By:
Joginder
Tuteja,
IndiaFM
Wednesday,
May
02,
2007
Shoot
Out
At
Lokhandwala
is
one
film
that
has
arrived
like
a
hurricane.
Though
the
first
half
of
2007
was
touted
as
a
year
of
Guru,
Salaam
E
Ishq,
Eklavya,
Namastey
London,
Ta
Ra
Rum
Pum
and
many
more
biggies,
the
promotion
and
packaging
of
Shootout
At
Lokhandwala
has
ensured
that
it
turns
out
to
be
one
of
the
biggest,
if
not
the
biggest
itself,
film
of
the
season.
With
a
power
packed
cast
comprising
of
Amitabh
Bachchan,
Sanjay
Dutt,
Abhishek
Bachchan,
Viveik
Oberoi,
Suneil
Shetty,
Tusshar
Kapoor
and
many
more,
this
men-all
film
directed
by
Apoorva
Ek
Ajnabee
Lakhia
has
made
an
instant
impression.
Films
coming
from
the
house
of
Sanjay
Gupta
are
often
known
for
their
music.
Remember
recent
ones
like
Kaante,
Musafir
and
Zinda?
One
expects
the
same
from
this
soundtrack
that
has
Anand
Raaj
Anand,
Indian
band
Strings,
Mika
Mehendi,
Biddu
and
Euphoria
coming
together.
Anand
Raaj
Anand
decides
to
flex
his
vocal
chords
for
his
own
composition
'Mere
Yaar'.
A
blend
of
Rajasthani
and
Punjabi
folk
presented
in
a
fusion
of
Indian
and
Western
orchestra
ensures
that
'Mere
Yaar'
sounds
fine
at
least
as
long
as
it
lasts.
An
item
number
set
in
a
dance
bar,
this
Dev
Kohli
written
track
isn't
of
the
kind
that
would
set
the
charts
afire,
nor
is
it
yet
another
'Beedi
Jalaile'
for
Sunidhi
Chauhan
or
for
that
matter
Aarti
Chabaria
[on
whom
the
track
is
picturised].
At
maximum,
'Mere
Yaar'
would
keep
the
racy
mood
of
the
film
intact
due
to
its
fast
rhythm
and
won't
let
boredom
come
in,
but
that's
about
it.
One
searches
for
a
remix
version
of
this
track
but
there
isn't
any
in
the
album....
thankfully!
Now
that's
what
one
expected
from
Sanjay
Gupta
in
the
first
place
-
a
track
like
'Aakhri
Alvida'.
After
hearing
it
just
once,
one
can
conveniently
say
that
the
genre
to
which
'Aakhri
Alvida'
belongs
to
can
be
created
only
by
a
Pakistani
band!
Strings
prove
once
again
that
they
are
an
original
band.
IIn
spite
of
numerous
attempts
at
creating
a
similar
feel
by
musicians
across
the
World,
the
results
have
never
been
as
exemplary.
Brilliantly
written
with
a
philosophical
undertone
of
life
and
separation
interspersed
in
so
well,
this
rock
track
changes
shades
throughout
its
5
minutes
duration
and
flip
flops
its
mood
from
soft,
hard
to
soft
again.
It's
not
just
the
beats
that
add
on
to
the
'remix
version'
of
'Alvida';
it
is
also
the
rendition
that
changes
to
speed
on
a
fast
track.
There
is
a
80s
feel
to
the
added
rhythm
and
the
instrument
that
plays
alongside
the
track
keeps
the
'Club
mix'
feel
intact.
After
'Ye
Hai
Meri
Kahani'
[Zinda],
'Aakhri
Alvida'
is
yet
another
track
that
would
be
known
for
years
to
come.
'Ganpat'
gets
into
a
'Bheeku
Mhatre'
[Satya]
mode
as
it
tells
the
tale
of
Maya
Dolas
[role
played
by
Viveik
Oberoi]
and
his
gangster
friends
who
have
ambitions
to
rule
Mumbai.
Composed,
written
and
crooned
by
Mika
who
has
Anchal
as
his
co-singer,
it
is
a
situational
track
picturised
on
Viveik,
Tusshar,
Rohit,
Aaditya
and
others.
Singer
Mika
Mehendi
sings
in
a
style
similar
to
that
of
his
own
'Ae
Bhai
Tune
Pappi
Kyon
Li'
[private
album:
Out
Of
Control]
while
the
composing
style
comes
close
to
the
kind
adopted
by
Nitin
Raikwar
for
numerous
RGV
films.
And
by
the
way,
this
is
no
compliment
since
the
results
are
lukewarm
here
as
well!
The
remix
version
of
'Ganpat'
is
interesting,
though
not
from
music
but
story
point
of
view.
The
track
is
basically
orchestrated
to
highlight
the
power
of
Maya
Dolas
in
Mumbai
and
how
he
'rules'
over
phone
and
creates
havoc.
Those
fond
of
underworld
setting
would
like
to
give
this
track
a
hearing
for
a
couple
of
times.
Anand
Raaj
Anand
is
the
sole
composer
in
the
film
to
have
two
tracks
to
his
credit.
After
'Yaar
Mera'
he
comes
with
'Unke
Nashe
Mein'
for
which
Sanjay
Gupta
is
at
the
helm
of
penning
the
lyrics
too.
An
ordinary
track
that
neither
breaks
any
new
ground
nor
makes
a
distinct
identity
for
itself,
'Unke
Nashe
Mein'
is
a
celebration/item
number
that
would
in
all
likelihood
be
featured
on
the
men
in
the
film
who
form
the
gang.
Sukhwinder
Singh,
Mika
and
Anand
Raaj
Anand
come
together
but
can't
really
make
this
track
rise
above
ordinary
either
in
its
original
or
equally
lukewarm
'Club
Mix'
version.