By:
Settu
Shankar
Tuesday,
September
18,
2007
Making
a
thriller
lovestory
is
not
an
easy
job
these
days.
Some
directors
tend
to
think
that
only
creating
some
special
effects
is
enough
to
make
a
thriller.
Vasanth
is
the
latest
entrant
in
the
league
of
such
directors,
and
his
recently
released
Satham
Podathey
seems
to
be
a
half-hearted
attempt,
leaving
an
unpleasant
experience
in
the
minds
of
the
audience.
Only
due
to
the
peppy
musical
score
by
Yuvan
and
enthusiastic
acting
of
Prithviraj,
the
hapless
viewers
remain
on
their
seats
with
utmost
patience.
There
is
nothing
special
in
the
story
(but
the
director
had
earlier
claimed
that
it
is
based
on
a
real
life
story
which
happened
in
Andhra).
Bhanu
(Padmapriya),
gets
married
to
Ratnavel
(Nitin
Sathya)
a
guy
who
works
in
railways
as
he
is
a
sportsman.
But
soon
the
relationship
turns
sour,
when
the
couple
realize
after
an
alcoholic
rehabilitation
forum
member
(Nasser)
tells
the
wife
that
Ratnavel
is
an
impotent
man.
Inspite
of
family
pressures
to
get
a
mutual
divorce,
the
tradition
bound
Bhanu
adopts
a
child
and
doesn't
break
away
from
the
marriage.
But
with
the
arrival
of
the
baby,
Ratnavel
becomes
more
insecure
and
tells
her
that
the
child
reminds
him
about
his
weakness.
Immediately,
Bhanu
decides
to
return
the
child
but
when
she
realizes
that
her
husband
was
an
alcoholic
who
knew
about
his
impotency
and
had
betrayed
her,
she
walks
out
on
him.
Bhanu's
brother
makes
all
his
efforts
to
get
her
approval
for
a
second
marriage.
He
tries
to
play
the
cupid
by
arranging
meetings
for
her
with
Ravichandiran
(Prithviraj)
a
happy-go-lucky
person,
and
as
a
result
Bhanu
enters
into
a
new
marital
bliss
with
Ravichandiran.
But
Ratnavel,
who
had
vowed
to
make
life
miserable
for
Bhanu,
returns.
He
kidnaps
Bhanu
(the
idea
is
very
foolish)
and
keeps
her
under
his
custody
in
a
sound-
proof
concealed
room.
The
remaining
part
of
the
film
is
a
depiction
of
how
the
hero
saves
his
wife
from
her
ex-husband.
Directors
like
Vasanth
should
at
least
watch
some
of
the
acclaimed
Tamil
thrillers
like
Manivannan's
Nooravathu
Naal
or
K.Bhagyaraj's
Hindi
blockbuster
Aakhri
Raasta
to
learn
how
to
make
a
typical
Tamil
thriller!
Vasanth
has
committed
a
lot
of
logical
mistakes
in
the
script.
It
seems
that
the
director
has
reposed
a
lot
of
faith
in
his
so
called
'sound
proof'
technique
rather
than
on
his
script!
Is
it
possible
for
one
to
leave
one's
wife
screaming
in
pain
in
a
soundproof
room,
while
doubtfully
looking
the
other
way?
How
could
an
unknown
person
come
to
one's
house
with
a
big
mortuary
van,
drop
a
dead
body,
and
kidnap
a
woman
after
setting
the
house
on
fire
with
the
help
of
a
gas
cylinder?
How
come
nobody
witnesses
such
a
heinous
crime
committed
in
the
busy
area
like
Palavakkam,
as
has
been
shown
in
the
movie?
The
first
part
of
the
movie
moves
as
slowly
as
a
mega
serial
and
the
second
part
become
a
big
test
for
the
viewer's
patience.
The
director
makes
real
mockery
of
the
climax
when
he
tries
to
justify
the
happenings
in
Ratnavel's
life.
Yuvan's
music
composition
is
good
and
is
the
saving
grace
for
the
movie
for
15
to
20
minutes.
Songs
like
Azhagu
Kutty
Chellam…
and
Pesugiren,
Pesugiren…
are
a
class
apart,
but
their
placing
in
the
film
could
have
been
better,
and
they
end
up
further
slowing
down
the
pace
of
the
film.
Prithviraj
has
done
his
part
well,
and
Nitin
Sathya
needs
a
special
mention
for
doing
the
role
of
a
semi-
psychotic.
Padmapriya
doesn't
entice
the
viewers
in
any
way.
In
a
few
scenes,
she
looks
aged
and
brash
which
doesn't
do
justice
to
her
portrayal
as
an
innocent
village
girl
in
the
movie.
All
in
all,
watching
this
film
is
sheer
wasteage
of
one's
precious
time!
Verdict:
Irritating!
Credits:
Movie:
Satham
Podathey
Cast:
Prithviraj,
Padmapriya,
Nitin
Sathya
and
Ragavan
Music:
Yuvan
Shankar
Raja
Director:
Vasanth
Producer:
Kaivalliya