By:
Joginder
Tuteja,
IndiaFM
Wednesday,
August
30,
2006
There
is
something
about
these
BIG
films
that
makes
one
await
their
music
with
a
bated
breath.
Whether
it
is
Fanaa,
Krrish,
Kabhi
Alvida
Na
Kehna
or
any
of
the
other
multi
crore
extravaganzas
that
have
arrived
on
screen
in
recent
months,
there
is
a
certain
expectation
from
the
music
of
each
of
these
films.
But
one
thing
that
is
still
common
about
the
music
of
their
films
is
the
'predictability'
factor.
There
is
always
a
set
expectation
from
a
Yashraj/Rakesh
Roshan/Karan
Johar
film
which
means
that
though
the
music
of
the
films
mentioned
above
have
ranged
from
good
to
very
good,
what
has
been
amiss
is
the
"surprise" element.
Nothing
wrong
with
that
but
then
a
listener
won't
really
mind
with
an
occasional
surprise
or
two!
This
is
where
the
music
of
Don
-
The
Chase
Begins
Again
scores!
Because
though
there
have
been
people
ready
with
bouquets
and
brickbats
before
the
music
starts
playing,
what
cannot
be
denied
is
that
none
are
aware
about
what
is
going
to
be
in
store.
Will
'Don'
have
the
music
in
a
style
similar
to
the
70s?
Will
Don
forget
about
the
past
and
turn
out
to
be
a
score
that
suits
the
image
of
Shahrukh
Khan
in
the
contemporary
world?
Or
does
it
fuse
the
present
with
the
past
while
not
shying
away
from
taking
a
peek
into
the
future?
Questions
like
these
have
resulted
in
an
unprecedented
excitement
about
the
arrival
of
the
soundtrack
of
Don
-
The
Chase
Begins
Again
and
hasn't
the
wait
been
simply
worth
it?
Because
not
just
the
music
excites,
at
places
it
makes
the
adrenaline
level
go
high
while
at
times
it
takes
you
to
a
trip
down
the
memory
lane.
All
this
while
making
maximum
use
of
the
technological
advances
of
today.
No
wonder,
this
turns
out
to
be
one
of
the
top
efforts
by
Shankar-Ehsaan-Loy
and
Javed
Akhtar
saab!
Watch
out
for
a
signature
tune
that
marks
the
beginning
of
title
song
'Main
Hoon
Don'!
That's
because
much
before
the
song
tops
the
charts,
you
would
soon
hear
a
ring
tone
based
on
this
signature
tune
on
cell
phones
around
you!
The
music
of
this
Shaan
rendered
song
is
completely
different
from
the
classic
'Main
Hoon
Don'
but
that
hardly
acts
as
a
deterrent
after
one
has
heard
this
new
version
a
few
times.
Javed
Akhtar's
lyrics
are
different
too
for
this
song
about
a
daredevil
don
who
is
willing
to
face
the
might
of
any
challenge
whatsoever
and
doesn't
shy
away
from
being
a
self
acclaimed
danger-man!
Shaan
excels
and
does
quite
well
in
this
song
which
could
have
been
tailor-made
for
Abhijeet
due
to
his
past
record
with
Khan.
Mid-way
into
'Main
Hoon
Don'
there
is
an
extended
musical
piece
set
in
western
mode
that
is
truly
international
and
is
reminiscent
of
the
background
score
of
a
Hollywood
flick.
The
song
doesn't
take
a
conventional
linear
approach
and
has
number
of
twists
in
it
that
keep
you
guessing
throughout
the
duration
about
what's
next
in
store.
Chorus
singers
are
highly
effective
in
this
track
as
it
adds
on
to
the
dark
mood
of
the
situation.
With
a
kind
of
choreography
and
cinematography
the
song
comes
with,
it
should
be
extremely
effective
during
the
narrative.
Zingy
and
zippy,
the
remix
version
of
'Main
Hoon
Don'
is
what
one
would
really
want
to
acknowledge
as
a
true
blue
remix
track.
There
is
a
good
dose
of
some
innovative
use
of
western
arrangements
that
fuse
the
vintage
and
contemporary
mood
of
'Don'
quite
well
and
pump
up
the
adrenalin
from
the
very
beginning.
Expect
this
sound
to
be
played
during
the
title
sequence
and
also
form
an
important
part
of
the
background
score.
If
the
original
version
formulated
a
base
then
this
remix
simply
takes
off
in
full
gear!
SEL
are
loyal
to
the
original
sound
of
'Yeh
Mera
Dil
Pyaar
Ka
Deewana'
during
the
song's
opening
but
30
seconds
into
the
track
and
they
add
on
their
own
beats
to
give
it
a
club
feel.
Sunidhi
Chauhan
arrives
on
the
scene
at
just
the
right
time
and
presses
the
right
buttons
to
get
into
the
groove.
The
interludes
are
interspersed
with
the
music
that
would
work
well
with
the
lovers
of
lounge
genre.
Overall
one
can
easily
say
that
Sunidhi
doesn't
let
anyone
down
while
rendering
this
track
that
doesn't
deviate
much
from
the
70s
original
and
still
works
well
for
today's
audience.
Expect
the
heat
to
be
on
when
Kareena
Kapoor
lip
syncs
to
this
seduction
number
while
applying
her
charms
on
Shah
Rukh
Khan!
By
now
it
becomes
an
irresistible
wait
to
listen
to
'Khaike
Paan
Banarswala'
but
guess
it
was
a
trick
played
well
by
the
music
company
that
saves
it
only
for
a
later
stage.
Before
that
comes
'Maurya
Re',
a
Ganpati
song
sung
by
Shankar
Mahadevan.
So
far
the
soundtrack
was
predominantly
western
with
a
touch
of
lounge
but
with
'Maurya
Re',
there
is
a
shift
in
proceedings
as
the
action
shifts
to
the
streets.
Sound
of
'dhol'
accompanies
Mahadevan
throughout
to
keep
the
celebration
mood
alive
in
this
lively
number
that
is
easy
on
ears
and
keeps
the
Indian
melody
intact.
Would
it
be
a
classic
'Ganpati'
celebration
track?
No,
probably
not,
but
what
it
succeeds
in
is
bringing
Shahrukh
Khan
in
a
new
light
who
has
traditionally
been
bound
by
a
certain
image.
Super-duper
hit!!!
And
you
know
which
song
we
are
talking
about!
'Khaike
Paan
Banaraswala'
is
sure
to
enthrall
audience
all
over
again
when
heard
in
the
version
created
by
Shankar-Ehsaan-Loy.
And
there
are
manifold
reasons
to
say
that,
first
and
foremost
being
the
creative
aspect
gone
behind
this
version.
Composers,
Akhtar
saab
and
Udit
Narayan
have
gone
all
out
to
ensure
that
they
give
something
additional
to
this
song
rather
making
it
a
plain
remix/rearrangement.
This
is
something
prevalent
from
the
very
beginning
when
Udit
sets
the
base
for
'Khaike
Paan'
before
actually
rendering
the
classic.
Arriving
with
an
Indian
rooted
rap,
Udit
accelerates
the
song
to
a
right
pace
before
beginning
the
actual
rendition
of
'Khaike'.
Expect
the
applause
in
not
just
single
screen
theatres
but
even
multiplexes
when
the
song
is
played!
The
pacing
is
just
perfect
while
the
musical
arrangements
bring
a
mix
of
Western
and
Indian
style
but
the
highlight
of
the
song
is
Shahrukh
Khan
who
holds
the
mike
towards
the
middle
of
the
song.
He
does
his
own
'desi'
poetic
rapping
of
some
new
lines
by
Javed
Akhtar
saab
that
takes
the
song
to
an
all
time
high
and
there
is
just
the
right
pause
before
Udit
Narayan
takes
over
again
to
make
this
fun
number
a
sure
shot
success.
So
is
'Khaike
Paan'
the
zenith
of
the
album?
Anyone
would
feel
so
after
hearing
it
on
for
the
first
time
itself
but
then
the
BEST
is
yet
to
arrive.
Undoubtedly
the
most
creative,
exciting
and
mesmerizing
of
the
lot,
'Aaj
Ki
Raat'
is
easily
the
best
of
the
enterprise
and
hooks
you
on
after
hearing
it
just
once.
Picturised
on
both
Priyanka
Chopra
and
Kareena
Kapoor,
it
is
about
a
decisive
night
that
is
expected
to
be
full
of
surprises.
If
there
is
a
song
that
perfectly
mixes
the
theme
of
70s
with
the
style
of
21st
century,
it
is
'Aaj
Ki
Raat'.
A
true
lounge
track,
'Aaj
Ki
Raat'
has
ample
usage
of
those
musical
instruments
that
formed
the
disco/cabaret
tracks
of
the
late
70s/early
80s
[in
fact
it
is
reminiscent
of
'Raat
Baaki'
(Namak
Halal)
]
and
creates
a
haunting
impact.
Alisha
Chinoy
is
a
perfect
choice
for
a
song
like
this
but
real
surprise
comes
in
the
form
of
Mahalaxmi
Iyer
who
is
just
flawless
in
her
laidback
rendition.
For
a
change
Sonu
Nigam
is
the
last
to
arrive
but
he
doesn't
mind
letting
the
ladies
dominate
the
scene
while
adding
on
his
bit
as
per
the
demand
of
the
situation.
A
superb
number,
it
is
one
of
the
most
innovative
tracks
composed
by
Shankar
Ehsaan
Loy
and
should
sit
at
the
top
of
their
best
songs
ever.
Remember
the
signature
tune
of
'Don'
that
accompanied
when
the
titles
of
the
original
rolled?
The
same
intriguing
sound
is
heard
again
though
with
in
a
complete
makeover
avtar
that
ensures
that
this
Farhan
Akhtar
film
is
going
to
be
one
pucca
masala
entertainer!
Westernized
and
lounge
in
style
and
feel,
this
instrumental
of
the
'Theme
Music'
makes
one
helluva
ride
that
should
bring
you
on
the
edge
of
the
seat
right
away
if
played
during
the
opening
title
roll.
Let
the
lights
dim,
cell
phones
switched
off,
get
your
popcorn
and
enjoy
the
show!
Some
unforgettable
music
and
dialogues
from
the
original
are
given
a
new
treatment
by
Medival
Punditz
in
the
concluding
track
'Don
Revisited'.
Yet
another
racy
track
that
should
keep
you
hooked
on
your
music
system
while
it
is
played!
While
the
theme
music
of
'Arrey
Deewano
Mujhe
Pehchano'
forms
the
base
of
this
track,
some
evergreen
dialogues
like
'Don
ko
pakadna
mushkil
hi
nahi
namumkin
hai'
mouthed
by
SRK
make
it
a
highly
enjoyable
track.
There
are
some
more
dialogues
in
the
musical
piece
but
check
them
out
for
yourselves
when
you
play
it
on.
Chances
are
high
that
this
could
well
be
the
track
that
you
may
want
to
set
on
repeat
mode
before
embarking
on
a
long
highway
ride!
Shankar
Ehsaan
Loy
do
exceedingly
well
with
the
soundtrack
of
'Don
-
The
Chase
Begins
Again'
and
establish
their
supremacy
as
the
composer
trio
who
can
give
their
own
even
while
rearranging
the
songs
from
the
past,
as
seen
in
'Khaike
Paan'
and
'Ye
Mera
Dil'.
While
'Aaj
Ki
Raat'
sits
pretty
at
the
top
for
its
innovative
appeal,
'Khaike'
is
a
sure
shot
chartbuster
for
all
generations
and
'Main
Hoon
Don'
makes
the
proceedings
exciting,
the
theme
instrumentals
too
create
a
great
impact
and
take
the
proceedings
on
a
fast
track.
Strength
of
Don
lies
in
its
success
at
surprising
a
listener.
Overall,
the
album
primarily
comes
across
as
a
lounge/club
mix
with
a
dash
of
Indian
melody
and
should
do
well
across
the
length
and
breath
of
the
country.
Chances
are
that
it
may
turn
out
to
be
one
of
the
Top
3
selling
albums
of
this
year!