By:
Settu
Shankar
Friday,
May
04,
2007
Just
imagine
about
the
land
of
the
Tamil
people
without
a
saviour
like
Periyar...it
is
simply
inconceivable!
E.V.
Ramasamy,
popularly
known
as
Periyar
gave
an
identity
and
a
sense
of
self-respect
to
the
suppressed
people
in
a
fascist
social
environment.
If
a
youngster
cares
to
go
through
the
life
history
of
the
revolutionary
leader,
he
might
be
spared
many
grievous,
sleepless
nights
due
to
his
ignorance
on
the
champion
of
the
helpless,
backward
people.
Periyar
was
not
just
an
individual
but
is
an
ageless
ideology
for
the
down-trodden
masses.
He
was
the
real
crusader
against
all
the
prevalent
social
disparities
and
evils
in
the
name
of
religion
and
god.
In
the
present
cosmopolitan
world
of
the
pizzas
and
hamburgers,
we
don't
really
know
much
about
the
pains
of
untouchablity,
human
slavery
and
the
grief
of
suppressed
women
in
the
society.
Thanks
to
Periyar
and
his
comrades,
they
laid
a
strong
foundation
for
the
abolishment
of
all
these
social
evils.
Periyar,
the
man
with
a
silver
beard
and
a
noble
heart
was
one
of
the
chief
architects
in
the
reconstruction
of
Indian
society.
Right
from
the
beginning,
Periyar
predominantly
fought
against
the
Brahmins
who
were
the
chief
cause
of
imbalances
in
the
society.
Moreover,
he
was
the
only
reformist
to
compel
the
backward
people
to
emerge
out
of
their
own
caste
set-up.
He
sacrificed
his
entire
political
career
for
the
sake
of
the
implementation
of
reservation
for
the
backward
and
scheduled
caste
people.
He
refused
the
chair
of
Chief
Ministership
twice,
and
vowed
to
keep
himself
away
from
any
form
of
govt.
or
political
post.
It
is
a
hard
task
to
present
a
larger
than
life
persona
of
a
legendary,
revolutionary
and
a
visionary
leader
like
Periyar
in
a
3-
hour-
long
celluloid
drama.
Once,
Dr.M.Kalaignar
Karunanithi,
one
of
the
disciples
of
Periyar,
mentioned
in
the
preface
of
his
book
'Explanation
to
Thirukkural'
that
his
efforts
in
giving
a
new
meaning
to
the
Thirukkural
was
like
draping
a
golden
shawl
around
the
great
Himalayas.
The
film
on
Periyar
honours
him
in
a
similar
but
sensible
way!
Director
Gnanarajasekaran
has
weaved
the
script
including
all
important
historical
events
that
occurred
during
Periyar's
life,
without
missing
out
on
or
messing
up
with
any
facts.
He
has
duly
honoured
a
real
crusader
in
the
history
of
modern
India.
The
ardent
functionaries
or
followers
of
Periyar
can
find
one
thing
clearly;
the
director
has
discreetly
kept
himself
away
from
any
controversial
event
associated
with
Periyar.
He
just
makes
a
mention
of
all
such
issues
in
the
film
and
has
thus
avoided
precipitating
further
caste
animosity.
If
he
had
picturised
the
event,
often
quoted
by
Periyar
as
'the
most
important
one'-
the
slapping
of
the
Pillayar
and
Krishnar
idols
with
chappals,
it
might
have
caused
a
furore
in
the
state.
He
may
have
diplomatically
avoided
such
controversies
through
his
mature
approach,
but
nevertheless,
it
has
prevented
the
present
generation
from
knowing
about
Periyar's
aggressive
approach
towards
the
caste
system
and
Manu
Dharma.
The
Story:
There
is
no
need
for
a
briefing
about
the
life
history
of
the
father
of
the
self-
respect
movement.
Periyar
was
born
in
Erode,
and
was
the
son
of
a
businessman
Venkatappa
Naicker.
His
life's
sole
mission
was
preaching
and
inculcating
right
moral
values
in
others,
which
he
started
at
the
tender
age
of
19.
Hailing
from
a
very
small
town,
he
went
on
to
become
a
person
of
national
prominence.
Until
his
last
breath,
Periyar
continued
his
crusade
against
the
brahmins
and
brahmanism.
At
the
same
time
he
never
emphasised
the
killing
of
all
brahmins
to
bring
about
equality.
He
only
said
that
a
brahmin
should
give
up
his
feeling
of
superiority,
and
try
to
treat
everyone
with
respect
and
a
sense
of
equality.
In
the
last
scene
when
he
is
on
the
deathbed,
he
is
shown
as
saying
:
"I'm
leaving
the
world
with
an
unfulfilled
wish.
I
did
not
come
to
the
world
to
fight
with
a
tiny
group
or
break
the
stone
sculptures
of
the
so-called
gods.
It
has
been
my
everlasting
grief
that
I'm
leaving
my
people
with
the
stamp
of
Manu
Sutras
or
Panchamas
on
them.
It
should
be
erased
completely,
and
then
only
my
people
can
enjoy
real
social
freedom.
If
that
ever
happens,
it
will
be
the
happiest
day
for
me...'
The
viewers
in
the
auditorium
watched
this
last
scene
with
tears
in
their
eyes;
one
person
actually
cried
out
loudly,
and
left
the
hall
in
mournful
silence.