EXPECTATIONS
A
film
with
weddings
as
the
backdrop.
A
young
couple.
North
India.
Yash
Raj
Films.
Fun.
Frolic.
Colours.
Celebrations.
Band.
Baaja.
Baaraat.
With
elements
like
these,
what
else
do
you
expect
but
a
rollicking
music
score
that
doesn't
let
the
fun
element
drop
down
even
for
a
single
moment.
Films
belonging
to
similar
genre,
Dil
Bole
Hadippa
and
Badmaash
Company,
had
music
by
Pritam.
However
this
time
around,
YRF
has
entrusted
composer
duo
of
Salim-Sulaiman
and
lyricist
Amitabh
Bhattacharya
to
do
the
needful.
Do
they
deliver?
Of
course
yes
and
in
fact
a
lot
more.
MUSIC
It's
a
Dev
D
kind
of
a
start
(hence
reminding
of
Amit
Trivedi's
style
of
composition)
with
'Ainvayi
Ainvayi'.
However,
one
minute
into
the
song
and
you
know
that
there
is
going
to
be
no
turning
back
for
Salim-Sulaiman
as
they
get
the
Punjabi
milieu
bang
on
for
this
club
dance
track
that
gets
on
you
by
the
time
you
are
just
in
the
middle
of
the
track,
let
alone
finishing
hearing
the
entire
song.
Salim
Merchant
and
Sunidhi
Chauhan
are
totally
engrossed
into
the
song
as
one
can
visualise
them
dancing
and
not
just
singing
'Ainvayi
Ainvayi'
which
has
chartbuster
written
all
over
it.
Add
to
that
some
fun
lyrics
by
Amitabh
Bhattacharya
and
you
know
that
you
won't
have
enough
of
this
song
even
after
you
are
through
hearing
its
'Dilli
Club
Mix'
track
that
has
Master
Salim
pairing
up
with
Sunidhi
Chauhan.
The
way
'Tarkeebein'
begins,
you
know
that
it
is
a
Yash
Raj
composition,
especially
the
kind
that
one
associates
with
their
urban
flicks
now.
There
is
a
certain
classy
feel
to
the
proceedings
as
Salim-Sulaiman
put
together
a
tune
for
singer
Benny
Dayal
as
they
pair
up
to
get
a
new
age
mood
bang
on.
With
Salim
also
joining
Benny
behind
the
mike,
'Tarkeebein'
has
a
slightly
haunting
feel
to
it
with
an
A.R.
Rahman
touch
as
well
which
makes
it
sound
totally
different
from
'Ainvayi
Ainvayi'.
With
the
album
turning
out
to
be
pretty
good
so
far,
one
starts
searching
for
some
more
chartbusters
in
the
album
as
expectations
continue
to
soar
with
every
passing
song.
Thankfully
one
gets
that
as
well
with
Shreya
Ghoshal
(along
with
Natalie
Di
Luccio)
bringing
on
a
slight
Westernised
accent
for
'Aadha
Ishq'
which
is
yet
another
song
that
belongs
to
today's
times.
A
love
song
with
an
urban
touch
to
it,
it
has
the
kind
of
sound
that
one
expects
from
Salim-Sulaiman.
Yet
another
song
that
impresses
in
Band
Baaja
Baaraat
and
also
conveys
loud
and
clear
that
the
soundtrack
isn't
just
another
Punjabi
compilation,
'Aadha
Ishq'
makes
it
three
out
of
three
for
Band
Baaja
Baaraat.
Thankfully,
the
breaks
aren't
applied
at
this
point
with
the
album
continuing
to
present
songs
with
good
potential
to
turn
popular
in
days
to
come.
'Dum
Dum'
is
one
such
song
that
has
a
rhythmic
appeal
to
it
which
just
like
'Ainvayi
Ainvayi'
should
go
down
well
with
the
masses.
Reminding
of
the
kind
of
soundtrack
that
Yash
Raj
Films'
earlier
presentation
Jhoom
Barabar
Jhoom
boasted
of,
'Dum
Dum'
is
a
fun
track
by
Benny
Dayal
and
Himani
Kapoor
which
gets
the
feet
tapping.
However,
it
is
the
'Sufi
Mix'
version
with
coming
together
of
Sukhwinder
Singh
and
Himani
Kapoor
which
actually
makes
you
reach
out
for
that
dance
floor.
Credit
of
course
goes
to
Sukhwinder
here
who
gets
his
experience
in
play
here
to
make
a
good
tune
sound
very
good
here,
courtesy
his
energetic
rendition.
With
so
much
happening
in
the
album,
whether
through
celebration,
love
or
dance
numbers,
it
is
time
to
bring
on
some
'thehrav'
and
that
comes
in
via
'Mitra'.
Yet
another
classy
outing,
this
one
has
a
sad
theme
to
it
but
still
doesn't
sound
like
a
drag
at
all.
Coming
together
of
Amitabh
Bhattacharya
and
Salim
Merchant
(as
singers)
is
a
unique
combination
in
itself
and
it
works
for
this
track,
which
despite
its
situational
appeal,
doesn't
restrict
its
reach
to
only
the
film's
narrative
and
can
be
given
a
listening
as
a
standalone
track
as
well.
The
album
approaches
its
end
with
expectedly
a
Punjabi
celebration
track.
The
right
man
is
chosen
for
the
job,
Labh
Janjua,
who
comes
along
with
Harshdeep
Kaur
and
Salim
Merchant
to
croon
the
folk
track
'Baari
Barsi'.
If
you
are
a
Punjabi
or
have
ever
been
to
a
single
Punjabi
pre-wedding
celebrations,
you
wouldn't
have
missed
out
on
this
track
which
is
pretty
much
mandatory.
The
song
works
again
even
in
the
context
of
the
film
and
you
can
pretty
much
see
this
song
gaining
into
a
wedding
DJ's
compilation.
Last
to
arrive
is
'Band
Baaja
Baaraat
-
Theme'
which
has
trumpets
forming
a
major
part
of
the
two
minute
long
composition.
Salim
Merchant
and
Shraddha
Pandit
come
together
for
this
immensely
catchy
tune
that
can't
get
out
of
your
head
after
you
have
heard
it
once.
This
is
the
kind
of
tune
that
can
just
be
let
loose
for
any
wedding
celebrations
in
the
repeat
mode
and
the
dancers
can
take
care
of
the
rest.
OVERALL
One
of
the
better
soundtracks
that
one
has
heard
from
the
house
of
Yash
Raj
Films
in
last
couple
of
years,
Band
Baaja
Baaraat
is
also
one
of
the
best
works
of
Salim-Sulaiman
along
with
lyricist
Amitabh
Bhattacharya.
Since
the
film
boasts
of
a
young
couple,
music
anyways
plays
an
important
part
in
the
narrative,
something
that
the
team
succeeds
in
doing
a
good
job
with.
Band
Baaja
Baaraat
is
much
more
than
just
a
regular
fun
album
and
has
more
than
just
a
couple
of
songs
that
carry
a
potential
to
be
popular
for
weeks
even
after
the
film's
run
is
through
in
theaters.
Story first published: Friday, November 12, 2010, 16:47 [IST]