Expectations:
One
looks
forward
to
getting
surprised
with
the
soundtrack
of
Yeh
Saali
Zindagi.
After
all
the
film
has
been
directed
by
Sudhir
Mishra
whose
films
invariably
boast
of
good,
though
different,
music.
They
may
or
may
not
find
instant
appeal
but
then
they
are
remembered
long
after
the
film
has
come
and
gone.
Case
in
point
being
Is
Raat
Ki
Subah
Nahi,
Chameli
and
of
course
Hazaron
Khwaishein
Aisi.
His
last
release
Khoya
Khoya
Chand
may
not
be
playing
till
date
while
Tera
Kya
Hoga
Johny
never
saw
a
release.
Still
one
definitely
wants
to
check
out
what
does
first
time
composer
Nishat
Khan
have
to
offer
here
along
with
lyricist
Swanand
Kirkire.
Music:
As
expected,
it's
the
title
song
'Yeh
Saali
Zindagi'
which
kick
starts
the
proceedings
in
the
album.
A
rare
track
that
features
both
Sunidhi
Chauhan
and
Shilpa
Rao,
it
by
itself
becomes
special
due
to
these
two
singers
with
a
distinct
voice
coming
together
behind
the
mike
along
with
Kunal
Ganjawala.
A
track
that
starts
off
as
a
soft
track,
it
picks
up
pace
within
a
minute
to
give
it
a
pacy
feel,
only
to
return
into
being
a
slow
number
all
over
again.
With
hevay
Western
influence
to
it,
'Yeh
Saali
Zindagi'
is
a
well
written,
composed
and
sung
track
that
delivers
what
one
expected
from
the
soundtrack
of
this
Sudhir
Mishra
film.
Due
to
it
being
a
superb
composition
in
the
offing,
Yeh
Saali
Zindagi
deservingly
finds
two
more
versions
going
for
it
in
the
album.
While
one
of
them
is
an
all-female
version
with
Sunidhi
and
Shilpa
pairing
up
all
over
again,
there
is
also
a
bonus
version
with
Abhishek
Ray
going
solo.
While
the
former
follows
the
same
mood
and
form
as
the
one
that
was
heard
earlier
at
the
beginning
of
the
album,
the
latter
is
a
funky
version
which
takes
a
different
texture
altogether.
Though
the
male
version
(with
quite
a
few
English
lyrics
in
it)
isn't
bad,
one
would
still
want
to
go
back
to
the
original
for
its
intrinsic
quality
appeal
to
it.
Just
when
one
thought
that
composer
Nishat
Khan
would
keep
Yeh
Saali
Zindagi
in
an
offbeat
zone
comes
a
celebration
track
in
the
form
of
'Sararara'.
The
kind
of
song
which
can
be
comfortably
slotted
into
a
quintessential
Bollywood
track
which
is
set
in
a
'ched
chaad'
mode,
especially
during
the
festivities
of
'Holi',
'Sararara'
is
heard
twice.
While
the
first
is
helmed
by
Sukhwinder
Singh,
the
second
version
has
Javed
Ali
taking
charge
and
doing
quite
well
too.
A
decent
sounding
track
which
doesn't
quite
have
a
long
lasting
appeal
to
it
and
seems
to
have
been
included
primarily
for
reasons
leading
to
commercial
appeal,
'Sararara'
should
do
well
with
the
film.
The
moment
Shilpa
Rao
goes
'tu
ru
ru
ru
ru',
one
knows
that
here
is
one
song
which
one
was
expecting
from
Yeh
Saali
Zindagi
especially
after
listening
to
the
title
track.
'Dil
Dar-Ba-Dar'
has
a
fusion
appeal
to
it
with
elements
of
'sufi'
music
interspersed
with
Jazz
and
Blue,
hence
leading
to
an
interesting
composition
in
the
offing.
While
Javed
Ali
plays
a
supporting
role
in
the
song,
'Dil
Dar-Ba-Dar'
stays
on
to
be
entirely
a
Shilpa
Rao
track
that
can
be
heard
multiple
times
without
one
getting
tired
of
it.
Shilpa
Rao
and
Javed
Ali
return
with
'Ishq
Tere
Jalwe'
which
has
the
kind
of
start
that
reminds
one
of
'Bheegi
Bheegi
Si'
[Gangster].
Nevertheless,
the
moment
Javed
Ali
starts
his
rendition,
one
knows
that
'Ishq
Tere
Jalwe'
is
an
entirely
different
composition.
Though
the
song
starts
off
on
a
rather
average
note,
the
moment
there
is
emphasis
on
the
word
'Ishq'
followed
by
Shilpa's
arrival
behind
the
mike;
you
know
that
this
one
too
is
a
number
worth
listening.
Yet
again,
the
song
follows
the
same
mood
as
evidenced
in
Yeh
Saali
Zindagi
and
'Dil
Dar-Ba-Dar'
to
give
the
soundtrack
a
theme
appeal.
Finally
arrives
'Kaise
Kahein
Alvida'
which
is
a
Javed
Ali
solo.
This
one
takes
the
album
into
a
different
zone
as
it
has
an
Indian
classical
base
to
it
and
is
pretty
much
the
kind
of
track
that
lonely
lovers
listen
to
in
the
night.
If
you
are
looking
for
the
kind
of
song
which
has
an
elevating
appeal,
this
is
not
the
one.
However
for
those
searching
for
something
which
is
totally
non-filmy
and
can
be
played
on
in
a
repeat
mode
and
forgotten
after
the
lights
are
switched
off,
'Kaise
Kahein
Alvida'
should
do
well.
Overall
Yeh
Saali
Zindagi
isn't
the
kind
of
album
which
finds
instant
attention
for
itself,
courtesy
it's
unconventional
set
up.
Yes,
there
are
songs
out
there
which
do
impress
and
actually
come
with
a
long
lasting
appeal.
However
there
is
a
lot
that
depends
upon
the
appreciation
that
the
film
garners
at
the
box
office
or
later
through
word
of
mouth
amongst
the
audience,
something
that
resulted
in
Hazaron
Khwaishein
Aisi
become
a
cult
film
amongst
a
segment
of
audience.
Nishat
Khan
and
Swanand
Kirkire
do
well
but
one
has
to
wait
for
the
film
to
release
and
the
following
it
gets
before
his
music
can
be
termed
commercially
successful.
Our
Pick(S)
Yeh
Saali
Zindagi,
Dil
Dar-Ba-Dar
Story first published: Monday, January 31, 2011, 14:54 [IST]