Water - Music Review
By:
Joginder
Tuteja,
IndiaFM
Wednesday,
February
21,
2007
Deepa
Mehta's
Water
finally
sees
the
light
of
the
day.
As
an
opening
film
of
the
30th
annual
Toronto
International
Film,
it
has
been
back
in
news
after
it
was
stopped
from
being
shot
in
India
years
back.
Third
in
the
trilogy
after
Fire
and
Earth,
Water
is
director
Deepa
Mehta's
long
cherished
dream
that
has
finally
been
realized
after
a
wait
for
number
of
years.
Produced
by
David
Hamilton,
Water
was
secretly
shot
in
Sri
Lanka
and
stars
John
Abraham,
Lisa
Ray,
Seema
Biswas,
Kulbhushan
Kharbanda,
Waheeda
Rehman,
Raghuvir
Yadav
and
Baby
Sarala
in
principal
roles.
Just
like
Fire
and
Earth,
A.R.
Rehman
gives
music
for
Water
as
well.
Sukhwinder Singh begins 'Aayo Re Sakhi' in his trademark semi-classical rendition and just when you start thinking that the track would pump up its tempo, Rehman throws a surprise by keeping the pace consistent. There are very limited musical instruments in the background that makes 'Aayo Re Sakhi' a kind of number that deserves to be heard with more attention. A soothing rhythmic track with a strong classical base to it, it has a female singer joining Sukhwinder after the song is about half way through. Lyrics are poetic that convey the message of love, happiness, celebration and above all - freedom.
A song with a Radha-Krishan background, 'Bangri Marorii' has a rather strong classical base with again vocals doing all the talking (literally) with little or no music playing in the background. And this is where Rehman wins in creating a much desired effect by composing 'Bangri Marorii' in a manner that would be identifiable by people with strong understanding of music belonging to this genre. This is a kind of track that has a maximum impact when one wants to relax in dark isolation!
By the time 'Naina Neer Bahai' begins, you are well aware about the style of music that Deepa Mehta and Rehman have chosen for Water. This number too is totally subtle in nature and has references to Meera-Krishna love. With great lyrics and some excellent singing, this slow moving song about selfless love and admiration is an even better composition when compared to the earlier too and is a must for the lovers of classical/semi-classical music. Ditto for 'Piya Ho' that moves at even leisurely pace and is a duet where Sukhwinder Singh comes in towards the end.
'Bhang', 'nasha' and 'masti' are the key elements of the celebration song 'Sham Rang Mei' that appears to be a 'holi' song. Beautiful is the way to describe this duet that has an innocent feel to it. Lyrics too are different from numerous 'holi' tracks that have been composed over all these years and has a 'pure' feel to it. The album ends with one of the most popular 'bhajans' 'Vaishnava Jana To' that is known to one and all.
One can almost sense Rehman's enjoyment over composing for Water where he is not bound by commercial boundaries and has just let himself be free. He is completely uninhibited in his approach and comes up with a musical score that can be described in three words - 'Pure', 'Honest' and 'True'! Will the music of Water turn out to be a commercial success? Well, this is not the kind of an album that requires a verdict on such grounds as it belongs to a class that is over and beyond commercial diktats.