Sundar
C,
the
director
known
for
his
commercial
success
with
low
budget
mass
masala
flicks,
has
now
established
himself
as
a
successful
commercial
hero
too.
In
his
earlier
two
movies
as
hero,
he
has
acted
in
sensible
roles.
Now
in
Sandai,
Sundar
becomes
takes
on
a
role
of
a
full
-
fledged
hero
and
delivers
a
mass
flick
with
comedy,
sentiment
and
illogical
action
scenes.
The
film
has
been
received
well
by
the
B
and
C
audiences
with
whistles
and
claps.
Of
course,
compared
with
the
so
called
A
class
audiences,
the
B
and
C
audiences
are
the
better
customers
who
always
get
their
tickets
for
a
good
price
and
never
expects
complementary
tickets.
May
be
that
is
the
reason
why
Shakthi
Chidambaram
is
always
sticking
to
such
type
of
masala
films.
Like
the
tag
line
given
against
the
film's
title,
Sanda
is
an
action
thiruvizha
set
in
a
village.
There
is
nothing
new
in
the
story
and
we
have
seen
similar
kind
of
stories
in
Rajini's
Maappillai,
Mannan
and
KB's
Poova
Thalaya.
Story:
Thangalakshmi
(Nadhia)
is
a
rich
business
woman
living
in
Bangkok
who
has
planned
to
marry
her
daughter
off
to
Abhi
(Ragini)
to
another
rich
man's
son.
But
she
wishes
to
comduct
the
marriage
in
Kothamangalam,
her
native
village
near
Coimbatore.
She
wants
to
take
revenge
on
her
relatives
and
her
brother
(Lalu
Alex)
who
she
feels
was
responsible
for
killing
her
husband
a
former
collector
(Nepolean)
for
not
giving
permission
to
run
his
school.
In
her
village,
some
of
the
gundas
try
to
attack
Tahnagalakshmi
and
her
daughter.
Help
is
at
hand
for
her
when
Sundar
C(Kathir)
comes
in
and
saves
the
day.
She
immediately
appoints
him
to
be
her
daughter's
bodyguard,
and
also
appoints
a
personal
assistant
Mani
(Vivek).
The
marriage
with
the
Bangkok
guy
falls
through
due
to
Kathir
and
Mani's
idiotic
ideas.
In
a
twist
to
the
tale,
Kathir
ties
the
holy
knot
around
Abhi's
neck
with
the
blessing
of
Thangalakshmi.
After
the
marriage
only
Kathir
reveals
that
he
is
Kathiresan
son
of
her
own
brother
and
she
is
her
murai
Maappillai.
A
furious
Thangalakshmi
decides
to
cancel
the
marriage
and
go
back
to
Bangkok
with
her
daughter.
She
uses
Karakattakari
Namitha,
a
glam-shell,
to
separate
her
daughter
from
Kathir
but
fails.
At
the
same
time,
Kathiresan
challenges
her
to
send
Abhi
to
his
house
for
7
days,
during
which
he
will
convince
her
of
his
true
love
and
win
her
over.
If
he
fails
she
can
go
back
with
her
mother.
The
rest
of
the
film
is
how
Kathiresan
wins
over
Abhi
and
also
convinces
his
mother-in-law
(with
a
dreamy
duet
too).
Plus
and
minuses:
The
comedy
scenes
of
Vivek
and
Sundar,
Namitha's
glamorous
seduction
act
as
Karakattakari
with
a
low
neck
jacket
and
mini
skirt
will
surely
entertain
the
masses.
In
a
few
scenes,
Vivek's
role
irritates
viewers
especially
where
he
comes
as
Nattamai
and
son
roles
(he
repeats
the
same
role
in
many
films
including
the
recently
released
Thoondil).
Sundar
C
done
his
role
well
and
it
is
sure
that
he
will
become
one
of
the
busiest
action
heroes
for
the
next
couple
of
years.
Nadhiya
plays
an
arrogant
but
glamorous
mother-in-law.
She
is
even
dances
with
her
son
in
law
in
a
dream
duet.
It
seems
that
the
actress
enjoying
her
role
(whether
it
is
cliched
or
not)
throughout
the
movie.
Namitha
is
hot
and
as
usual
becomes
as
an
asset
to
this
kind
of
action
masala
movies.
There
is
no
scope
for
Ragini
to
act
but
tries
to
compete
with
Namitha
with
body
show.
Dheena's
recycled
music
is
loud
and
jarring.
He
has
copied
all
the
tunes
from
Ilayaraja's
old
films.
He
used
two
remixes
too.
One
is
the
popular
number
'Vaadi
en
Kappakizhange…'
which
is
sung
by
Sundar
C.
Once
again
director
Shakthi
Chidambaram
succeeds
with
his
typical
crass
masala
film
genre.