By:
Joginder
Tuteja,
IndiaFM
Saturday,
November
10,
2007
Now
this
one
has
arrived
almost
'chupke
se'!
While
most
other
biggies
featuring
the
top
bracketed
actors/film
makers
make
a
lot
of
noise
(sometimes
deserving,
sometimes
not
so
deserving)
for
both
the
movie
and
the
music
release,
Aamir
Khan's
Taare
Zameen
Par
has
silently
arrived
in
a
subtle
manner,
just
like
the
simplicity
the
movie
itself
conveys.
With
Prasoon
Joshi
doing
the
lyrics,
one
expects
a
sensitive
outing
ahead.
From
Shankar-Ehsaan-Loy,
who
have
enjoyed
a
great
2007
so
far,
one
expects
nothing
but
a
high
quality
score
in
Taare
Zameen
Par.
Remember
the
tinkle
sound
in
'Meri
Duniya
Tu
Hi
Re'
[Heyy
Babyy]?
Shankar-Ehsaan-Loy
take
a
cue
from
the
same
sound
to
carry
forward
the
title
song
Taare
Zameen
Par.
Tothe
credit
of
the
composer
trio,
Shankar
Mahadevan
who
takes
the
onus
on
himself
to
come
behind
the
mike
and
supporting
vocals
of
Bugs
Bhargava,
Dominique
Cerejo,
Vivinenne
Pocha
that
the
song
turns
out
to
be
a
heartwarming
outing.
It
is
a
difficult
song
to
create
due
to
various
reasons.
a)
It
is
slow
moving
which
means
that
beats
cannot
camouflage/overtake
the
melodious
intent
of
the
song,
b)
It
requires
a
singer
of
high
caliber
to
croon
since
the
focus
is
entirely
on
voice
due
to
hardly
any
instruments
being
in
the
background,
c)
Prasoon
Joshi's
lyrics
follow
a
poetic
route
which
means
double
the
effort
for
the
composers
to
think
innovatively.
Still,
the
end
product
is
such
that
even
if
it
won't
be
sung
aloud
by
a
man
on
the
street
(that
was
never
an
intent
to
begin
with),
Taare
Zameen
Par
would
make
for
an
emotional
cinematic
viewing.
Singer
Raman
Mahadevan
builds
on
the
melodious
feel
of
the
album
with
'Kholo
Kholo'
which
is
about
opening
up
the
world
around
you
and
breathing
all
the
air
in
the
beautiful
surroundings.
Very
urban
and
belonging
to
soft-rock,
'Kholo
Kholo'
has
a
guitar
as
it's
base
instrument
which
works
wonders
with
Raman's
smooth
vocals.
A.R.
Rahman
and
Gulzar
saab
would
definitely
approve
the
kind
of
great
job
that
Shankar-Ehsaan-Loy
and
Prasoon
Joshi
do.
Even
better
than
the
title
song,
'Kholo
Kholo'
is
number
that
you
would
love
to
hear
in
isolation
in
a
repeat
mode!
Aamir
Khan
begins
'Bum
Bum
Bole'
with
some
funny
sounding
gibberish
which
is
meant
to
appeal
to
the
kids
due
to
it's
playful
setting.
A
track
which
appears
to
be
created
for
a
setting
where
Aamir
Khan
interacts
with
number
of
kids
in
the
school
and
makes
all
of
them
play
with
each
other,
'Bum
Bole
Bole'
takes
a
rhythmic
mood.
Different
in
style
when
compared
to
the
first
two
tracks
in
the
album,
this
Shaan
sung
track
should
appeal
to
children
due
to
it's
situational
setting.
It's
the
sound
of
an
alarm
which
opens
'Jame
Raho',
a
song
that
takes
a
listener
through
the
journey
of
a
student
from
waking
up
in
the
morning
to
going
to
school
to
studying
hard
and
achieving
success.
Boasting
of
a
rock
setting,
the
song
is
such
that
it
could
easily
have
fit
into
the
mould
of
a
sports
anthem
number
as
much
as
an
inspiration
for
the
soldiers
on
the
border!
Crooned
quote
well
by
Vishal
Dadlani,
who
seems
to
have
become
almost
a
regular
with
Shankar-Ehsaan-Loy
for
singing
at
least
one
song
for
most
albums
for
them,
'Jame
Raho'
is
an
entertaining
number
which
mixes
some
English
words
with
primarily
Hindi
lyrics.
10
singers
(yes,
10
singers)
come
together
for
'Bheja
Kum',
a
two
minute
rock
track
which
starts
with
the
words
'Idiot,
why
can't
you'.
A
spoof
on
the
kind
of
scolding
that
children
get
on
scoring
less
marks
in
exams,
'Bheja
Kum'
has
a
big
team
of
Shankar
Mahadevan,
Bugs
Bhargava,
Shankar
Sachdev,
Raaj
Gopal
Iyer,
Ravi
Khanwilker,
Loy
Mendonsa,
Amole
Gupte,
Kiran
Rao,
Aamir
Khan
and
Ram
Madhvani
coming
together
to
sing
a
line
or
two
(in
case
just
speak
a
few
words)
to
showcase
(albeit
in
a
lighter
vein)
the
kind
of
tension
that
a
kid
goes
through!
With
'Maa',
Shankar
Mahadevan
gives
himself
another
good
solo
after
the
title
song
Taare
Zameen
Par.
A
serene
number
which
just
like
the
title
song
depends
entirely
on
the
singing
and
the
basic
composition
instead
of
arrangements
added
on
in
the
recording
studio,
'Maa'
is
a
heartfelt
track
about
a
child
looking
at
sharing
with
his
mother
his
fears,
shortcomings
and
affection
for
the
ones
close
to
him.
With
the
most
simple
and
yet
effective
lyrics
heard
in
the
album
so
far,
'Maa'
is
another
superb
piece
of
work
after
Taare
Zameen
Par
and
'Kholo
Kholo'.
Guest
composer
Shailendra
Barve
makes
his
presence
felt
with
his
only
track
'Mera
Jahan'.
Rendered
superbly
by
children
Auriel
Cordo
and
Ananya
Wadkar
who,
after
their
English
rendition,
set
the
base
for
Adnan
Sami
to
take
over
the
proceedings,
Mera
Jahan'
reaches
it's
crescendo
the
moment
title
words
appear
in
the
song.
Musically
the
song
carries
a
similar
rock
style
as
'Bheegi
Bheegi
Si'
[Gangster]
and
if
you
have
liked
the
numbers
heard
in
'Life
In
A..Metro',
it
would
be
hard
to
ignore
'Mera
Jahan'.
Amole
Gupte,
Creative
Director
of
Taare
Zameen
Par,
has
the
last
word
with
his
piano
composition
for
'Ishaan's
Theme'
bringing
the
album
to
an
end.
A
four
minute
long
musical
piece
which
boasts
of
international
standards
and
carries
a
pensive
feel
to
it,
'Ishaan's
Theme'
belongs
to
the
kind
that
you
hear
in
5-Star
hotel
lobbies.
Smooth,
serene
and
infectious,
this
sound
of
piano
is
just
the
right
finale
for
an
impressive
soundtrack
of
Taare
Zameen
Par.
The
moment
one
is
through
with
the
album,
the
first
thought
which
crosses
the
mind
is
that
of
'Aah,
thank
goodness
no
remixes'!
Aamir
Khan,
Shankar,
Ehsaan,
Loy
and
Prasoon
Joshi
make
a
zero
compromise
album
which
stays
honest
to
the
film's
theme
and
bring
in
as
much
variety
as
one
possibly
can
in
the
music
for
a
film
belonging
to
a
genre
different
from
regular
romance,
action
or
drama.
No
item
song,
no
'pyaar-mohabbat'
saga
and
moreover
nothing
which
becomes
preachy,
Taare
Zameen
Par
boasts
of
a
soundtrack
that
stays
true
to
the
film's
spirit
and
promises
to
thoroughly
involve
a
viewer
while
the
music
is
on
in
theaters.