Jazz pianist takes the plunge
Friday,
March
24,
2006
SEOUL
(Reuters):
It's
not
every
day
that
a
jazz-inspired
pianist
has
to
make
a
life
or
death
decision
about
his
art,
and
it
is
not
every
day
a
gifted
musician
flees
North
Korea.
Kim
Cheol-woong,
31,
was
a
North
Korean
prodigy
who
was
trained
in
classical
music
and
destined
to
play
the
patriotic
and
martial
tunes
that
hymn
Pyongyang's
leaders.
While
studying
overseas,
Kim
heard
jazz
piano
for
the
first
time
and
was
fascinated.
He
returned
home
knowing
this
was
the
music
he
wanted
to
play,
but
that
he
would
have
to
flee
the
strictly
regimented
state
to
realise
his
dream.
One
night
in
2001,
he
made
the
perilous
trip
across
the
Tumen
River
into
China
and
reached
Yanbian,
an
autonomous
Chinese
prefecture
where
many
ethnic
Koreans
live.
He
went
on
to
South
Korea
two
years
later
but
still
he
will
not
talk
about
how
he
crossed
the
Tumen
or
of
his
attempts
to
leave
China
for
the
South.
Kim
now
teaches
music
at
a
university
in
Seoul,
and
dreams
of
playing
at
New
York's
Carnegie
Hall.
As
an
artist,
he
thought
he
would
die
a
slow
death
in
North
Korea.
''We
musicians
were
only
a
means
and
a
tool
to
maintain
the
regime,''
Kim
said
during
a
piano
rehearsal.
Many
North
Koreans
who
flee
the
country
seek
asylum
from
hunger
and
oppression,
but
Kim's
father
was
a
high-ranking
military
official
and
lavishly
provided
for
his
family.
This
allowed
Kim
to
learn
the
piano
at
an
elite
university
in
Pyongyang.
But access to most foreign music is banned. For the typical North Korean, cultural expression through music, movies and the performing arts is restricted to extolling the virtues of its leader Kim Jong-il, his late father Kim Il-sung and their communist policies. ''All other types of music are all lumped into one genre they called 'jazz', which is considered barbaric because it has no melody,'' Kim said. ''It is the worst, spoiled culture of capitalism,'' he said he was taught.
North Korean state TV often shows masses dancing to military music and schoolgirls playing patriotic tunes on accordions. A recent state news report said some recent popular tunes included songs such as ''A girl innovator dashing like a steed'' and ''Song of coast artillery women''. People can be imprisoned for listening to South Korean music, and playing rock and roll can be considered a crime.
Kim said his university education in Pyongyang was based on classical music composed before the 19th century, access to which was given only to university students. It was later, during extended studies at a Russian university, that he was captivated by the music being played at a cafe in Moscow, music he was strictly forbidden to listen to or perform in the North. ''I heard Richard Clayderman's 'A Comme Amour' and was fascinated by it. This made me want to escape North Korea,'' Kim said. Kim has since turned his attention to classical piano pieces by composers such as Chopin, Tchaikovsky and Liszt.
Clayderman, with his soft renditions of pop tunes, is occasionally derided for composing kitsch, but Kim said the first time he heard one of his recordings, it was an epiphany. ''I was shaking and entranced. I felt as if I was falling into the music. It was because I had such a strong notion that all jazz music was not good. He is still my favourite even though I have encountered many other genres,'' he said.
On his return to Pyongyang in 1999, Kim worked for the North Korean orchestra. He was playing a Clayderman piece on the piano during practice one day when a security official caught him and Kim was forced to write a 10-page apology. ''There are famous and honourable musicians in North Korea but the origin of the creativity is aimed at supporting the government's policies and Kim Il-sung. Their music is very good but the words are all weird,'' he added. In China, to survive, he worked 12 hours a day loading wood at a factory where his smooth hands became thick and hard.
After seven months, Kim found a chance to play the piano after finding the instrument at a nearby church. But he realised that to win musical freedom, he needed to go to South Korea and, after two failed attempts, finally arrived there in spring 2003. To support himself in Seoul, he performed at bars and worked as a piano tutor. He also founded an arts organisation for North Korean defectors. Since Kim is familiar with music from both Koreas, he hopes his work can help in a small way towards unifying the two Koreas, which are technically still at war half a century after the 1950-53 Korean War ended in an inconclusive truce.
''A piano can play an important part in moving many people with one melody as opposed to thousands of words,'' he said
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