Innovative
titles
and
themes
are
in.
Otherwise,
would
one
have
ever
imagined
till
a
few
years
back
that
there
would
be
a
movie
made
with
a
title
like
Sunday
with
the
film
revolving
around
the
life
of
a
girl
who
had
one
missing
day
in
her
life
-
Sunday!?
Directed
by
Rohit
Shetty,
Sunday
is
an
interesting
project
in
the
offering
since
it
boasts
of
an
ensemble
star
cast
comprising
of
actors
as
diverse
as
Ajay
Devgan,
Arshad
Warsi,
Ayesha
Takia,
Irrfan
Khan,
and
Anjana
Sukhani.
Also,
it
comes
after
Zameen
and
Golmaal,
two
diverse
films
by
the
young
film
maker.
With
composers
as
diverse
as
Sandeep
Chowta,
Suroor,
Daler
Mehndi,
Shibani
Kashyap,
Raghav
Sachar
and
Amar
Mohile
coming
up
with
a
song
apiece,
Sunday
raises
quite
some
hopes
as
one
plays
on
the
film's
soundtrack.
It
doesn't
take
beyond
a
few
seconds
to
get
your
neck
in
motion
as
the
beats
arrive
for
'Missing
Sunday'.
With
Earl
Edgar
chipping
in
with
his
occasional
rap-n-reggae,
Mahua
Kamath
(ex-VIVA
girl)
and
Suraj
come
together
in
this
groovy
track
by
Sandeep
Chowta
who
makes
a
comeback
on
Bollywood
OST
soundtrack
years
after
his
'Laila
Laila'
in
Samay
-
When
Time
Strikes.
As
such
the
track
has
a
very
few
lines
(written
by
Farhad
Sajid)
and
it
is
mainly
the
composition
with
long
standalone
musical
pieces
in
between
the
lines
which
makes
it
a
unique
experience.
Remix
version,
which
comes
next,
is
polished
further,
and
brings
with
it
a
different
rhythm,
styling,
and
groove.
If
the
opening
version
was
not
just
good
enough,
this
one
only
makes
Sunday
an
album
that
you
may
want
to
go
for
even
if
it
comprised
of
only
a
single
-
'Missing
Sunday'!
An
absolute
winner,
it
is
only
aided
further
by
an
innovative
music
video
that
makes
you
catch
the
number
umpteenth
number
of
times
as
it
arrives
on
the
telly!
Put
to
tune
by
'Suroor',
'Pyar
To
Hona
Hi
Hai'
which
follows
next
takes
a
completely
different
dimension
when
compared
to
the
title
song
and
turns
out
to
be
an
utterly
delicious
piece
of
melody
to
bite
on.
Written
by
Kamran
Bari
who
pairs
up
with
Mohammed
Ali
to
even
croon
the
track,
a
bona
fide
Pakistani
soft
track
is
impossible
to
resist.
A
beautiful
number
that
is
instantly
catchy
and
would
be
loved
not
just
by
the
followers
of
Pakistani
music
but
even
hardcore
Bollywood
buffs,
'Pyar
To
Hona
Hi
Hai'
is
a
sugar
coated
track
which
is
a
superb
track
that
one
gets
to
hear
before
year
end.
Kamran
Bari
is
excellent
in
his
rendition
as
a
young
man
who
is
realizing
the
essence
of
love
and
is
truly
enjoying
every
moment
spent
in
bliss!
For
a
song
like
this,
one
secretly
wishes
that
it
remains
untouched
with
no
remix
angle
given
to
it.
This
is
why,
there
are
apprehensions
galore
when
one
starts
lending
ear
to
the
'remix
version'
that
does
make
an
appearance
in
the
end.
Though
it
is
not
bad
at
all
in
spite
of
added
beats
and
pace
to
the
original,
one
is
tempted
to
go
back
to
the
original
any
time.
With
Daler
Mehndi's
name
staring
from
the
credits,
it
is
pretty
much
expected
that
there
would
be
a
fun
outing
in
the
offering.
This
is
exactly
the
case
as
'Loot
Liya'
comes
next.
After
a
groovy
track
('Missing
Sunday')
and
a
melodious
outing
('Pyaar
To
Hona
Hi
Tha'),
the
album
gains
from
the
range
provided
by
inclusion
of
multiple
composers
as
Daler
gets
into
a
duet
which
is
reminiscent
to
the
style
of
'Dil
Mein
Baji
Guitar',
a
Pritam
composition
from
Apna
Sapna
Money
Money.
A
non-stop
track
that
has
Sunidhi
Chauhan
pairing
up
with
Mehendi
(who
also
writes
the
song
in
collaboration
with
Farhad
Sajid)
and
has
'dhamaal'
written
all
over
it,
'Loot
Liya'
may
not
qualify
as
a
classic
track
in
the
making
but
does
well
to
keep
the
pace
of
the
album
going
due
to
the
fun
quotient
it
promises
for
the
masses.
Composer/singer
Shibani
Kashyap
along
with
lyricist
Virag
Mishra
had
created
a
rocking
'Zinda
Hoon
Main'
exactly
two
years
back.
The
team
returns
to
compose
yet
another
dark
track
'Kashmakash'
that
again
takes
a
similar
pitch
and
setting
while
creating
an
intriguing
feel.
A
situational
track
which
doesn't
make
one
croon
it
around
loud
on
the
streets
but
still
creates
curiosity
to
know
what
the
film
is
all
about,
'Kashmakash'
appears
to
be
the
item
song
choreographed
on
Esha
Deol
that
may
appear
around
the
film's
climax
as
the
secrets
unfold
and
hidden
skeletons
tumble.
DJ
Suketu's
exciting
'remix
version'
only
aids
in
ensuring
retention
value
for
the
song.
Now
this
is
a
song,
which
could
be
a
potential
chartbuster
if
treated
well!
Raghav
Sachar,
who
has
his
own
style
of
composition
while
mixing
western
sounds
with
Indian
feel
(as
witnessed
last
year
in
Kabul
Express
and
some
of
his
private
albums),
creates
'Manzar'.
It
picks
up
heat
after
a
few
lines
set
the
pace
for
things
to
follow,
as
has
been
the
composer/singer's
style
and
takes
some
exciting
twists
and
turns
throughout
it's
near
four
minute
duration.
Written
by
Aditya
Dhar,
this
should
be
a
song
to
watch
out
for
as
one
waits
to
see
how
the
choreographer
has
treated
this
high-on-beats
number.
Amar
Mohile,
who
has
been
a
regular
(quite
successfully)
in
the
background
music
scheme
of
things,
is
the
man
behind
composing
'Sunday
-
Theme'.
With
a
slight
oriental
feel
to
it,
this
theme
track
is
created
entirely
in
English
and
has
Joy
(who
also
writes
the
song)
coming
together
with
Clint
for
the
rendition.
A
fast
paced
track
that
is
being
heard
along
with
the
film's
promos
ever
since
they
were
first
aired
around
three
weeks
back,
'Sunday
Theme'
is
urban,
young,
spicy,
enthralling
and
quite
entertaining.
Watch
out
for
the
way
'bhangra
beats'
is
incorporated
at
places
without
turning
it
into
an
out
and
out
Punjabi
outing!
Sunday
is
the
last
album
to
be
released
in
2007
and
ends
the
year
on
a
happy
note
after
a
long
draught
that
has
been
witnessed
due
to
lack
of
any
notable
score.
If
title
song
'Missing
Sunday'
is
a
major
good
enough
reason
to
go
for
the
album,
love
song
'Pyar
To
Hona
Hi
Hai',
a
masala
number
'Loot
Liya',
theme
track
'Sunday
Theme'
along
with
item
numbers
'Kashmaksh'
and
'Manzar'
only
add
on
many
more
reasons
to
rejoice.