Question:
Were
you
interested
in
music
by
nature
or
was
it
your
parents'
will
which
compelled
you
to
venture
into
the
same?
Mohan
Brothers:
We
had
a
natural
penchant
towards
music
as
it
was
an
integral
part
of
our
family
and
our
ancestors.
The
three
of
us
were
inquisitive
towards
music
from
our
childhood
days.
Question:
When
was
Mysore
Mohan
Orchestra
launched
and
what
was
the
source
of
inspiration?
Mohan
Brothers:
We
were
pulled
towards
music
at
the
tender
age
of
8.
We
started
the
troop
during
the
1970s.
We
started
our
musical
programmes
in
Rama
Mandira.
We
were
mostly
active
in
college
with
our
music
shows.
Our
initial
days
were
given
a
good
push
by
the
likes
of
Ananthaswamy,
Kalinga
Rao
etc.,
which
was
then
followed
by
the
creation
of
our
own
Orchestra
troop.
Question:
How
was
your
debut
experience
of
composing
music
for
Kiladi
Kittu
movie?
Mohan
Brothers:
It
was
in
1978
that
the
movie
happened.
Our
elder
brother,
Ramesh,
approached
the
producer
of
the
movie
in
Mysore
and
requested
him
to
offer
the
chance
to
us.
For
the
debut
movie
itself,
we
were
destined
to
work
in
a
movie
which
featured
Vishnu
Sir
and
Rajini
Sir
in
the
lead.
To
add
more
sweetness
to
it,
Yesudas,
SPB
and
Janaki
Amma
had
rendered
their
voice
for
the
songs
in
the
flick.
There
were
a
section
of
people
who
had
opined
not
to
gamble
on
the
Orchestra
troop
as
it
involved
a
huge
risk
commercially.
But
the
producer
stood
by
us
and
had
remarked
that
he
was
all
game
for
the
risk
and
would
even
forgo
money
if
need
be.
Question:
For
how
many
movies
have
you
composed
music?
Have
you
rendered
music
for
Vishnuvardhan,
Shankarnag
and
Ananthnag’s
movies?
Mohan
Brothers:
The
tally
ranges
between
50-60
movies
out
of
which,
15
movies
never
released.
We
had
the
privilege
of
working
for
Ananthnag,
Shankarnag,
Tiger
Prabhakar
and
Vinod
Raj's
movies.
Benki
Chandu
was
the
movie
where
we
had
associated
with
Shankar
Nag.
Question:
You
shared
a
good
bond
with
Dr.
Rajkumar.
Can
you
share
a
few
unforgettable
incidents
from
the
days
of
your
relationship
with
the
legend?
Mohan
Brothers:
He
is
a
man
who
oozes
ample
patience
and
maintains
his
composure.
But
a
fan
of
the
legend
had
spiked
his
anger
once.
We
were
in
Davangere
for
a
concert
where
Rajanna
used
to
be
up
by
4
in
the
morning
for
his
early
Yoga
sessions.
One
morning,
his
fan
peeped
through
the
window
during
Rajanna's
Yoga
session
and
had
caused
utter
disappointment
to
him.
Rajanna's
disappointment
was
because
the
fan
had
risked
his
life
by
climbing
a
few
floors
through
a
pipe
to
catch
a
glimpse
of
him.
He
also
added
that
during
the
live
concert,
even
if
Rajanna
slipped
a
note
or
two,
he
had
the
swiftness
to
fill
the
gap
and
come
back
to
track
effortlessly.
We
never
had
any
added
responsibilities
or
fear
of
working
with
a
legend.
He
was
knowing
his
art
precisely
well
and
we
were
fortunate
enough
to
work
with
him.
Question:
Please
share
your
working
experience
with
C
Ashwath,
Raju
Ananthaswamy
and
SP
Balasubramanyam.
Sudarshan:
Working
with
Mr.
Ashwath
was
a
mere
coincidence.
A
common
friend
of
Mr.
Ashwath
and
one
Mr.
Prasad,
had
recommended
me
for
the
post
of
an
Admin
Associate
in
Ashwath's
office
15
years
ago.
Mr
Ashwath
later
realized
that
I
was
a
guitarist
and
asked
me
to
accompany
him
for
his
musical
shows.
The
much
talked
about
reality
show,
Kannadave
Satya
under
the
direction
and
leadership
of
Mr.
Ashwath,
could
be
deemed
as
a
one-time
wonder.
He
is
an
achiever
and
would
pursue
his
target
no
matter
how
hard
it
gets.
Raju
Ananthswamy,
though
is
younger
to
me,
stood
tall
with
his
achievements
and
talent.
Question:
You
were
a
close
associate
of
Hamsalekha.
Were
you
with
him
during
the
days
of
Premaloka
and
Ranadheera?
Gopi:
I
started
my
association
with
Hamsalekha
after
a
span
of
30-35
films
of
the
latter,
in
the
industry.
Our
collaboration
was
accidental
as
the
designated
bass
guitarist
from
Chennai,
who
was
supposed
to
work
for
a
Srinath
movie,
failed
to
turn
up
and
I
was
filled
in
his
place
for
a
couple
of
days
until
his
arrival
on
the
third
day.
Upon
his
arrival
on
the
third
day,
Hamsalekha
insisted
me
to
continue
with
my
work
as
he
did
not
want
to
break
the
continuity
and
also
encouraged
me
for
being
a
native
musician.
It
was
from
this
point
that
we
started
sailing
together.
I
used
to
be
with
him
for
18
hours
a
day
and
our
association
marks
23
years.
I
have
composed
music
for
as
many
as
25
movies
and
have
been
bestowed
with
5
State
awards.
Udbhava,
Prachanda
Ravana
are
few
of
the
movies
which
were
composed
by
me,
and
I
had
this
opportunity
of
composing
music
to
5-6
movies
of
Musari
Krishnamurthy.
Recently,
Anuradha
Bhat
was
bestowed
with
Best
Playback
Singer
award
for
the
movie
Little
Master,
which
was
once
again
composed
by
me.
Question:
Do
you
feel
Hindi
Singers
are
given
utmost
prominence
while
Kannada
Singers
are
being
side-lined?
Mohan
Brothers:
Even
the
Hindi
land
is
inundated
with
many
talented
musicians.
But
the
regional
talents
should
be
given
more
opportunities
as
the
same
was
always
vouched
and
practised
by
Hamsalekha.
He
used
to
audition
hundreds
of
technicians
and
artists,
and
gave
preference
to
Kannada
artists.
Rajesh
Krishnan,
Nanditha,
Hemanth
are
the
testimonials
for
the
same
and
we
wish
that
the
regional
talents
are
encouraged
more.
Question:
Your
favourite
Kannada
song?
Mohan
Brothers:
Dr.
Rajkumar's
Aadisi
Nodu
Beelisi
Nodu
from
Kasturi
Nivasa.
Question:
Your
word
of
advice
for
the
young
and
upcoming
singers
and
music
directors?
Mohan
Brothers:
Film-makers
back
then
were
specific
about
the
music
and
lyric
rendition,
unlike
the
present
day.
The
present
day
songs
are
more
of
noise
than
sound.
Even
the
lyrics
doesn't
appeal
well
these
days
as
it
just
attracts
the
audience
temporarily
but
would
not
linger
for
a
long
time
in
the
ears.
Yesteryear
songs
were
soulful
and
had
in-depth
message
which
only
prompts
the
present
generation
kids
to
use
the
same
in
TV
reality
shows.
Sudarshan:
We
have
a
good
bunch
of
talented
kids
who
are
required
to
be
groomed
well.
With
the
advent
of
TV
reality
shows,
kids
appear
confused
and
it
would
be
the
responsibility
of
parents
to
enroll
kids
in
good
music
schools
for
better
training.
Gopi:
Time
has
evolved
and
the
trend
has
changed.
Youth
of
the
present
generation
are
inclined
towards
today's
music.
Music
of
today
will
have
good
life
if
melody
of
yesterday
is
respected
and
retained.