One
should
really
need
a
brave
heart
to
taste
and
tolerate
this
Commercial
Panchamirtham
prepared
by
Perarasu.
This
time
also,
Perarasu
takes
a
story
that
is
often
beaten
by
Tamil
film
makers
from
the
sixties.
The
hero
kills
his
father's
paramour
at
age
of
10
to
save
his
mother's
life.
After
completing
jail
terms,
he
finds
that
his
sister's
husband
is
also
having
an
illegal
wife
(chinna
veedu)
and
betraying
his
legal
wife.
Again
the
hero
takes
the
knife
and
kills
Chinna
Veedu
of
his
uncle
to
save
his
sister's
life
and
goes
to
the
jail.
It
seems
that
the
hero's
main
duty
is
killing
the
illegal
wives
of
his
relatives!
Bharath
always
has
the
image
of
boy
to
the
next
door,
which
very
much
helps
him
to
do
the
soft
roles
with
ease.
But
in
Pazhani,
Perarasu
has
tried
to
show
this
boy
as
an
action
hero,
who
is
capable
to
do
any
brave
things.
In
many
scenes,
this
effort
turns
as
comic
and
senseless.
In
most
of
the
scenes,
Bharat
does
what
Vijay
and
Ajith
did
in
Perarasu's
earlier
films!
The
crude
and
meaningless
punchy
dialogues
and
untiming
Kuthu
songs
make
the
film
as
real
mess.
Kajal
Agarwal,
the
debutante
heroine
looks
nice
but
she
has
hardly
anything
to
do
except
dancing
in
few
meaningless
Kuthu
songs.
Khushboo
just
appears
in
most
of
the
scenes
ideally
as
a
big
wax
doll.
Her
role
as
a
victim
of
rude
husband
is
not
convinced
to
anyone
or
earn
the
sympathy
from
the
viewers.
Aishwarya
is
simply
irritating
with
her
bad
voice
and
ugly
body
languages!
Perarasu
knows
well
that
there
is
no
need
for
a
separate
comedy
track
in
this
film,
because
his
punch
lines
serve
the
needful
in
this
comedy
lagged
script!
There
is
nothing
special
in
Srikanth
Deva's
commercial
score.
It
is
very
clear
that
the
director
aims
to
cash
the
interest
of
B
and
C
audience
through
Pazhani.
But
mind
it,
the
people
from
B
and
C
centers
also
literally
improved
a
lot
now
and
no
long
a
filmmaker
like
Perarasu
can
survive
with
this
kind
of
poor
Masala!