Would
it
be
Qayamat
Se
Qayamat
Tak
once
again
with
the
arrival
of
Jaane
Tu...
Ya
Jaane
Naa?
This
is
the
first
feeling
one
got
the
moment
the
first
look
of
this
Aamir
Khan
production
was
out.
Marking
the
launch
pad
of
his
nephew,
Imraan
Khan,
Jaane
Tu...Ya
Jaane
Naa
seems
to
be
another
innocent
love
story
in
the
offering
sans
any
unnecessary
mush,
hence
going
truly
with
contemporary
times.
With
pretty
girl
Genelia
D'Souza
opposite
Imraan
in
this
campus
flick
and
A.R.
Rahman
as
the
composer,
this
Abbas
Tyrewala
debut
directorial
venture
(he
also
doubles
up
as
a
lyricist
here),
JTYJN,
is
a
promising
flick
arriving
this
summer.
Does
the
music
hold
up
to
the
promise?
The
answer
is
-
Yes!
First
things
first
-
when
the
best
of
the
best
of
2008
would
be
written
down,
the
number
'Kabhi
Kabhi
Aditi
Zindagi'
would
definitely
find
a
mention.
Crooned
by
newcomer
Rashid
Ali
who
is
being
introduced
by
Rahman
on
Bollywood
musical
arena,
the
song
is
beautiful
from
the
word
GO,
the
moment
guitar
strings
mark
the
song's
beginning.
Rashid's
voice
is
just
perfect
for
an
actor
who
is
being
launched
in
a
youthful
romantic
entertainer
and
the
singer
utilizes
the
big
platform
to
the
fullest.
While
Abbas'
lyrics
go
truly
with
contemporary
times,
it
is
a
nice
change
to
hear
a
Rahman
composition
in
a
truly
mainstream
cinema
rather
than
the
historical/period/issue
based
films
for
which
he
has
been
creating
music
for
quite
some
time
now.
In
true
Rahman
style,
he
gets
together
a
bunch
of
singers
for
the
track
'Pappu
Can't
Dance'.
Well,
this
is
the
track
which
is
supposedly
a
spoof
on
Salman
Khan's
on
and
off
screen
image
and
has
been
making
news
in
last
few
days.
The
song's
beginning
has
a
rhythm
which
has
formed
a
part
of
the
racy
proceedings
in
the
first
teaser
of
Jaane
Tu...Ya
Jaane
Naa
that
had
kick
started
the
film's
promotion
a
few
weeks
back.
Anupama,
Benny
Dayal,
Blazee,
Tanvi,
Darshana,
Satish
Subramanium
and
Aslam
come
together
to
sing
about
this
character
called
'Pappu'
who
has
seen
all
the
riches
in
his
life.
Since
the
day
he
was
born,
he
roams
around
in
the
best
of
the
cars,
has
a
body
to
die
for,
boasts
of
an
impeccable
style,
but
alas,
can't
dance
to
save
his
life.
Hence
the
title
-
'Pappu
Can't
Dance'.
A
fast
moving
fun
song,
which
has
a
campus
setting
to
it
and
also
appears
in
a
'remix
version',
'Pappu'
is
a
song
which
should
be
fun
when
watched
on
the
big
screen.
It's
a
new
sound
at
the
very
beginning
of
'Jaane
Tu
Mera
Kya
Hai
(Aditi)'
that
hooks
you
on
instantaneously.
This
very
rhythm
stays
throughout
this
song
which
is
crooned
for
the
female
character
of
the
film,
Aditi,
by
yet
another
relative
newcomer
Runa.
If
the
song's
haunting
tune
wasn't
enough,
the
way
Runa
renders
the
track
makes
it
one
as
the
sad
theme
of
the
song
conveys
what
the
protagonist
is
going
through.
A
number
about
a
girl
remembering
the
times
gone
by
with
the
boy
she
loved,
'Jaane
Tu'
is
composed
in
a
style,
which
is
similar
to
that
of
'Zara
Zara'
[Rehnna
Hai
Terre
Dil
Mein]
and
hence
can
be
expected
to
grow
over
a
period
of
time.
The
song
is
later
heard
in
a
version
meant
for
the
film's
male
protagonist
Jai
and
is
titled
'Jaane
Tu
Meri
Kya
Hai
(Jai)'.
This
time
around
the
beginning
is
even
more
somber
and
takes
it's
own
time
to
reach
the
stage
where
Sukhwinder
Singh
comes
around
to
hold
the
center
stage.
The
pensive
mood
is
conveyed
well
yet
again
though
this
time
around
the
version
is
even
more
somber.
Guitar
is
at
play
once
again
in
the
number
'Nazrein
Milaana
Nazrein
Churaana'.
The
best
song
to
arrive
after
'Kabhi
Kabhi
Aditi
Zindagi',
'Nazrein'
deserves
to
be
the
next
song
in
line
for
promotion.
Packed
with
youthful
energy,
the
number
has
a
Rahman
stamp
all
over
it
and
goes
in
perfectly
well
with
the
film's
campus
mood.
In
fact
just
one
hearing
and
you
are
sure
to
carry
the
number
along
for
your
next
camp
fire
outing.
Yet
again,
it's
an
array
of
singers
-
Benny
Dayal,
Satish
Chakravarthy,
Naresh
Iyer,
Darshana,
Shwetha,
Tanvi,
Bhargavi,
Anupama
-
who
come
together
but
never
once
does
one
feels
like
trying
to
find
out
the
singer
behind
a
particular
line.
A
complete
team
effort
which
reminds
of
the
number
'Sama
Yeh
Suhaana'
[Goonj]
when
it
comes
to
it's
setting.
The
album
continues
to
become
better
with
every
passing
song,
especially
so
the
moment
the
title
song
arrives.
Surprisingly,
instead
of
'Jaane
Tu...Ya
Jaane
Naa',
it
is
titled
'Tu
Bole
Main
Boloon',
which
are
the
opening
words
of
the
song.
Sung
by
Rahman
himself,
the
song
is
a
funny
take
on
how
this
guy
and
the
girl
have
two
different
perspectives
to
everything,
even
though
at
the
end
what
they
mean
is
just
the
same!
A
bona
fide
jazz
number
with
soft
drums,
saxophone
and
other
associated
musical
instruments
in
tow,
'Tu
Bolev'
has
an
international
feel
to
it
in
the
way
it's
entire
arrangements
are
done.
After
a
brilliant
'Kabhi
Kabhi
Aditi
Zindagiv',
Rashid
Ali
returns
with
'Kahin
To
Hogi
Ho'
where
he
has
Vasundara
Das
for
company.
Yet
another
beautiful
number
which
carries
an
Indi-pop
feel
to
it,
this
love
song
has
such
a
serene
feel
to
it
that
one
can't
help
playing
the
number
on
a
repeat
mode.
This
is
a
kind
of
a
soft
romantic
number
that
you
wish
to
preserve
in
your
iPod
and
play
it
your
loved
one
at
the
first
given
opportunity.
A
brilliant
number
which
makes
it
two
out
of
two
for
Rashid
Ali!
The
soundtrack
here
is
unlike
a
conventional
Bollywood
score
and
instead
introduces
a
style,
which
goes
with
the
contemporary
youthful
setting.
Jaane
Tu...Ya
Jaane
Naa
is
an
album,
which
deserves
to
be
bought
this
season.
With
Jannat
being
the
only
album
which
is
registering
good
sales
and
no
other
album
from
past
or
present
matching
it's
performance
on
the
stands,
Jaane
Tu...Ya
Jaane
Naa
by
A.R.
Rahman
comes
as
welcome
relief.