By:
Joginder
Tuteja,
IndiaFM
Wednesday,
August
02,
2006
Munnabhai
and
Circuit
return,
albeit
in
a
different
avtar!
And
the
question
on
everyone's
lips
is
-
Anthony
Kaun
Hai.
Trust
Bollywood
to
present
a
different
dish
every
second
week
this
year!
Earlier
titled
'One
Night
In
Bangkok],
Anthony
Kaun
Hai?
is
a
fun
caper
by
director
Raj
Kaushal
who
has
attempted
diverse
subjects
in
his
earlier
days
such
as
Pyaar
Mein
Kabhi
Kabhi
and
Shaadi
Ke
Laddoo.
While
these
two
were
small
budget
flicks,
Kaushal
makes
his
most
starry
film
so
far
with
Sanjay
Dutt,
Arshad
Warsi,
Minissha
Lamba,
Anousha
Dandekar
and
Gulshan
Grover
in
the
lead.
AKH
is
produced
by
Nikhil
Panchamiya,
who
made
his
debut
with
'Dil
Maange
More'
while
Himesh
Reshammiya,
Sameer
and
Akbar
Sami
combine
again
to
deliver
yet
another
album
in
what
can
be
considered
a
dream
run.
'A'
factor
has
always
worked
in
favor
with
Reshammiya.
Be
it
Aashiq
Banaya
Aapne,
Aksar,
Aap
Ka
Surroor
or
most
recently
Ahista
Ahista.
Does
the
good
run
with
'A'
continue
in
case
of
Anthony
Kaun
Hai
as
well?
Unfortunately
not
as
the
album
crashes
after
a
promising
start,
hence
proving
to
be
a
dent
in
the
dream
'A'
run!
The
accompanying
rhythm
of
'Ishq
Kiya
Kiya'
is
reminiscent
of
'Teri
Yaad'
[Kartoos],
which
was
itself
a
take
off
on
numerous
western
tracks.
Nevertheless,
one
can
comfortably
add
this
track
to
an
already
blooming
list
of
hits
for
Reshammiya,
the
composer
and
singer,
who
holds
the
mike
once
again
along
with
Sunidhi
Chauhan
to
come
up
with
a
pulsating
'masala'
number.
There
is
a
visible
Arabian
influence
to
the
song
as
well
but
that
is
too
short
to
be
noticed
as
Reshammiya
ensures
that
his
stamp
holds
more
prevalent
in
the
song
than
anything
else.
That
indeed
is
the
reason
why
someone
like
Sunidhi
Chauhan
too
is
relegated
to
the
background
in
this
song
which
is
yet
another
treat
for
Reshammiya
fans.
Would
it
go
a
far
way?
Perhaps
not,
but
still
it
would
easily
make
it
to
the
compilation
of
Reshammiya's
current
Top-10
hits.
Akbar
Sami's
remix,
that
follows
a
different
approach
as
far
as
creating
the
rhythm
for
the
song
is
concerned,
more
than
ensures
that
this
happens!
Have
you
checked
out
a
rather
cute
looking
Sanju
baba
playing
a
flute
while
seated
on
a
couch?
Well,
the
sound
of
flute
is
what
arrives
at
the
beginning
of
'No
Way
Way',
a
funky
item
song
[if
one
can
call
it
that
way]
between
Sanjay
Dutt
and
Arshad
Warsi.
The
song
in
fact
has
two
catchy
moments;
one
is
with
'No
Way'
and
the
other
when
the
line
'Saawariya
Tere
Bina'
comes.
While
Reshammiya
begins
the
proceedings
as
a
singer,
he
has
K.K.
as
his
co-singer
who
arrives
moments
later.
A
song
that
has
the
suited
booted
'jodi'
of
Dutt-n-Warsi
looking
absolutely
smashing
and
debonair,
'No
Way'
is
a
song
with
an
attitude
that
is
yet
another
'masala-mix'
number
that
should
help
the
film
and
album
to
be
in
news
till
the
film's
release.
Surprisingly
Akbar
Sami's
remix
version
of
the
song
seems
so
rushed
up
as
it
almost
sounds
annoying!
Skip
this
remix
version
as
the
original
has
enough
spice
to
keep
you
engaged.
Perhaps
Reshammiya
himself
knew
that
there
was
nothing
great
about
'Tune
Mera
Chain
Vain
Le
Liya'
and
hence
he
tried
to
redeem
it
by
adding
a
50s
style
accompanying
rhythm
to
it!
Except
for
lively
beats,
there
is
nothing
much
in
this
attempted
peppy
romantic
number
by
Kunal
Ganjawala
and
Shreya
Ghoshal
that
merely
passes
muster.
There
is
Pritam
'ishtyle'
rap-n-reggae
incorporation
into
the
number
but
that
may
create
an
impression
only
after
the
song's
picturization.
Sounding
like
one
of
those
stock
tunes
by
Reshammiya,
it's
rhythm
in
fact
starts
sounding
too
much
like
Pritam's
recent
hit
'Pyaar
Karke'
[Pyaar
Ke
Side
Effects]
in
its
remix
version.
Saru
Maini,
who
came
up
with
her
reasonably
successful
solo
album
'Ishq
Hua'
a
few
months
back,
makes
her
Bollywood
playback
singing
debut
with
'Bhangra
Paale'
that
sounds
everything
but
a
'bhangra'.
In
fact
the
song
comes
close
to
be
being
a
groovy
beach
song
rather
than
anything
else
and
though
Sonu
Nigam
tries
well
to
create
a
Punjabi
feel
around
the
song,
it
is
not
to
much
avail
as
the
song
is
more
romantic
than
being
a
dance
track.
Now
if
Raj
Kaushal
indeed
manages
to
pull
of
an
eye
pleasing
choreography
for
the
song,
it
would
really
be
a
worthy
achievement.
With
Jayesh
playing
his
role
as
a
voiceover
artist
well,
'Bhangra
Paale'
is
primarily
a
Sonu
Nigam
song
with
Saru
Maini
hardly
getting
much
opportunity
to
demonstrate
her
talent.
A
little
later
the
remix
version
of
the
track
comes
which
indeed
turns
out
to
be
a
worthy
celebration
number.
In
fact
this
is
THE
version
that
should
find
a
place
in
the
album
since
the
original
has
hardly
any
ammunition
to
cheer
about.
Agreed
that
even
this
is
not
great
by
any
means
but
it
at
least
manages
to
hold
fort!
The
opening
sound
of
flute
justifies
the
Far
East
setting
of
the
film
while
the
guitar
strings
that
follow
make
sure
that
a
romantic
offering
is
on
the
way.
The
song
brings
together
than
husband-wife
'jodi'
of
Kunal
and
Gayatri
Ganjawala.
A
melodious
number
with
guitar
playing
the
most
important
role
in
the
musical
arrangements,
'Because
I
Love
You'
is
all
sweet-n-saccharine
and
is
traditionally
Sameer
in
the
way
it
has
been
written.
After
two
average
numbers,
'Because
I
Love
You'
brings
back
the
album
on
track
as
it
walks
a
similar
line
as
'Do
Dil
Mil
Rahen
Hain'
[Pardes],
though
the
latter
would
always
remains
to
be
more
superior
of
the
two.
Is
there
really
a
requirement
for
a
remix
version
of
this
song?
This
is
what
one
feels
when
you
read
the
next
song
to
follow
as
the
remix
version
of
'Because
I
Love
You'.
It
takes
a
racy-pacy
approach
and
in
fact
doesn't
sound
too
distracting
since
it
maintains
an
identity
of
its
own.
Yes,
after
hearing
the
soft-n-sober
original,
it
does
sound
a
little
loud
but
certainly
not
bad.
As
if
to
make
amends
for
the
limited
role
that
she
had
to
play
in
'Ishq
Kiya
Kiya',
Sunidhi
Chauhan
gets
to
sing
a
solo
'Let's
Rock'
where
her
only
accompanying
partner
is
Arya
who
does
the
rap.
There
is
an
extended
musical
piece
before
the
song
begins
and
on
hearing
the
very
first
two
lines,
one
feels
if
it
was
only
the
opening
rhythm
that
should
have
continued
from
beginning
to
end.
The
weakest
and
perhaps
most
boring
song
by
Reshammiya
post
his
'Aashiq
Banaya
Aapne'
era,
it
is
an
easy
skip
after
the
very
first
go.
The
words
'Let's
Rock'
are
in
fact
used
only
for
providing
rhythm
to
the
song
with
no
active
contribution
in
the
feel
and
situation
of
this
song
where
a
girl
is
trying
to
woo
her
man.
Sounding
nothing
better
than
a
70s
cabaret
number,
it
has
its
further
lukewarm
remix
version
concluding
this
album
that
has
a
mixed
quality
of
songs.
The
album
begins
on
a
good
note
with
'Ishq
Kiya
Kiya'
and
'No
Way'
but
goes
downhill
from
thereon
with
only
'Because
I
Love
You'
providing
some
support.
The
album
has
too
much
quantity
but
not
much
quality,
now
it
all
depends
upon
how
far
'No
Way'
and
'Ishq
Kiya
Kiya'
take
it
past
the
safety
mark.