Mithoon on <i>Tere Bin</i>
By: Joginder Tuteja, IndiaFM
Tuesday, September 05, 2006
All of 21 years of age, young Mithoon has created a splash with his first ever single Tere Bin [Bas Ek Pal] that is picking up fast to become one of the hottest songs of this part of the year.
Your
debut
composition
Tere
Bin
is
making
waves
all
over.
What's
the
story
behind
the
song?
Music
of
Bas
Ek
Pal
was
in
fact
ready
before
Onir
[director
of
Bas
Ek
Pal]
got
an
idea
to
create
a
song
around
a
situation
when
Sanjay
Suri
and
Urmila
Matondkar
separate
in
the
film.
He
wanted
a
'judaai'
song
with
a
difference
unlike
the
conventional
sad
separation
numbers
we
have
been
used
to
hearing.
Onir
didn't
mention
directly
what
he
had
in
mind
but
explained
his
vision.
Basically
he
wanted
a
slow
number
to
compliment
the
situation
and
this
is
when
I
threw
an
idea
about
Tere
Bin.
Now
this
was
a
song
that
I
had
made
for
an
album
on
TIPS
where
Atif
and
I
are
working
together
as
a
singer
and
composer.
On
hearing
it,
Onir
said
that
he
wanted
the
song
by
all
means.
He
and
Shailesh
[producer
of
Bas
Ek
Pal]
approached
TIPS
and
this
is
how
we
got
the
rights
of
the
song.
Wow, the song has really traveled a lot. And how about the lyrics of the song?
Well, Sayeed Quadri saab had done the lyrics for the private album I was talking about. Looking at the film's situation and overall look and feel, he reworked on the lyrics, changed the lyrics and made Tere Bin a fresh track that would suit the film's narrative. Also, I changed the arrangements a little.
Going
a
little
off
tangent,
an
album
by
you,
Atif
and
Sayeed
Quadri
sounds
really
exciting.
When
is
it
coming?
The
album
comes
in
December
and
it
has
in
total
8
songs.
The
album
isn't
focused
on
any
particular
genre
and
in
fact
even
Atif
has
sung
differently
with
compliments
coming
in
that
he
has
never
sounded
anything
like
that
before.
He
has
sung
in
husky
tone
for
a
ballad
song
which
is
quite
held
back.
We
had
earlier
composed
two
songs
but
now
Tere
Bin
has
gone
to
Bas
Ek
Pal.
We
would
be
recording
the
remaining
tracks
once
Atif
is
back
in
September
end.
Coming
back
to
your
work,
how
did
you
enter
the
Bollywood
music
scene?
Bas
Ek
Pal
is
my
first
original
album
for
which
I
have
composed
two
songs.
Before
this
I
had
recreated
the
original
versions
[and
not
remixes]
of
Woh
Lamhe
[Zeher]
and
Aadat
[Kalyug].
Mukesh
Bhatt
had
introduced
me
and
Atif
and
I
really
liked
his
voice,
diction,
tone
and
rendition.
It
was
just
a
matter
of
some
time
before
a
strong
rapport
was
built
between
both
of
us.
And
how
did
the
private
album
with
him
happen?
When
this
TIPS
album
was
being
planned,
Atif
wanted
to
create
his
own
music
apart
from
singing.
On
the
other
hand
I
wanted
to
create
something
of
my
own
rather
than
rearranging
songs.
I
said
that
I
just
wanted
him
to
listen
to
my
compositions
once
and
if
he
got
interested
we
would
take
it
forward.
He
heard
them
and
there
has
been
no
looking
back
since!
We
would
also
want
to
know
about
your
association
with
Onir.
With
Onir,
it's
a
matter
of
a
concept
clicking.
He
is
quite
inspirational
and
the
way
he
narrates
the
concept
is
so
exciting
that
it's
just
a
matter
of
minutes
before
you
are
ready
with
something.
Onir
went
into
the
minutest
details
of
the
situation
which
was
so
motivational
that
it
made
me
work
harder
on
the
title
song,
which
is
composed
by
me
again.
How
has
your
father
contributed
to
your
career?
As
you
must
be
aware,
my
father
is
Mr.
Naresh
Sharma
who
has
given
background
music
to
more
than
200
films
and
has
done
arrangements
for
number
of
composers.
I
am
completely
under
his
guidance
who
has
taught
me
the
virtue
of
being
creative.
He
is
the
man
responsible
for
my
entire
training,
is
my
backbone
and
a
firm
pillar
of
support
for
me
amidst
all
the
diversities.
I
have
great
admiration
for
him
since
he
is
the
one
who
has
given
me
all
the
learning
and
influenced
me
in
a
big
way.
So
how
did
your
journey
into
music
begin?
Bhatt
saab
had
approached
my
father
and
said
that
this
boy
seems
to
be
quite
enterprising
and
suggested
my
name
for
rearranging
some
tracks
for
his
films.
It
feels
great
because
there
are
hardly
any
people
who
would
support
a
19
year
old
guy.
Yes,
the
rearrangements
of
the
two
tracks
as
I
mentioned
earlier
got
me
into
limelight
but
from
now
it
is
going
to
be
only
original
compositions
for
me.
In
fact
I
have
also
given
music
for
a
Malaysian
film
titled
Diva
where
I
have
composed
5
songs
and
that
too
in
Malay
language.
Loloq,
who
is
the
number
one
lyricist
of
Malaysian
movies,
has
written
the
lyrics.
This
sounds
interesting.
Please
continue.
This
is
the
first
time
ever
that
a
musical
collaboration
of
this
kind
has
happened
between
India
and
Malaysia.
I
am
quite
excited
about
this
project
since
I
would
also
be
doing
the
background
music
for
the
film.
The
production
team
would
be
coming
to
Mumbai
soon
and
this
is
when
we
would
resume
the
work.
How
did
this
project
happen?
When
Woh
Lamhe
released
in
India,
there
was
a
lot
of
buzz
around
the
song
which
reached
Far
East
also.
The
makers
of
this
film
approached
me
but
first
and
foremost
were
interested
in
knowing
this
entire
concept
of
rearranging
songs.
After
that
they
asked
me
if
I
would
be
interested
in
doing
something
for
Diva.
They
wanted
to
listen
to
some
original
tracks
that
I
had
composed
and
I
handed
them
over
some
work
of
mine
which
was
my
own
property
that
I
had
created.
The
director
of
the
film
then
came
down
to
Mumbai
and
we
shared
some
thoughts
on
the
music.
He
then
handed
me
about
20
CDs
of
Malay
film
music;
well
not
to
get
inspired
from
that
but
to
get
an
idea
about
how
film
music
works
there!
How
do
you
go
about
composing
a
song?
By
going
ahead
with
the
vision
of
a
director
and
adding
my
own
perception
to
the
situation.
Ultimately
I
should
be
able
to
deliver
goods
to
the
director
since
he
is
the
captain
of
the
ship.
This
is
what
happened
in
case
of
Onir
since
I
trust
him
immensely.
Now
when
I
see
the
film,
I
realize
how
he
perceived
the
entire
situation.
So,
if
a
director
is
in
command
of
his
product,
I
can
completely
deliver
goods
as
per
his
needs.
Now look at my other film, the music of which would be releasing in September end. It is called Anwar and has the music which is far away from the kind that I have composed for Bas Ek Pal. Manish Jha, the director of Anwar, is again so different in his treatment of the situation and accordingly I had to mould my music to suit his needs. I have seen a 4 minute promo of the film and I am proud to be associated with Anwar since its entire look and texture is so interesting.
Do
you
consider
any
particular
genre
as
your
strength?
I
would
say
that
give
me
any
genre
and
I
can
deliver
goods
for
you.
I
would
want
film
makers
to
believe
that
this
is
the
person
who
can
fit
the
bill,
whatever
the
situation
be.
So
who
are
the
singers
that
impress
you
most
in
the
current
scenario?
To
be
honest
I
am
amazed
by
each
and
every
singer
today,
and
this
is
something
that
I
am
not
saying
just
for
an
effect!
We
have
some
very
good
singers
on
the
scene
today
and
depending
on
the
situation
of
a
song
they
become
my
favorites.
For
'Tere
Bin'
it
is
Atif.
For
the
songs
in
Anwar
it
is
Roop
Kumar
Rathod.
Then
I
am
also
introducing
a
new
voice
Kshitij
who
is
very
good
in
coming
up
with
the
right
emotions.
There
is
also
a
girl
named
Shilpa
Rao
who
would
be
singing
for
me
soon.
Now
I
would
say
they
all
are
my
favorites!
Talking
about
a
different
topic
altogether,
what
do
you
have
to
say
about
music
piracy?
You
must
be
aware
that
'Tere
Bin'
is
freely
available
for
download
and
is
being
easily
played
in
offices,
colleges
etc.!
At
this
point
of
time
in
my
career
when
I
have
just
started,
it
doesn't
disturb
me
much
as
a
creative
person.
That's
because
it
gives
me
satisfaction
from
the
fact
that
the
song
is
being
downloaded
and
listened
since
it
is
being
liked.
It
gives
you
a
high
when
people
all
over
the
world
hear
a
song
and
compliment
you
for
your
work
or
someone
up
there
in
London
calls
from
a
chat
show
and
says
that
Tere
Bin
is
the
best
song
he/she
has
ever
heard.
Yes,
agreed
that
business
wise
it
doesn't
make
sense
for
those
who
have
invested
in
the
creation
of
the
song.
Today
I
am
happy
looking
at
the
positive
side
of
things
rather
than
seeing
anything
in
a
negative
light!
Since
you
are
a
fresh
face
to
arrive
in
the
world
of
Bollywood
music,
anything
that
you
want
to
comment
on
the
current
music
scenario?
Yes,
certainly.
See,
whether
it
is
music
or
playback
singing,
I
have
heard
people
say
that
earlier
times
were
different
and
better.
They
comment
that
today's
quality
of
music
and
singing
is
not
at
par
with
the
past.
I
somehow
disagree
with
that.
I
firmly
believe
that
every
phase
come
and
goes
and
even
audience
wants
different
things
at
different
times.
The
market
is
driven
by
the
audience
and
that's
the
reason
why
there
are
number
of
reasons
that
decide
a
particular
phase
due
to
which
a
particular
music
style
comes
and
goes.
It's
a
simple
demand
and
supply
principal.