Films
with
glamour
and
entertainment
industry
as
a
backdrop
are
in
vogue.
If
2007
had
Om
Shanti
Om
and
Khoya
Khoya
Chand
with
Bollywood
as
a
backdrop,
in
2008
we
have
already
seen
Halla
Bol
and
My
Name
Is
Anthony
Gonsalves
as
the
two
releases
that
had
liberal
dose
of
Bollywood
references
to
it.
And
upcoming
films
like
Superstar,
Mithya,
and
Fashion
would
only
be
taking
this
trend
forward
this
year.
Directed
by
Rohit
Jugraj,
who
had
made
his
debut
with
action
flick
James,
Superstar
belongs
to
the
light
hearted
entertainer
genre
and
paves
the
way
for
the
first
ever
double
role
performance
of
Kunal
Khemu.
However,
when
it
comes
to
the
film's
music,
one
is
a
little
apprehensive
because
except
for
a
handful
of
numbers,
composer
Shamir
Tandon
doesn't
quite
boast
of
an
interesting
repertoire
in
spite
of
making
a
mark
years
back
with
'O
What
A
Babe'
(Rakht).
Shabbir
Ahmed
has
written
the
lyrics.
Opening
track
'Dont
I
Love
Or
Do
I
Love
U'
carries
a
jingle
feel
to
it
and
in
spite
of
being
embedded
with
groovy
hip-hop
elements,
it
doesn't
quite
make
you
go
'wow'
in
the
very
first
listening.
Adnan
Sami's
lazy
style
of
singing
may
have
worked
(rightly
so)
with
the
number
of
songs
in
the
past
but
in
case
of
'Dont
I
Love
Or
Do
I
Love
U',
the
effort
doesn't
really
pay.
In
fact,
it
is
the
arrival
of
Sunidhi
Chauhan
which
gets
some
spunk
going
for
the
song,
but
overall
the
song
just
remains
ok
-
neither
a
put
off
nor
the
kind
which
you
would
love
to
play
in
a
repeat
mode.
Hamza,
composer
Mithoon's
discovery,
who
was
last
heard
in
Aggar,
gets
his
biggest
ever
break
as
his
solo
track
'Man
Tu
Talbat'
has
as
many
as
four
different
versions
dedicated
to
it.
Based
on
a
Middle
East
tune
with
some
part
of
the
song
even
carrying
Arabic/Persian
lyrics,
'Man
Tu
Talbat'
has
a
truly
different
(and
unconventional)
tune,
especially
during
the
mukhda.
A
mix
of
Hindi
and
English
lyrics,
later
the
song
is
a
unique
experience
in
itself
and
if
associated
with
a
good
music
video
it
has
a
potential
to
go
a
long
distance.
Man
Tu
Talbat'
is
a
kind
of
song
which
Emraan
Hashmi
would
have
loved
to
pounce
on
with
the
combination
of
unconventional
voices
of
Hamza
and
Shamir
Tandon's
orchestra
and
Shabbir
Ahmed's
lyrics,
it
turns
out
to
be
the
highlight
of
the
album.
This
is
the
reason
why
after
it's
original
version,
it
appears
in
a
high
voltage
'remix
version'
that
takes
the
song
to
a
different
level
altogether.
Further
consolidating
the
song's
retention
power,
the
'remix
version'
is
followed
by
an
'Electro
Mix',
which
continues
to
keep
the
excitement
on.
From
the
dance
floors,
one
heads
for
a
lounge
outing
with
this
version
which
has
a
wonderful
prelude
to
it
(lasting
an
entire
minute)
before
Hamza's
voice
is
heard
from
a
distance.
'Spansih
Mix'
is
the
last
to
come,
which
takes
a
livelier
approach
and
carries
a
carnival
feel
to
it.
Rekha
Bhardwaj
(of
'Namak
Issak
Ka'
-
Omkara
fame)
in
a
Rohit
Jugraj
film?
Now
that's
quite
a
surprise
considering
the
genres
which
the
two
artists
operate
in,
do
not
quite
converge,
at
least
on
paper.
Further
surprise
is
to
hear
the
vocals
of
Ustad
Sultan
Khan
and
once
as
a
listener
you
have
adjusted
to
this
fact
of
getting
two
classically
proficient
performers
on
the
same
platform,
it
is
time
to
get
attuned
to
this
Shamir
Tandon
composition
titled
'Aankohn
Se
Khwab
Rooth
Kar'.
A
ghazal
which
takes
a
complete
tangent
from
the
groovy
world
of
'Dont
I
Love
Or
Do
I
Love
U'
and
the
rocking
item
number
'Man
Tu
Talbat',
'Aankohn
Se
Khwab
Rooth
Kar'
only
takes
the
album
further
up
and
makes
one
look
in
awe
at
the
kind
of
range
which
the
soundtrack
of
Superstar
carries.
With
Western
arrangements
taking
this
classical
composition
forward,
Shamir
Tandon
does
a
fantastic
job
in
making
this
raaga
based
song,
which
would
make
for
a
lovely
hearing
in
the
dead
of
the
night.
Highly
recommended
for
those
with
a
classical
bent.
An
'Ambient
Mix'
of
the
same
track
comes
towards
the
album's
end
and
has
Ustad
Sultan
Khan
starting
the
proceedings
this
time
around.
Shabbir
Tandon's
poetry
is
in
full
motion
in
'Ajnabi',
which
follows
next.
Based
mainly
on
guitar,
this
track
sung
by
newcomer
Raaj
has
a
Western
theme
and
feel
to
it.
A
love
song,
it
reminds
one
of
the
musical
styles
of
the
50's
and
the
60's
when
songs
with
a
jazz
base
like
this
were
a
vogue
with
the
likes
of
Biswajeet,
Joy
Mukherjee,
and
Shammi
Kapoor.
As
one
listens
to
the
voice
of
Raaj
closely,
one
realizes
that
at
places
he
touches
upon
notes,
which
are
similar
to
the
singing
style
of
SP
Balasubramaniam.
Boasting
of
an
old
world
charm,
'Ajnabi'
adds
on
to
the
variety
of
Superstar
while
a
classily
shot
music
video
only
adds
to
the
appeal
further.
Old
world
charm
is
visible
yet
again
in
'Rafa
Dafa'
which
has
a
team
of
singers
coming
together
in
the
form
of
Shaan,
Kunal
Ganjawala,
Sanjeevani,
Amrita
Kak
and
Shaila.
A
groovy
dance
number,
the
song
has
a
nursery
rhyme
feel
to
it,
especially
established
through
the
arrangements.
A
situational
track,
it
traverses
a
listener
to
a
carnival
atmosphere.
In
fact,
during
the
song,
one
is
half
lead
to
believe
that
'Rafa
Dafa'
could
well
have
been
tailor-made
for
Saif
Ali
Khan,
mainly
due
to
presence
of
Shaan
in
the
song.
In
the
album's
end
comes
a
one
minute
'Dance
Piece'
which
moves
at
a
non-stop
pace
and
automatically
promises
to
make
a
listener
hit
the
dance
floor
when
the
music
is
on
at
a
loud
volume.
Ever
since
the
release
of
Rakht,
composer
Shamir
Tandon
had
only
flattered
to
deceive
when
it
came
to
his
Bollywood
soundtracks.
Page
3,
Umar,
Corporate,
Undertrial,
Traffic
Signal,
Red
Swastik,
Bal
Ganesha
-
none
of
these
had
a
complete
feel
to
it
though
he
did
have
a
song
or
two
which
worked
in
these
films
as
well.
However,
in
case
of
Superstar
he
moves
quite
a
few
notches
up,
especially
with
'Man
Tu
Talbat',
which
is
an
out
and
out
chartbuster
in
the
making
if
handled
well,
and
marketed
aggressively.
Though
'Dont
I
Love
Or
Do
I
Love
U'
and
'Rafa
Dafa'
make
for
an
ordinary
hearing,
'Aankohn
Se
khwab
Rooth
Kar'
and
'Ajnabi'
provide
a
good
range
to
the
soundtrack.