By:
Joginder
Tuteja,
IndiaFM
Monday,
July
31,
2006
Sanjay
Khanna,
who
is
known
for
his
action
flicks
like
Anth
and
Ittefaq
returns
to
direction
with
his
upcoming
flick
Katputtli
that
is
a
Bro
&
Sis
Productions
[Mink
and
Punnu
Brar]
and
is
presented
under
the
banner
of
Sahara
One.
Starring
Mink
in
the
central
role
along
with
Milind
Soman,
Yukta
Mookhey
and
Sameer
Dharmadhikari,
the
film
has
music
by
Bapi
Tutul,
Daboo
Malik
and
Ishq
Bector
while
lyrics
are
written
by
Punnu
Brar
himself.
The
album
begins
on
a
good
note
with
'Mitra
Nu'
that
is
in
the
same
style
as
the
UK
based
'bhangra-pop',
a
genre
that
has
picked
up
in
India
especially
in
last
couple
of
years.
A
well
paced
rhythmic
number
sung
well
by
Punnu
Brar
himself
with
good
rap'n'reggae
support
by
Ishq
Bector,
'Mitra
Nu'
is
a
track
that
deserves
to
be
promoted
aggressively.
With
the
film's
release
just
around
the
corner,
one
feels
pity
about
the
fact
that
this
potential
hit
composed
by
Brar
and
Bector
may
just
about
go
unnoticed.
An
item
track
that
is
currently
been
used
for
the
promotion
of
the
film,
it
marks
a
good
beginning
for
the
album.
Shweta
Pandit,
who
has
been
consistently
coming
up
with
good
songs
over
last
few
months,
does
quite
well
in
'Mann
Mera'
that
just
has
a
faint
sound
of
guitar
for
company.
A
difficult
song
by
all
means
since
any
flaw
in
the
singing
may
be
exposed
due
to
all
the
focus
on
the
voice
itself,
'Mann
Mera'
is
a
melodious
track
composed
by
Bapi-Tutul
who
have
been
trying
to
make
their
presence
felt
in
the
Bollywood
music
scene
for
number
of
years
now.
A
well
written
track
with
Gaurav
Bangia
giving
good
company
to
Shweta,
it
is
short'n'sweet
and
makes
you
pretty
content
with
the
album
so
far.
Bizarre!
That's
the
way
to
describe
'Wild
Dreams',
an
English
track
that
has
a
bizarre
feel
to
it
[that
sounds
intentional]
and
delves
deep
into
the
psychology
of
an
individual
[in
this
case
the
leading
protagonist
Mink]
who
has
lost
her
identity,
is
unable
to
locate
her
past
and
is
suffering
from
hallucinations
and
'wild
dreams'!
Composed
and
sung
by
Punnu
Brar,
this
is
a
song
that
would
scare
the
sleep
out
of
you
if
you
are
making
an
attempt
to
go
to
bed.
It
is
fit
for
the
background
score
of
the
film
[it
my
turn
out
to
be
quite
effective
there!]
but
an
absolutely
no-no
while
listening
to
the
audio.
Punnu
Brar
shows
his
range
while
singing
'Neele
Aasmaan',
which
is
quite
a
shift
from
the
two
tracks
'Mitra
Nu'
and
'Wild
Dreams'
sung
by
him
earlier.
In
fact
it
is
hard
to
believe
that
it's
the
voice
of
the
same
person
as
he
goes
quite
subtle
and
mushy
in
this
love
song
that
is
based
on
melody
and
has
a
slow
pace.
There
is
a
slight
intoxicated
feel
in
his
voice
but
that
may
be
purely
coincidental!
While
the
musical
arrangements
are
soothing
and
come
quite
easy
on
ears,
the
song
overall
is
a
fine
hearing
too,
if
not
purely
original
or
great.
One
misses
Sunidhi
Chauhan
though
who
has
just
a
minor
role
to
play
in
this
romantic
number
that
could
have
only
gained
with
her
extended
presence.
'Rafta
Rafta'
composed
by
Bapi-Tutul
and
sung
by
Runa
Rizvi
is
another
experimental
number
in
the
album
after
'Wild
Dreams'.
A
haunting
rock
track
with
entire
look,
feel
and
treatment
derived
from
the
West,
'Rafta
Rafta'
is
a
situational
background
track
which
has
Runa
singing
in
a
highly
husky
voice.
A
kind
of
number
that
could
do
well
in
the
lounge
circuits
and
would
be
identified
easily
by
those
who
follow
non-film
music.
The
album
ends
with
a
true
blue
fusion-lounge
track
by
Ishq
Bector
that
has
been
interestingly
titled
'Snake
Potion
Instrumental'.
A
rhythmic
instrumental
that
again
fits
the
kind
of
musical
description
that
Indian
artists
in
UK
create,
it
is
foot
tapping,
haunting
and
exciting
-
all
at
the
same
time.
One
waits
to
see
how
does
the
instrumental
fit
into
the
film's
narrative?
Katputtli
is
an
album
from
which
one
didn't
expect
much
at
the
very
onset
but
on
hearing
it
one
realizes
that
there
are
a
few
tracks
that
do
bring
home
some
variety
and
turn
out
to
be
interesting.
While
'Mitra
Nu'
and
'Mann
Mera'
are
engaging
hears,
'Snake
Potion
Instrumental'
gives
the
album
a
befitting
end.
The
album
may
not
have
a
great
reach
commercially
due
to
not-so-exciting
promotion
of
the
film's
music
but
nevertheless
works
to
an
extent
for
those
who
may
eventually
give
it
a
hear.