By:
Joginder
Tuteja,
IndiaFM
Wednesday,
November
14,
2007
When
Sudhir
Mishra's
last
directorial
venture
Hazaron
Khwahishen
Aisi
released,
ironically
both
the
film
as
well
as
it's
music
was
appreciated
much
after
the
film
came
and
went
off
the
theaters.
Even
though
the
soundtrack
had
arrived
on
stands
months
before
the
film
hit
the
marquee,
it
started
making
an
impression
amongst
the
connoisseurs
of
quality
music
only
later.
The
same
composer-lyricist
jodi
of
Shantanu
Moitra
and
Swanand
Kirkire,
who
came
into
limelight
after
Parineeta
and
Lage
Raho
Munnabhai,
is
repeated
for
Prakash
Jha
produced
Khoya
Khoya
Chand
which
is
a
period
film
based
on
the
Hindi
film
industry
of
the
50s/60s.
Since
Shantanu
and
Swanand
have
demonstrated
their
stranglehold
over
period
music
in
Parineeta
earlier,
there
is
little
doubt
that
Khoya
Khoya
Chand
would
take
one
down
the
memory
lane
as
well.
Two
lyricists,
Swanand
Kirkire
and
Ajay
Jhingran,
get
together
to
wear
a
different
hat
and
instead
come
behind
the
mike
for
the
title
song
Khoya
Khoya
Chand.
A
song
which
begins
with
a
hint
of
jazz
and
transitions
quite
smoothly
into
a
'qawalli',
Khoya
Khoya
Chand
comes
with
a
high
lyrical
quality
and
boasts
of
a
catchy
combination
of
rhythm
and
melody.
Swanand
and
Ajay
sing
in
perfect
harmony
and
for
a
listener,
it
is
a
seamless
composition
to
relish
and
give
a
repeat
hearing.
A
good
start
which
should
make
for
a
high
intensity
viewing
on
screen.
A
bona
fide
jazz
track
set
truly
in
the
style
of
50s
is
heard
next
in
the
form
of
Yeh
Nigahein.
One
has
heard
of
references
to
'madhoshi
se
bhara
geet'
in
the
past.
Well,
Yeh
Nigahen
is
a
live
example
of
how
a
song
truly
falls
justifies
such
a
reference.
The
choice
of
singers
is
apt
here
as
Sonu
Nigam,
who
has
been
quite
selective
of
late,
gets
into
a
perfect
Mohd.
Rafi
mode
and
pays
a
true
homage.
On
the
other
hand,
Antara
Chaudhary,
who
has
been
trying
to
make
her
presence
felt
as
a
playback
singer
for
last
3-4
years,
is
quite
competent
too
in
Yeh
Nigahein.
She
not
just
matches
Sonu
at
every
step
but
at
places
even
leaves
her
stamp
to
make
people
stand
up
and
notice.
It
is
a
different
Shreya
Ghosal
that
one
hears
the
moment
she
hits
the
first
note
for
Chalo
Aao
Saiyan.
A
'mujra'
which
comes
with
the
expected
sounds
of
'ghunghroo'
and
'tabla',
Chalo
Aao
Saiyan
is
set
in
a
semi-classical
mode.
A
track
which
moves
from
being
moderately
paced
to
even
slower
as
it
reaches
half
way
through,
it
turns
out
to
be
a
situational
piece
which
keeps
the
classy
feel
of
the
album
intact.
Remember
Hamsika
Iyer
who
had
sung
the
mesmerizing
Chanda
Re
for
Shantanu
Moitra
and
Swanand
Kirkire
in
Eklavya
-
The
Royal
Guard?
She
gets
to
sing
one
of
the
best
tracks
of
Khoya
Khoya
Chand
as
the
album
gets
into
the
jazz
mode
again.
Hansika
is
excellent
in
'Khushboo
Sa'
which
has
a
haunting
appeal
to
it
with
an
all
around
combination
of
some
very
good
composition
and
great
arrangements
(watch
out
for
the
saxophone
here).
The
romantic
track
moves
at
a
lively
pace
and
forces
a
listener
to
give
it
a
repeat
hearing
due
to
it's
melodious
nature
and
a
'Moulin
rouge'
setting!
With
last
couple
of
songs
being
female
solos,
it
is
time
for
Sonu
Nigam
to
hold
center
stage
with
'O
Re
Paakhi'.
With
a
faint
sound
of
piano
in
the
background,
this
difficult
composition
requires
Sonu
to
be
at
his
attentive
and
engaged
due
to
it's
slow
moving
nature
and
a
poetic
feel.
A
sad
track
which
again
tales
you
back
to
the
Mohd.
Rafi
era
of
the
50s/60s,
'O
Re
Paakhi'
is
a
track
that
highlights
the
plight
of
a
wandering
soul
searching
for
a
stable
ground.
Laced
with
a
trademark
Shantanu
Moitra
flavor,
'Sakhi
Piya'
is
yet
another
track
with
very
strong
Indian
classical
music
base
to
it.
Shreya
Ghoshal
sings
in
a
manner
similar
to
'Piyu
Bole'
[Parineeta]
and
one
almost
starts
searching
for
Vidya
Balan
somewhere
in
the
background.
Pranab
Biswas.
Pranab
Biswas
keeps
a
strong
hold
over
the
proceedings
with
his
classical
rendition
and
ensures
that
there
would
be
a
pin
drop
silence
when
the
track
plays
in
the
auditorium.
For
the
first
time
in
the
album,
Sonu
Nigam
and
Shreya
Ghosal
pair
up
for
a
song
titled
'Thirak
Thirak'.
The
musical
built
to
the
track
reminds
one
of
'Hothon
Pe
Aisi
Baat'
[Jewel
Thief]
due
to
an
elaborate
introductory
orchestra.
The
moment
Sonu
Nigam's
voice
is
heard
in
'Thirak
Thirak',
one
is
reminded
of
the
title
song
Khoya
Khoya
Chand
which
has
somewhat
similar
base
to
it.
A
celebration
number
about
being
happy
in
life
while
being
a
little
high,
'Thirak
Thirak'
too
keeps
it's
melody
intact
and
doesn't
get
into
a
conventional
hullabaloo
that
one
associates
with
a
celebration
track.
Indian
to
the
core
and
being
honest
to
the
music
genre
that
was
heard
half
a
century
back,
Khoya
Khoya
Chand
is
yet
another
good
addition
to
the
portfolio
of
Shantanu
Moitra
and
Swanand
Kirkire.
Khoya
Khoya
Chand
is
a
highly
classy
album
which
gives
a
music
lover
something
truly
different
to
hear.
Once
the
movie
releases
at
theaters,
the
music
too
should
see
an
elevation
in
sales.