Most
of
the
successful
films
have
one
thing
in
common;
they
were
all
adapted
by
great
directors
from
either
novels
or
plays!
We
can
list
out
hundreds
of
movies
as
examples.
Why
do
filmmakers
frequently
prefer
to
adapt,
especially
the
best
sellers
or
the
prestigious
works
of
literary
giants?
Are
they
attempts
to
appeal
to
an
existing
commercial
audience
by
exploiting
the
innovations
and
novelty
of
the
author?
Maybe,
yes!
Anyway,
adaptations
can
offer
a
minimum
guarantee
to
the
quality
and
success
of
the
film.
In
this
way,
there
can
be
no
surprise,
if
Mohanlal
starrer
Aakashagopuram
turns
to
be
a
true
masterpiece
of
director
K.P.
Kumaran,
as
the
movie
is
an
adaptation
of
Henrik
Ibsen's
classic
'Master
Builder'.
Thespian
Mohanlal
has
yet
again
given
an
excellent
account
of
his
histrionic
talents
in
Aakashagopuram
in
which
he
enacts
Albert
Samson,
a
middle-aged
architect
who
has
made
his
way
up
the
ladder
of
professional
success
with
sheer
determination.
He
fears
that
he
will
be
eclipsed
by
the
younger
generation
of
architects.
His
obsession
for
his
job
has
hardened
and
prevented
him
from
having
a
meaningful
private
life
with
his
wife
Alice
(Shweta
Menon).
Albert
Samson
has
an
aged
assistant
Abrahim
Thomas
(Bharath
Gopi),
who
wants
his
son
Alex
(Manoj
K.
Jayan)
to
have
more
freedom
in
the
firm,
which
Albert
doesn't
allow.
Alex's
fiancee
Katherine
(Geethu
Mohandas),
an
orphan
brought
up
by
Abraham
Thomas,
develops
a
liking
for
Albert
Samson,
which
is
something
engineered
by
Albert
Samson
himself,
because
he
wants
to
use
Katherine
to
stop
Alex
from
going
away.
Amidst
all
these
tensions
comes
Hilda
Varghese
(Nithya),
a
young
girl
who
had
met
Albert
Samson
ten
years
back
and
blindly
worships
him.
Albert
Samson
met
Hilda
in
the
early
stages
of
his
career,
when
he
had
built
a
church
in
her
home
town
and
climbed
to
the
top
of
its
steeple
to
place
a
flower
wreath
on
it
during
its
dedication
ceremony.
Albert
had
promised
Hilda,
then
a
girl
of
twelve,
"a
kingdom".
Now,
young
Hilda
has
come
to
collect
her
kingdom.
With
her
entry,
the
story
takes
a
twist.
Mohanlal
has
moulded
his
body
language
to
suit
his
character
and
locale.
He
is
quite
good
as
Albert
Samson,
though
it
may
not
go
down
well
with
die-hard
Mohanlal
fans,
especially
the
'front-benchers'.
The
late
Bharath
Gopi,
in
his
last
full-length
character
on
screen,
does
full
justice
to
the
character
of
Abraham
Thomas.
Nithya
has
performed
like
a
professional.
Manoj
K.
Jayan
as
Alex,
Shwetha
Menon
as
Alice
and
Geethu
Mohandas
as
Katherine
have
also
performed
well.
National
Award-winning
director
Kumaran's
craftsmanship
is
clearly
visible
in
each
scene
as
he
brings
out
the
best
in
every
member
of
the
cast
and
crew.
The
script,
which
has
been
penned
by
the
director
himself,
retains
the
original
spirit
of
the
play.
However,
he
should
have
made
it
a
little
more
'cinematic'
on
the
whole.
In
the
first
half,
one
gets
the
feeling
of
watching
a
play,
not
a
film,
because
of
the
script/
dialogues
which
lack
cinematic
elements.
Kerala's
first
international
film,
Aakashagopuram,
brings
together
the
best
talents
from
Hollywood,
UK,
Hindi,
Tamil
and
Malayalam
film
industries.
Krrish
fame
Santhosh
C.
Thundiyil
has
created
some
outstanding
frames.
Emmy
Award-winning
musician
John
Altman
(Titanic
fame)
has
composed
the
music,
which
completely
suits
the
dramatic
mood
and
gives
a
Hollywood
feel
to
the
film
as
a
whole.
Set
in
London
among
the
Indian
immigrant
community,
Aakashagopuram
stands
out
on
account
of
the
sensitive
manner
in
which
it
delves
into
the
realm
of
complex
human
relationships.
It
is
a
finely-crafted
movie,
a
must-see
for
all
film-lovers,
even
for
those
who
do
not
understand
Malayalam.
Cast
Mohanlal,
Bharat
Gopi,
Shweta
Menon,
Manoj
K.
Jayan,
Geethu
Mohandas
and
Nithya
Director
K.P.
Kumaran
Cinematography
Santosh
C.
Thundiyil
Editing
Ajith
Kumar
Music
John
Altman
Sound
Designer
Nigel
Holland
Re-recording
Robert
Farr
and
Matthew
Gough
Visual
effects
John
Harvey
and
Jonathan
Trussler