Mungaru
Male
has
shaken
Sandalwood
by
its
roots.
Its
has
done
so
well
that
it
has
spurned
remakes
in
different
languages
-
Hindi,
Tamil&Telugu,
a
Lage
Raho
Munnabhai
of
sorts.
The
man
behind
it
all,
the
director
of
Mungaru
Male,
Yogaraj
Bhat
visited
our
offices
and
we
had
small
little
chat
with
him.
We
asked
him
how
life
has
been
post
Mungaru
Male.
Here's
what
he
had
to
say...
How
does
the
success
of
the
film
make
him
feel?
It
makes
him
very
happy
that
the
film
has
been
accepted.
What
is
the
reason
for
Mungaru
Male's
success?
The
Freshness
of
the
film.
The
film
is
watched
by
the
18
-
30
age
group,
he
says.
They
are
the
theatre
going
folk
who
have
the
money
to
buy
tickets
for
the
film.
What
future
he
sees
for
Ganesh
and
Sanjana
Both
of
them
have
acted
brilliantly
in
the
film,
he
said.
Ganesh,
he
says,
has
a
bright
future
ahead
of
him.
As
a
matter
of
fact,
he
has
almost
twenty
projects
waiting
on
him.
What's
next
on
his
filmmaking
schedule?
He
has
had
many
offers
from
big
banners
like
Rockline
Studios,
KCN
Chandru
Movies,
Vijayshanthi
Films
and
Sandesh
Nagaraj.
Also
he
was
working
on
a
romance
story
of
his
own.
He
will
playing
a
big
role
in
the
filming
of
Ravichandran's
mega
all
star
film.
How
do
Kannada
Films
these
days
fare?
He
said
that
the
Kannada
Film
Industry
was
stuck
in
a
stereotype
and
that
the
new
generation
of
the
Kannada
audience
wanted
something
real
fresh
and
new.
The
fresh
and
new
kind
of
films
that
are
coming
out
these
days
like
Mungaru
Male,
Duniya
etc.
are
examples
of
this
new
and
fresh
style
of
film
making.
They
are
breaking
the
stereotype...
Cinema
is
not
part
of
the
Kannada
Culture...
Kannada
culture,
he
says,
does
not
have
cinema
imbibed
in
it
which
explains
why
Kannadigas
are
generally
not
crazy
about
movies.
Tamilians,
Telugites
and
Malayalees
are
all
passionate
about
movies
and
so
these
film
industries
are
growing.
If
a
bad
Telugu
film
is
made,
the
audience
will
watch
it
only
once.
In
the
case
of
Kannada
Movies
it
the
opposite
-
people
say
that
they
will
see
film
if
it
is
good.
When
they
make
good
films,
people
don't
make
any
effort
to
watch
it.
It
is
a
mindset
that
is
to
be
changed,
he
says.
About
star
value...
Trying
to
add
star
value
to
your
film
by
roping
in
the
big
names
and
centering
the
story
around
a
star
can
only
get
you
an
initial
good
run,
he
says.
Then
the
filmmaker
makes
his
money
and
doesn't
really
care
about
the
film's
performance.
The
star
only
guarantees
the
financial
success
of
the
film.
Commenting
on
the
recently
seen
trend
of
films
with
new
faces,
he
said
that
it
is
a
good
thing
for
new
faces
to
come
in.
They
bring
in
a
certain
freshness
to
the
films.
Filmmaking
is
a
risk...
Filmmaking,
he
says,
is
a
risk.
You
can
never
really
tell
whether
or
not
the
film
will
work
or
not.
It
a
chance
that
you
take
and
your
gut
feeling
that
you
trust.
He
will
never
be
able
to
make
another
Mungaru
Male
ever
again
Mungaru
Male
will
dog
him
forever...
He
says
that
he
knows
for
a
fact
that
he
will
never
be
free
of
being
known
as
the
director
of
Mungaru
Male.
People
will
always
compare
all
of
his
future
projects
to
Mungaru
Male.
That
is
something
that
he
will
have
to
live
with.
He
says
that
he
can
expect
a
maximum
run
of
18
months...beyond
that
it
is
out
of
his
hands
How
to
handle
the
new
money
and
the
new
talent
coming
into
Gandhinagar?
Gandhinagar,
he
says,
is
laden
with
cash
overflowing
from
all
sides.
There
will
always
be
enough
and
more
to
support
all
good
filmmakers
dreams.
The
only
problem
that
he
sees
is
the
cultivation
of
new
talent.
Remakes,
he
says,
are
made
because
the
probable
new
faces
(and
new
ideas)
of
every
aspect
of
Sandalwood
are
not
making
their
mark
well
enough.
There
are
not
enough
scriptwriters
for
orignal
movies
to
be
made.
There
aren't
enough
new
actors
to
keep
Sandalwood
fresh.
How
do
you
raise
this?
By
his
very
USP
as
a
filmmaker
-
that
gut
feeling
of
yours.
Everybody's
got
to
follow
their
gut
feeling
and
push
forward
with
their
ideas.
Only
then
can
we
see
some
originality
and
quality
coming
out
of
Gandhinagar.
How
does
he
thank
the
fans
who
have
made
his
film
a
success?
The
three
things
that
he
would
like
to
say
to
them
are:
1.
He
respects
them
2.
He
values
their
interest
in
the
film
(and
in
good
cinema)
3.
He
feels
that
it
is
an
honour
that
they
are
reciprocating
the
effort
that
he
put
into
the
film.