Evano
Oruvan
is
the
fine
remake
of
Marathi
blockbuster
Dombivili
Fast
and
fortunately
it
is
the
first
film
for
Madhavan
as
a
producer.
Surely,
he
can
be
proud
for
producing
this
film
on
his
own
banner.
But
the
story
is
nothing
new
to
Tamil
Cinema.
Shankar
has
made
many
films
on
the
same
knot
that
is,
corruption
in
politics,
inefficient
police,
poor
health
services,
misappropriation
of
powers
and
malfunctioning
of
Govt
mechanism…
But
in
this
film,
the
director
convey
a
thing
very
strongly.
It
is
the
middle
class
mentality
of
blaming
others
but
lacking
guts
to
take
on
an
issue.
This
is
the
base
and
tone
for
the
entire
2
hours
movie.
Sridhar
Vasudevan,
a
typical
middle
class
Brahmin
Bank
employee,
who
runs
his
life
according
to
the
rule
book.
He
is
a
man
of
principles,
who
lives
with
his
wife
and
two
kids
in
Nanganallur,
a
Brahmin
pocket
on
the
outskirts
of
Chennai
and
travels
by
train
to
his
workplace.
Vasudevan's
life
is
a
mundane,
cycle
of
routine
events
for
years
and
he
has
to
struggle
each
minute
of
his
day
to
survive.
Just
because
of
his
honesty
and
hard
work,
he
earns
new
enemies
in
his
workplace.
His
wife
(Sangeetha)
always
criticizes
him
for
his
so
called
principles,
which
does
not
help
to
provide
any
positive
changes
in
their
life
style.
Sridharan
is
constantly
disturbed
by
the
corruptive
and
insensitive
local
administrative
system.
He
disagrees
with
the
long
waiting
in
the
line
for
getting
his
quota
of
drinking
water
from
tanker
lorry
and
refuses
to
pay
a
huge
amount
as
capitation
fee
for
the
admission
of
his
daughter
in
a
kinder
garden
school.
Finally,
he
bursts
out
and
shows
his
anger
towards
the
society.
He
erupts
as
he
decides
to
solve
all
the
problems
on
his
own
terms,
which
leads
to
a
riveting
climax.
Nishikanth
Kamath
has
successfully
depicted
the
pressure
undergone
by
an
ordinary
middle
class
citizen,
who
wants
to
live
according
to
the
laws
and
rules.
The
director
makes
his
hero
as
a
common
man,
who
suffers
with
all
kind
of
inabilities.
But
at
the
same
time,
the
film
raises
many
questions
in
the
mind
of
a
common
viewer.
Though
Sridharan's
violent
outburst
against
the
shop
owner,
who
takes
Rs
2
extra
per
bottle
for
serving
the
cool
drink
as
cool,
is
a
stupid
act,
it
can
still
be
accepted
as
an
emotional
outburst
of
a
terribly
disturbed
man.
But
the
stupidity
continues
and
the
film
moves
on
the
same
beaten
path.
The
film
struggles
to
move
ahead
after
a
point.
Madhavan
and
Seeman
keep
on
churning
out
thought
provoking
messages.
Seeman
and
Madhavan
get
full
marks
for
their
powerful
dialogues,
which
are
simple
but
more
meaningful.
The
wonderful
economy
of
expression
and
deliberate
silence
imbue
the
film
with
a
poetic
resonance.
Particularly,
Seeman
as
a
police
officer
with
heart
and
self
criticism
is
outstanding.
He
has
never
gone
overboard
and
his
dialogue
delivery
is
very
impressive
and
impactful.
His
successful
rendition
could
well
make
him
a
full
time
actor.
As
a
hero
of
the
movie,
Madhavan
has
done
his
job
commendably.
He
has
amazingly
handled
varied
emotions
of
agony,
despair,
and
anger.
He
has
successfully
underplayed
the
emotions
in
many
places.
His
outburst
in
the
midnight
scene
too
is
effective.
Sangeetha
has
once
again
proved
her
caliber.
She
has
handled
her
role
as
a
middle
class
housewife
with
ease.
Cinematographer
Sanjay's
camera
work
is
excellent
and
Amit
Pawar,
the
editor
of
the
film
has
made
the
movie
as
a
crispy.
Overall,
Nishikanth,
Madhavan
and
Seeman
have
made
their
sincere
and
heart
full
efforts
to
give
a
good
movie
to
the
viewers
and
their
sincerity
must
be
rewarded.
Verdict:
Good