By:
Settu
Shankar
Monday,
April
16,
2007
Cheran
is
known
for
his
realistic
screenplay
and
neat
presentation
in
Tamil
cinema
right
from
his
days
of
Barathi
Kannamma.
His
recent
films,
Autograph
and
Thavamai
Thavamirunthu
won
a
place
for
him
in
the
league
of
talented
directors
like
Bharathi
Raaja
and
Bakyaraaj.
But
in
Maayakannadi,
he
has
slipped
from
his
high-
profile
image
earned
through
his
previous
films.
It
is
a
disappointment
for
every
Cheran
fan
to
watch
the
bad
screenplay
and
an
unfit
role
for
the
actor.
Cheran
is
always
very
strong
in
handling
the
village-
based
middle
class
life
and
human
emotions
grounded
in
the
reality.
But
in
Maayakannadi,
he
tries
to
establish
himself
as
a
city
based
romantic
youth
with
coloured
hair,
wearing
designer
outfits,
and
singing
duets
in
Swiss
locations.
The
story
is
very
simple.
There
is
a
proverb
in
Tamil:
Seiyum
Thozhiley
Deivam.
One
should
be
honest
in
his
profession,
whatever
it
is.
It
is
the
one
line
message
of
the
movie.
There
is
nothing
wrong
in
selecting
this
theme
as
the
base
of
the
story.
But
the
treatment
of
the
screenplay
proves
to
be
Cheran's
Waterloo!
Kumar
(Cheran),
a
lower
middle
class
youth,
and
an
expert
hair
stylist
and
Maheswari
(Navya)
are
lovers
who
work
in
Adam
and
Eve,
adjacent
beauty
parlours
for
men
and
women
owned
by
Tirupathi
(Radha
Ravi),
who
is
honest
and
a
perfectionist
in
his
profession.
Both
are
from
a
similar
economic
background
and
are
smitten
by
the
rich
and
famous
VIPs
who
come
to
their
parlour.
The
lovers
dream
to
make
it
big
one
day,
be
rich,
and
lead
a
good
life.
They
try
out
various
get-rich
overnight
short-cut
routes
like
being
LIC
agents
and
finally
Kumar
decides
to
join
films
after
meeting
actor
Sarathkumar
(who
appears
in
a
guest
role)
who
induces
the
hope
in
Kumar
that
he
could
also
become
a
hero
if
he
acts
in
a
right
story.
After
hearing
this,
Kumar
doesn't
waste
a
moment
and
rushes
to
the
studios
of
Kodambakkam.
While
chasing
his
dream,
he
loses
his
job
and
delves
deeper
into
the
world
of
films.
His
lover
Maheshwari
extends
her
whole-hearted
support
to
him.
But
at
a
point
Kumar's
dream
chase
ends
while
working
for
Arasu,
a
drug
smuggler,
who
has
helped
Kumar
in
many
of
his
critical
situations.
The
net
result
is,
Kumar
ends
up
in
jail
and
after
three
years
he
comes
out
a
completely
changed
man.
Finally
he
goes
to
Radharavi,
and
requests
him
to
employ
him
in
his
shop
again!
The
first
scene
of
the
movie
creates
a
lot
of
expectation
from
the
director.
The
scene
goes
as
follows:
One
day,
two
lower
middle
class
lovers
go
to
ECR
Road
to
celebrate
their
weekend.
Within
a
few
minutes,
the
traffic
policeman
stops
them
and
demands
200
rupees
as
a
'fine'.
After
moving
a
barely
few
meters,
their
motorcycle
develops
a
snag.
The
mechanic
demands
20
rupees
extra
for
the
repair
work,
since
it
is
a
lovers'
bike!
After
overcoming
all
these
hurdles,
the
couple
enters
a
multiplex
(Mayajaal).
The
ticket
rates
force
them
out
of
the
multiplex.
Finally
they
decide
to
go
to
an
ordinary
theater
in
the
city
to
watch
a
movie.
After
waiting
in
the
queue
for
long
time,
the
counter
gets
closed
just
as
their
turn
comes.
The
helpless
lovers
spend
the
remainder
of
the
day
at
the
Marina
beach,
and
return
home
full
of
unfulfilled
wishes.
Cheran
has
tried
to
establish
his
views
on
how
liberalisation
has
brought
about
an
all-
pervasive
consumerism
into
the
lives
of
the
lower
middle
class
in
our
society.
In
their
greed
to
acquire
all
the
latest
gizmos,
the
young
generation
is
forgetting
their
roots
in
their
pursuit
of
impossible
dreams.
The
story
has
been
well
told.
Cheran's
intentions
are
noble
but
their
execution
has
gone
wrong,
as
the
insipid
love
scenes
between
the
lead
pair,
the
jail
episode,
and
the
drab
songs
test
your
patience
for
nearly
3
hours!
Navya
Nair
has
played
the
role
of
the
lead
lady.
She
has
excelled
in
her
role;
however,
it
is
Radharavi
who
steals
the
show
during
the
climax
with
his
mature
performance.
The
veteran
has
proved
himself
as
an
excellent
character
artist
once
again.
Film
Producer
Jayaprakash
has
made
a
remarkable
debut
as
an
actor
in
this
film.
His
cool,
silent
looks
tell
a
lot
to
the
viewers.
The
silver
lining
of
the
film
is
Ilayaraja's
hummable
songs.
Yele
nee
engey
Vandhey...,
Kaasu
Kaiyil
illenna...and
the
song
before
the
climax
all
prove
the
maestro's
fresh
approach
to
the
movie.
The
background
score
by
the
maestro,
in
particular,
has
given
a
new
dimension
to
many
scenes.
Cherans
message
to
the
viewers
is
that
the
road
to
success
is
full
of
hardships
and
it
does
not
come
in
a
day.
It's
better
to
strive
to
be
the
number
one
at
what
you
are
good
at,
rather
than
aspiring
to
be
somebody
else!
After
having
seen
the
film,
we
hope
that
the
director
too
applies
this
message
to
his
life
by
sticking
to
his
core
strength
of
direction
rather
than
dabble
at
roles
that
just
do
not
suit
him.
Better
luck
next
time
Cheran!