'Screen-space
Isn't
The
Thing
In
My
Head
Right
Now'
Q.
Your
last
film
'Super
30' turned
out
to
be
a
great
success
at
the
box
office.
Is
the
feeling
yet
to
sink
in?
A.
I
am
very
happy
and
proud
that
a
film
like
'Super
30'
is
reaching
the
audience
and
thankful
to
all
the
people
responsible
for
making
the
film
tax-free,
so
that
it
reaches
as
many
as
possible;
not
just
in
metropolitan
cities
but
also
in
the
rural
areas.
I
felt
'Super
30'
was
the
film
which
deserved
to
be
told.
We
have
so
many
heroes
in
our
nation.
I
am
happy
that
films
are
being
made
on
people
like
Anand
Kumar,
Sanjeev
Kumar
Yadav.
I
am
proud
to
be
a
part
of
'Super
30'
where
I
got
the
chance
to
work
with
Hrithik.
Q.
You
began
your
career
with
'Love
Sonia',
then
'Super
30'
happened
and
now
'Batla
House'.
Your
choice
of
films
has
been
quite
brave.
Is
that
a
conscious
effort
from
your
end
or
is
it
that
things
just
fell
into
place
for
you?
A.
There
is
no
conscious
effort
as
such.
I
think
I
am
blessed
to
get
these
films.
It
was
just
like
I
was
going
with
the
flow.
I
believe
in
'every
opportunity
is
golden'
and
whatever
I
had,
I
tried
and
tested
and
auditioned
for
and
if
it's
a
yes
from
the
makers'
side,
I
immediately
grabbed
it.
I
want
to
be
a
part
of
projects,
which
connect
with
people.
One
of
my
friends
who
is
not
from
the
industry
told
me
that
she
was
disappointed
when
she
found
me
missing
in
the
trailer
of
'Super
30'.
I
told
her
I
wasn't
upset.
Instead,
I
was
happy
because
the
story
is
about
Anand
Kumar.
The
moment
a
heroine
comes
in
for
no
reason,
it
just
becomes
senseless.
I
told
my
friend,
'Yeh
toh
sirf
trailer
hai,
picture
abhi
baaki
hai
mere
dost.'
(laughs).
I
admire
actors
like
Pankaj
Tripathi
and
Irrfan
Khan.
The
screen-space
doesn't
matter
to
me.
What
matters
is
to
be
a
part
of
a
good
film.
This
is
the
initial
phase
of
my
career
and
working
with
filmmakers
like
Vikas
Bahl,
Nikkhil
Advani
helped
me
to
explore
as
an
actor.
I
learnt
so
many
things
from
them.
So,
'screen-space'
isn't
the
thing
in
my
head
right
now.
But,
the
only
thing
I
want
to
do
is
to
be
associated
with
good
films.
I
want
people
to
talk
about
it
rather
than
being
trolled.
'I
Am
Yet
To
Figure
Out
What
The
Word
'Hit' Or
'Flop'
Means'
Q.
So,
you
don't
want
to
be
a
part
of
out-and-out
commercial
films?
A.
'Love
Sonia'
wasn't
a
commercial
film.
I
haven't
yet
realised
what
a
commercial
film
is.
'Article
15'
is
also
a
commercial
film
where
they
are
in
the
real
space
and
at
the
same
time,
they
have
done
commercially
well.
I
don't
understand
the
criteria
on
which
a
film
is
declared
a
'hit'
or
'super-hit'.
I
have
seen
most
of
the
films
which
the
critics
don't
have
good
things
to
say
about,
also
crossing
100
crore.
So,
I
am
still
trying
to
understand
and
figure
out
what
the
word
'commercial'
or
a
'hit'
or
a
'flop'
means.
'I
Want
To
Do
A
Comedy
But
There
Should
Be
Logic
To
It'
Q.
What
about
doing
a
film
where
content
isn't
the
king
but
it
has
a
big
name
attached
to
it?
A.
If
I
am
not
able
to
convince
myself
then
how
would
I
do
the
same
to
the
audience?
I
want
to
do
a
comedy
but
there
should
be
logic
to
it.
I
want
to
do
a
masala
film
but
it
shouldn't
be
like
the
first
half
is
something
else
and
the
other
half
is
something
else.
Even
if
it's
a
masala
film,
it
needs
to
be
a
proper
masala
film.
I
want
to
explore
cinema.
'Love
Sonia'
was
a
completely
different
film
and
so
are
'Super
30'
and
'Batla
House'.
Before
the
film,
I
was
unaware
of
what
'Batla
House'
was
all
about.
I
didn't
know
what
happened
in
that
encounter.
To
be
very
honest,
after
my
research,
I
found
out
there
was
a
bunch
of
bomb-blast
series
happening
and
after
the
encounter,
they
just
stopped.
I
felt
that
I
should
do
this
film.
There
are
many
people
like
me
in
Mumbai
and
various
cities
who
were
not
aware
of
this
incident.
'My
Generation
Actors
Do
Not
Have
The
Opportunity
To
Make
Mistakes'
Q.
With
the
bridge
gaping
down
between
commercial
and
content-driven
cinema,
do
you
feel
you
are
blessed
to
be
a
part
of
two
big
films
where
you
were
not
just
reduced
to
a
glam
factor?
A.
When
I
and
John
spoke
about
our
journey
in
Bollywood
during
interviews,
he
mentioned
that
he
could
make
mistakes.
But,
my
generation
actors
don't
have
that
opportunity
to
make
mistakes.
Either
you
are
here
or
there.
Fortunately
now,
we
also
have
stories
which
are
very
well-balanced.
With
films
like
'Super
30',
'Article
15',
'Batla
House',
the
balance
has
been
well-maintained.
Initially,
people
told
me
how
I
could
be
a
part
of
a
film
which
had
an
item
number
(Saki
Saki)
and
I
just
told
them
to
relax.
When
I
personally
watched
the
film,
I
felt
that
Nora's
character
in
the
film
was
very
important
to
the
script.
It's
just
not
me
but
also
Nora's
fans
who
will
come
and
watch
the
film,
which
also
allows
this
film
just
not
only
be
in
the
real
space
but
also
balances
it
commercially.
Q.
From
an
actor's
perspective,
is
it
easy
or
difficult
for
you
to
be
non-judgmental
about
the
characters
that
you
play,
especially
when
it's
modelled
on
a
real-life
person?
What's
the
head-space
like?
A.
That's
where
the
research
part
plays
an
important
role.
Before
being
an
actor,
I
am
a
citizen.
When
you
are
an
actor,
people
idolise
you.
They
look
up
to
you.
When
a
film
releases
and
the
audience
watches
it,
they
will
learn
something
or
the
other.
And
my
intention
as
an
actor
primarily
is
that
people
should
learn
good
things
because
somewhere
down
the
line,
they
are
going
to
imply
that
in
their
lives.
When
the
series
of
bomb-blasts
happened,
it
was
very
important
for
me
to
convince
that
whatever
my
character
is
going
to
play
is
something
that
I
feel
as
Mrunal
also.
I
don't
want
to
do
films
with
which
I
don't
connect.
I
don't
want
to
fool
my
audience.
'You
Cannot
Leave
Your
Characters
Behind'
Q.
After
doing
an
intensely-challenging
film
like
'Love
Sonia',
how
do
you
de-stress
yourself?
A.
As
an
actor,
you
always
carry
something
or
the
other
with
you.
I
didn't
know
what
sex-trafficking
was
all
about.
I
was
upset
when
13-14
year
girls
were
trafficked
from
India
to
other
countries
and
vice-versa.
It
was
very
stressful.
But
today,
when
I
meet
the
girls
again
and
look
at
their
smile,
the
constant
effort
of
making
this
society
a
better
place
and
living
life
happily,
it's
something
that
gives
me
power.
I
will
be
meeting
the
girls
from
'Apne
Aap'
when
I
will
be
visiting
Delhi
for
'Batla
House'
promotions.
They
are
my
energy.
They
are
the
only
ones
who
de-stress
me
by
saying
that
they
are
happy
that
I
did
a
film
like
this
for
them.
I
am
happy
that
I
started
my
career
with
'Love
Sonia'
because
I
feel
I
am
more
responsible,
educated
and
aware
of
this
issue.
In
fact,
because
I
am
so
inspired
by
Anand
Kumar,
I
want
to
do
something
for
the
kids
of
sex-workers
from
red-light
areas.
Sometimes,
they
are
denied
their
basic
rights
because
of
their
parents'
profession.
We
are
currently
working
on
it.
So
probably
by
September/
October,
we
will
have
a
concrete
thing
planned.
So,
you
cannot
leave
your
characters
behind.
'I
Am
Happy
That
Even
Today
People
Recognize
Me
As
Bulbul
From
Kumkum
Bhagya'
Q.
You
started
your
career
with
television.
Do
you
enjoy
watching
them
now?
A.
I
enjoyed
the
first
season
of
'Naagin'
which
starred
Mouni
Roy.
I
am
happy
that
even
today
people
recognise
me
as
'Bulbul'
from
Kumkum
Bhagya.
I
really
enjoy
watching
reality
shows
because
it's
a
platform
for
raw,
young
talent.
I
hope
that
good
shows
are
being
made.
It
depends
on
which
audience
you
catering
to.
People
in
rural
areas
want
to
watch
people
flying
and
makkhi
turning
into
a
lady.
But
things
are
changing
now.
Audience
which
exists
in
the
metropolitan
cities
is
now
turning
towards
Netflix
and
other
digital
platforms.
So
now,
there's
too
much
content.
It's
like
a
platter
and
it's
up
to
the
audience
to
watch
what
they
want.
Q.
If
you
ever
get
an
offer
for
a
TV
show,
would
you
be
all
game
for
it
now?
A.
It
will
depend
on
how
big
it
is
and
how
long
it's
going
to
run.
If
you
see,
the
top-rated
shows
run
for
four-five
years
and
I
really
want
to
explore.
I
did
television
and
reality
shows,
Marathi
films,
an
Indo-American
film
and
commercials.
Now,
I
have
entered
Bollywood
and
want
to
enjoy
this
space
for
a
couple
of
years.