'Being
A
Storyteller,
We
Are
Always
Ready
For
The
Criticism'
Q.
Imlie
is
a
love
letter
to
times
when
stories
on
small
screen
depicted
joys,
sorrows,
trials
&
tribulations
of
a
simple
Indian
family.
One
of
the
USP
of
the
show
is
that
it
dwells
more
on
making
an
impact
with
simple,
unadulterated
moments
rather
than
resorting
to
cliched
plot
devices.
Do
you
enjoy
this
space
more
as
a
director?
A.
Imlie
is
very
challenging
to
execute.
Keeping
the
narrative
organic
in
television
is
a
tough
job.
I
am
lucky
that
the
producers
and
broadcaster
have
given
us
an
open
space
to
tell
the
story
in
utmost
rustic
and
organic
way.
I
am
enjoying,
learning
this
simple
yet
powerful
storytelling.
Q.
'Kahani
kirdaar
se
nahin,
haalat
se
paida
hoti
hai'
&
this
holds
true
for
the
show.
You
have
Aditya
(Gashmeer
Mahajani),
a
flawed
man
with
a
spine
of
steel
who
discovers
that
he
has
a
heart
that
'beats',
Imlie
(Sumbul
Touqeer),
a
fiesty
girl
who
has
to
fight
against
all
societal
norms
for
her
rights
&
dreams
&
Malini
(Mayuri
Deshmukh)
who
has
to
move
past
a
heartbreak
&
discover
that
there's
more
to
her
life;
all
three
characters
tied
by
destiny.
When
you
deal
with
such
layered
characters,
do
you
feel
your
responsibility
as
a
story-teller
becomes
more
tough
especially
when
there's
a
section
of
people
out
there,
who
are
always
ready
to
pull
up
the
morality
card
whenever
one
of
this
trio
doesn't
react
as
they
want
them
to?
A.
Both
story
and
the
narrative
are
complex
in
Imlie.
If
we
miss
a
small
nuance
in
the
telling,
the
character
graph
would
go
for
a
toss.
Gashmeer,
Sumbul
and
Mayuri
are
fantabulous.
They
are
keeping
the
sanctity
of
their
characters
intact.
Being
a
storyteller,
we
are
always
ready
for
the
criticism.
People
can
say
whatever
they
want,
but
the
story
will
take
its
time
and
course.
I
hope
we
keep
the
entertainment
quotient
intact.
Q.
Right
from
its
inception,
Imlie
has
always
managed
to
make
a
place
in
the
top
3
shows
despite
of
its
contentious
theme.
This
says
a
lot
about
how
the
audience
today
is
hungry
for
stories
which
have
their
heart
&
emotions
in
the
right
place,
irrespective
of
the
medium.
What's
your
take
on
that?
A.
From
the
first
day
of
shoot,
we
knew
that
if
we
hit
the
right
chord,
we
will
touch
the
audience's
heart.
Ishti
Kutum
was
remade
earlier
twice,
but
it
didn't
work.
So,
Gul
(producer
Gul
Khan)
wanted
us
to
treat
it
differently.
We
honestly
did
our
job
and
the
rest
is
history.
Array
Q.
Aditya
has
redefined
the
concept
of
flawed
heroes
on
screen
in
recent
times.
An
upright
man
who
isn't
afraid
to
face
the
consequences
of
his
mistakes
even
when
he
knows
his
redemption
isn't
a
bed
of
roses.
In
a
way,
he
is
a
pole
star
whose
actions
determine
the
direction
of
the
story.
Generally,
makers
end
up
whitewashing
such
male
leads
&
brush
their
faults
under
the
carpet
in
garb
of
romance.
However,
you
guys
have
steered
clear
of
this
trapping
and
made
the
hero
admit
that
his
repentance
is
not
going
to
be
easy.
Do
you
feel
this
could
pave
way
for
more
such
complex
characters
on-screen
and
break
the
notion
that
the
male
leads
have
to
be
idolized
all
the
time?
A.
TV
is
in
its
worst
phase
nowadays.
OTT
platforms
are
giving
it
a
tough
competition.
Makers
are
compelled
to
tell
different
stories
and
unseen
characters.
It
has
to
come
out
of
cliched
romance,
sindoor
and
dupatta
flying
stuff.
'Sumbul
Is
A
Born
Actor;
Imlie
Belongs
To
Her
Only'
Q.
It's
said
that
an
actor
must
surrender
completely
to
feelings
&
impulses
of
the
character
that
he
plays,
and
a
good
director
understands
that
vulnerability
&
creates
a
safe
place
for
him
to
perform.
One
can
sense
that
equation
between
you
and
Gashmeer
especially
in
the
emotional
&
intense
scenes.
How
do
you
see
his
evolution
as
a
performer
from
the
first
episode
till
now?
A.
Gashmeer
is
a
blessing
for
a
director.
He
understands
the
complexity
of
his
character
and
the
scene.
He's
a
star
performer,
a
true
entertainer.
Sumbul
is
a
born
actor.
I
have
never
seen
an
actor
who
can
switch
emotions
instantly.
Imlie
belongs
to
Sumbul
only.
This
is
a
tailor
made
show
for
her.
We
are
blessed
that
we
are
working
with
such
good
cast.
Array
Q.
Gashmeer's
body
language
&
voice
modulation
lends
a
very
distinct
nuance
to
Adi.
Be
it
mere
simple
words
like
'Suno
na,
theek
hai
or
hatooo',
they
bring
an
altogether
different
impact
to
a
scene.
Are
those
his
improvisations
or
your
vision?
How
much
is
he
involved
in
the
creative
process?
A.
Those
are
Gashmeer's
improvisations.
He
thinks
about
his
character
and
lives
it
completely.
Q.
Gashmeer
always
says
that
you
bring
out
the
hero
in
him.
How
tricky
does
it
get
for
you
when
you
need
to
present
him
in
a
larger
than
life
way
at
times
&
yet
maintain
the
realistic
tone
of
his
character?
A.
That's
so
kind
of
him
to
say
that.
The
amount
of
hard
work,
brain
and
soul
he
puts
in
his
character
is
mind
blowing.
We
are
just
capturing
the
actor's
performance.
Q.
Coming
to
the
female
leads,
Sumbul
and
Mayuri
are
both
powerhouse
of
talents
in
their
own
way.
When
it
comes
to
execution
of
their
respective
roles,
is
your
approach
towards
each
of
them
as
actors
different
considering
they
bring
in
their
own
uniqueness
to
the
table?
A.
Sumbul
is
too
young
and
chirpy,
and
that's
how
Imlie
is.
So,
she's
playing
her
real
self.
The
same
goes
with
Mayuri.
She
is
intelligent,
smart
and
learned.
She's
also
playing
her
real
self
on
screen.
So
we
don't
have
to
put
any
extra
effort
to
bring
out
those
characters.
Q.
Symbolism
plays
a
major
role
in
the
narrative
of
Imlie.
Be
it
the
rains,
diya,
the
near-death
scenes
or
certain
dialogues,
you
along
with
writing
team
always
incorporate
these
elements
to
give
an
arc
to
the
character
&
the
story.
Where
does
that
inspiration
come
from?
A.
Inspiration
can
come
from
anywhere.
Most
of
the
times,
it's
written.
Sometimes,
we
improvise
during
the
shoot,
or
sometimes
we
get
an
idea
while
reading
the
script.
Like
the
fight
sequence
before
Satyakam
abducts
Aditya
was
not
written,
it
was
planned
a
day
before
the
shoot.
We
just
went
on
location
and
started.
Nobody
had
a
clue
what's
going
to
happen
next.
It
just
happened.
Array
Q.
If
you
had
to
pick
one
scene
which
was
a
tough
nut
to
crack
but
at
the
same
time
helped
you
to
tap
your
inner
potential
as
a
director,
which
one
would
that
be?
A.
In
terms
of
execution,
Imlie
is
the
simplest
to
do.
The
first
episode
of
both,
Nazar
and
YJHJK
(Yehh
Jadu
Hai
Jinn
Ka)
were
quite
hard
to
shoot.
We
had
to
shoot
glossy
horror.
That
was
a
hell
of
an
experience.
Q.
Besides
the
stellar
performances,
Imlie
has
also
raised
the
bar
when
it
comes
to
framing
the
shots
to
give
visually
appealing
scenes.
This
is
something
which
has
been
neglected
for
a
long
time
on
small
screen.
Do
you
feel
storytellers
on
television
need
to
buckle
up
and
focus
on
this
aspect
to
enhance
their
content?
A.
Framing
a
shot
is
an
integral
part
of
storytelling.
And
being
a
camera
student,
it's
my
duty
to
frame
aesthetically
well
and
eye
pleasing.
Sometimes,
it's
very
helpful
to
catch
the
viewer's
eyeball.
'I
Am
Always
Open
To
Suggestions
And
Feedback'
Q.
Recently,
you
&
the
other
crew
members
doubled
up
as
extras
for
the
shoot
at
Ramoji
Film
City
In
Hyderabad.
Whose
idea
was
that?
A.
That
was
the
need
of
the
hour.
We
are
trying
to
avoid
external
crew
member
as
much
as
possible.
Also,
casting
is
a
bit
tricky
for
us
in
Hyderabad.
So,
our
team
is
acting
and
I
am
surprised
that
everyone
did
a
fantastic
job.
Q.
Lastly,
you
are
one
of
the
directors
who
is
often
seen
lending
a
patient
ear
to
the
creative
suggestions,
feedback
and
at
times,
even
brickbats
from
the
fandom
on
Twitter
when
it
comes
to
this
show.
How
open
are
you
to
constructive
criticism
&
do
you
believe
storytellers
need
to
have
more
of
such
healthy
exchange
in
order
to
get
a
different
perspective
on
their
work?
A.
Every
filmmaker
should
do
that.
It's
very
helpful
to
overcome
your
director's
block.
I
am
always
open
to
suggestions
and
feedback.
It
broadens
our
storytelling
ideas
and
makes
it
more
interactive.
I
think
every
human
is
a
story
teller,
and
every
story
has
its
uniqueness.
So
when
you
listen
to
people's
suggestions,
it
helps
you
to
tell
more
organic
stories.