2006
will
see
a
film
belonging
to
an
adventure
genre,
something
that
has
not
been
attempted
in
India
since
one
can
last
remember,
unveil
on
the
big
screen
soon.
Directed
by
Sachin
Bajaj,
Naksha
is
one
such
film
that
stars
Sunny
Deol,
Viveik
Oberoi,
Jackie
Shroff
and
Sameera
Reddy
in
the
lead
and
boasts
of
a
novel
theme
that
should
set
the
eye
ball
rolling.
For
a
film
like
this,
music
may
not
be
really
a
mainstay
for
the
narrative
to
be
carried
forward
but
reading
Pritam
and
Sameer
on
the
credits
makes
one
hope
for
a
foot
tapping
number
or
two.
And
don't
they
really
surprise
with
some
genuinely
entertaining
soundtrack?
The
opening
orchestra
of
'Shake
It'
comes
so
close
to
'Aaja
Ve
Mahi
Let's
Do
Balle
Balle'
[Fida]
that
one
re-checks
the
credits
to
see
if
the
song
has
Anu
Malik
as
a
guest
composer.
It
turns
out
that
the
composer
at
the
helm
is
Pritam
indeed
and
after
the
first
few
seconds
the
song
too
comes
on
its
own
and
turns
out
to
be
a
completely
different
track.
A
song
belonging
to
Suzzane
De
Mello
with
her
vocals
dominating
the
proceedings
throughout,
this
item
track
featuring
Sameera
Reddy
is
rocking
from
note
one
and
has
a
thumping
effect
throughout.
A
western-bhangra
mix
with
a
trademark
Pritam
feel
to
it,
it
has
an
instant
coffee
effect
on
you
since
it
gets
on
you
real
quickly.
Kailash
Kher
comes
with
his
Punjabi
rendition
towards
the
latter
half
of
the
song
and
adds
on
to
the
impact
while
Indee
is
in
charge
of
the
background
voice.
This
Hinglish
song
won't
be
the
most
remembered
song
of
the
year
but
does
well
to
get
'Naksha'
on
to
the
current
hot
favorite
music
'map'
[pun
intended]!
From
a
song
like
'Shake
It',
a
'Dhol
Club
Mix'
offers
a
lot
of
promise
due
to
anticipation
of
an
enhanced
vibrancy,
pace
and
style.
Fortunately
it
is
indeed
the
case
as
Eric
Pillai
pumps
up
the
jam
and
creates
an
opportune
ambience.
Indee
goes
solo
for
the
third
and
final
version
of
this
'shaking'
number
while
rendering
'All
Ladies
in
the
House'.
An
extended
musical
piece
with
no
Suzzane
for
company
this
time
around,
it
is
for
the
dance
floor
and
is
ready
ammunition
for
any
DJ
to
let
loose
on
a
dance
floor.
A
slow
beginning
to
'Yaara
Ve'
keeps
one
wondering
about
the
genre
of
the
song
but
as
soon
as
Abhishek
Nailwal
starts
his
'aalap',
a
la
Pakistani
pop
style,
one
knows
that
Pritam
has
got
another
chartbuster
song
up
his
sleeve.
A
full
throated
rendition
by
Abhishek
accompanied
by
the
sound
of
an
electronic
guitar
and
'dholak'
makes
'Yaara
Ve'
belong
truly
to
the
pop
genre
from
the
other
side
of
the
border!
Inspiration
or
no
inspiration,
the
fact
is
that
the
song
is
a
good
hear
overall
and
it
is
quite
surprising
that
a
track
like
this
finds
a
place
in
a
movie
belonging
to
adventure
genre!
ZERO
db
comes
up
with
a
'Tumbi
House
Mix'
version
of
the
same
track
which
has
Kailash
Kher
joining
the
party.
Can
we
expect
a
promotional
music
video
of
this
track
just
when
the
film's
release
is
around
the
corner?
Mayur
Puri
is
the
guest
lyricist
for
'U&I',
yet
another
western-bhangra-pop
track
after
'Shake
It'.
Sung
superbly
by
Sonu
Nigam
in
an
inimitable
intoxicated
voice,
it
is
a
'Friday
Night'
song
set
in
a
night
club
with
a
horde
of
youngsters
spending
a
rocking
time
on
the
dance
floor.
A
good
song
to
listen
it,
by
this
time
whatever
one
hears
in
'Naksha'
is
indeed
a
bonus
since
one
expected
2
or
at
maximum
3
foot
tapping
numbers
in
Naksha
which
mainly
comes
with
an
action
theme.
A
track
that
should
be
popular
amongst
campus
crowds,
it
comes
in
a
'Dil
Se
Mile
Dil'
version
sung
by
Pritam
and
KK.
Both
the
youngsters
let
themselves
enjoy
in
a
holds-no-bar
mood
and
when
Labh
Janua
and
Rana
Mazumder
pair
up
to
come
up
with
a
Punjabi
version
of
the
song
[Let's
Do
Balle
Balle
-
U&I],
you
know
that
it
is
a
happening
party
all
the
way.
Written
by
Labh
Janua
himself,
he
can
consider
this
track
to
be
his
second
Bollywood
success
in
quick
succession
after
'Pyaar
Karke'
[Pyaar
Ke
Side
Effects].
The
following
song
is
an
ode
to
He-Man
Dharmendra
as
this
time
it
is
the
turn
of
son
Sunny
Deol
to
go
'Jat
Yamla',
what
with
even
his
dance
steps
bringing
the
age
old
flavor
that
came
along
with
the
highly
famous
'Main
Jat
Yamla
Pagla
Deewana'
[Pratigya].
Aimed
at
those
fans
who
still
love
the
age
old
charm
of
the
Deol
family,
it
is
a
spirited
rendition
by
Sonu
Nigam
who
does
all
he
can
to
bring
alive
the
proceedings.
A
situational
track
picturised
on
the
three
lead
actors
of
the
film
who
are
dancing
along
with
the
natives
of
a
'kabeela'
while
being
en
route
to
their
milestone
in
the
land
of
unknown,
it
should
pep
up
the
proceedings
and
bring
some
whistles
and
claps
in
the
single
screen
theatres
at
the
least.
DJ
A
Myth
and
DJ
Kiran
pair
up
for
the
remix
version
of
the
track
and
give
it
a
retro
touch
without
hampering
the
originality
of
the
song.
Alisha
Chinoy
comes
up
with
'Nasha'
that
seems
to
be
set
in
the
villain's
[in
this
case
Jackie
Shroff's]
den.
Reminding
of
'Raat
Bhar
Raat
Se
Jaam
Takraega'
[Tridev]
in
terms
of
content,
styling
and
treatment,
it
is
the
most
lukewarm
of
the
lot
and
is
a
quick
skip;
in
fact
a
REAL
quick
skip.
One
of
the
most
pedestrian
songs
ever
composed
by
Pritam,
perhaps
it
was
the
wise
decision
of
the
music
company
to
avoid
having
an
remix
version
of
the
track.
A
song
seemingly
set
during
the
film's
climax,
one
hopes
that
at
least
the
visuals
are
thrilling
enough
to
make
one
avoid
thinking
about
the
song
at
all!
Except
for
'Nasha'
that
is
disappointing
to
say
the
least,
rest
of
'Naksha'
is
pretty
enjoyable
with
'Shake
It',
'Yaara
Ve',
'U&I'
and
their
numerous
remix
versions
dominating
the
show.
As
said
above,
there
were
not
many
expectations
from
the
music
of
Naksha
but
Pritam
has
ensured
that
most
of
the
album
sounds
enjoyable.
While
'Shake
It'
is
already
popular
by
now,
one
waits
for
the
remaining
two
tracks
to
arrive
soon
on
satellite
channels
because
that
would
be
the
deciding
factor
for
the
sales
of
the
album.
If
music
videos
of
these
two
songs
click
then
the
album
too
should
easily
cross
the
safety
mark!