Courtesy:
IndiaFM
Wednesday,
May
09,
2007
One
aspect
of
Metro
that
everyone
will
take
note
of
is
the
way
in
which
music
is
placed
in
the
film.
By
now
its
common
knowledge
that
music
director
Pritam
has
made
a
band
for
the
film
and
given
rocking
music.
What's
interesting
is
that
Pritam
along
with
two
members
of
his
band,
James
and
Sohail,
makes
appearance
in
the
songs
of
the
film.
And
not
just
in
one
or
two
songs,
but
in
all
six
tracks
of
the
film.
Metro,
as
such,
is
a
film
which
has
no
scope
for
music.
But
director
Anurag
Basu
has
very
tactfully
seeped
in
songs
into
his
screenplay,
without
any
song
looking
forced.
That's
primarily
because
none
of
the
songs
are
lip-synced
by
any
characters
in
the
film
and
are
just
used
as
transition
tracks.
And
more
interestingly
every
time
a
song
plays
onscreen,
the
trio
of
Pritam,
James
and
Sohail
turn
up
on
screen
singing
the
songs
in
the
backdrop
of
the
actual
scene.
The
director
says
that
the
basic
idea
of
using
the
band
in
film
was
inspired
by
the
long
forgotten
forlorn
folk
music
coming
from
the
theatre
background.
"Similar
to
Bhavari
and
Banwani
form
of
drama
where
singers
are
used
as
sutradhaar's
to
narrate
the
story
and
take
it
further,
I
have
moulded
the
concept
to
contemporary
scenario
and
fitted
into
my
screenplay," explains
Anurag
Basu.
While
music
videos
for
a
film
are
a
common
phenomena
in
Bollywood
off
late
with
almost
every
film
playing
a
promotional
track
in
the
opening
or
end
credits,
what
sets
Metro
apart
is
the
fact
that
the
songs
don't
come
across
as
separately
shot
videos
but
are
integral
portions
in
the
film.
One
does
wonder
if
Pritam
and
band
actually
shot
for
the
songs
while
the
making
of
the
film
or
their
portions
were
separately
shot
and
edited
into
the
film.
Anurag
clarifies
our
doubt
"It
was
from
the
nascent
stages
of
drafting
Metro
that
I
had
planned
to
plot
Pritam
and
band.
They
were
actually
present
during
the
shoot
of
the
movie
and
we
filmed
them
simultaneously
when
the
film
was
shot.
In
fact
during
the
shoot
Pritam
was
completely
harrowed
considering
the
weird
and
funny
spots
I
have
placed
him
in."
Didn't
he
meet
with
opposition
with
such
an
unusual
concept?
"Oh,
don't
ask
me
that.
When
I
told
people
about
this
concept,
they
could
not
understand
or
relate
to
the
basic
idea.
Besides
Ronnie,
Pritam
and
my
assistant
who
believed
in
me
and
agreed
to
go
ahead
with
the
idea,
everyone
else
opposed.
But
finally
I
am
glad
it
has
worked
for
the
film."
Shooting
for
Metro
has
also
encouraged
Pritam
to
take
his
band
to
the
next
level.
The
music
director
admits,
"This
band
was
formed
only
for
the
film
but
after
we
shot
for
the
film,
I
felt
that
we
should
take
this
band
forward.
So
we
are
going
to
cut
another
album
which
will
be
independent
of
Metro."
You
can't
resist
asking
Pritam
about
the
inspiration
behind
his
songs.
The
musician
doesn't
deny
an
answer
this
time
around.
"The
whole
idea
of
In
Dino
Dil
Mera
has
come
from
Anurag.
It's
the
fastest
song
I
have
ever
made
in
my
life.
Kar
Salaam
has
also
got
a
very
funny
story
around
it.
It
was
based
on
a
Bodo
tribe
of
Assam.
They
have
a
typical
dance
form
called
Bagarumba.
We
were
discussing
different
dance
forms
of
India
and
my
Assamese
assistant
was
showing
me
how
they
do
their
typical
Assamese
dance.
The
melody
he
was
humming
with
it
sounded
pretty
catchy.
So
I
said
let
us
make
a
rock
version
of
it.
So
Kar
Salaam
is
the
rock
version
of
thousands
of
years
old
Bodo
folk
song".