
Needham,
Jefferson
Hall
Director:
Greg
Yaitanes
The
world
of
ancient
Tagaryen
is
slowly
coming
unstuck.
Alicent
and
Otto
Hightower
have
already
installed
Aegon
on
the
throne
and
Rhaenyra,
who
has
returned
to
Dragonstone,
is
the
last
to
know.
But
once
she
does,
the
wheels
begin
to
turn.
She
delivers
a
stillborn
infant,
consigns
her
to
the
flames
and
then
gets
onboard
to
sort
out
her
many
challenges.
Maintaining
peace
and
showing
loyalty
to
anointed
heir
or
usurper
-
appears
to
be
the
buzz
word
here.
Grudges
and
precedents
become
two
cogs
in
the
mediaeval
cycle.
The
Westeros
great
houses
are
under
considerable
threat.
Dragons
and
Dragonseeds
become
the
most
important
players
in
this
episode.
Blacks
have
more
of
them
while
The
Greens
are
relying
on
a
larger
contingent
of
men.
The
season
finale
is
stirring
up
a
fiery
war
and
despite
all
efforts
to
keep
the
damage
to
the
minimum,
the
first
savage
hit
is
made
and
Rhaenyra's
(
Emma
D'Arcy)
second
born
is
the
casualty.
This
engaging
but
fake
historical
drama
draws
us
into
its
boiling
hot
cauldron
of
volatility
as
unbanked
fires
rush
to
the
fore.
The
series
continues
to
depict
grim
realities
of
the
mediaeval
era
in
absolutely
raw
painful
detail.
It's
really
tough
to
sit
through
the
birthing
scene
in
this
episode.
The
mid-air
dragon
fight
lacked
clarity
but
the
effect
was
still
staggering.
The
whole
sequence
in
which
Lucerys
arrives
at
Storm's
End,
parlays
with
Lord
Boros
Baratheon
and
is
then
chased
through
stormy
skies
and
heavy
rain
is
executed
quite
well.
For
once
the
technical
aspects
of
the
dragon
chase
are
impressive.
The
contrasting
size
of
the
two
dragons,
their
wing
span,
and
the
cascading
rain
present
a
turmoil
in
the
skies
that
is
just
unforgettable.
The
camerawork
continues
to
be
dark,
somber,
heavily
saturated,
and
rather
hazy.
It's
a
tone
that
lends
deep
meaning
to
'ancient.'
Rhaenyra
banks
on
history
while
dealing
with
Westeros's
great
houses.
Rhaenys
(Eve
Best)
and
a
considerably
recovered
Corlys
(Steve
Toussaint)
are
quick
to
ally
with
Rhaenyra.
Rhaenyra's
consideration
of
the
realm's
well-being
and
her
hesitance
to
go
to
war
is
influenced
by
the
promise
she
made
to
her
father
to
save
the
world.
And
it's
all
about
The
Song
of
Ice
and
Fire.
She
knows
it's
real.
Daemon
Targaryen's
trauma
when
he
realises
he
was
never
privy
to
this
knowledge,
is
quite
vivid.
Westerosi
men
have
not
known
true
war
for
half
a
century.
Daemon
and
Corlys
are
veterans
of
war
because
they
sought
it
out,
while
Aemond
is
still
playing
around
with
Vhagar's
powers.
His
one
mistake
could
prove
costly
for
the
Greens.
The
fires
of
war
have
been
stoked
and
The
Black
Queen's
grief-stricken,
stoic
and
vengeful
look
at
the
end
of
the
episode
signifies
that
the
war
is
on!
The
season
1
finale
episode
of
House
of
the
Dragon
is
clearly
Emma
D'Arcy's
moment
of
glory.
The
way
she
holds
herself,
her
great
restraint,
and
her
classic
expressionism
deliver
a
strong
punch
to
her
performance.
She
shows
us
she
has
the
talent
to
kick-start
the
next
season
of
episodes
of
House
of
the
Dragon.